RECORDING November 2022 - 18

A Family of Amphion Monitors Compared
Amphion One12
At 10.2 " tall, 5.2 " wide and 8.7 " deep, the 13 lb One12 is the smallest model of the Amphion
line with a 4 1
/2 " aluminum woofer.
In his 2016 review, our previous editor immediately zeroed in on a hallmark of the Amphion
sound, the One12 monitor's impressive mid-range representation. He also noted that despite their
size and modestly stated 78 Hz bass response, his impression was that " bass guitar and upright
bass, low piano notes and kick drum, were all present and felt balanced, even though I wasn't
hearing the fundamental. "
He was most impressed that, " The combination of the passive radiator and the wide waveguide
for the tweeter produced a genuinely usable sweet spot that was marvelously wide and deep. To
say that these speakers were forgiving of the room acoustics would be an understatement. "
His final observation was, " The One12 is the first speaker I can remember hearing that has no obvious
sound of its own ... it just presents my music so I can work on it. That's one heck of a revelation. "
Amphion One15
The One15 has a 5.25 " aluminum woofer in a 12.44 " x 6.30 " x 10.33 " , 15.5 lb cabinet.
Note, the One15 and the One12 use traditional 3-way binding posts, while the larger models
are equipped with high-end connectors from Denmark-based Argento Audio.
By the time I reviewed the One15, I had been mixing on the One18 for almost a year, and
I knew the Amphion sound quite well.
I found that, " The One15 largely retains the clear, honest sound of the highs and upper
mids as the One18, but the bass is tighter and punchier. " Also, " The bass kicks a bit more on
the One15 over its big brother, which is fuller and more diffuse in comparison. " It also exhibited
a similar soundstage as the One18. With all Amphion offerings, " If you sit in the sweet
spot, close your eyes, hold out your arms to try and point at where you think the monitors are
and then open your eyes, you will most likely be pointing at much wider angles than where
the speakers really are! "
Amphion One18
The One18 was my entry point into the Amphion sound and ultimately, the model that
best suited my studio and my personal tastes. The One18 boasts a 6.5 " driver, and its
cabinet measures 15 " x 7.5 " x 12.4 " and weighs shy of 26.5 lbs.
Sonically, I found the One18, " Open, full, honest, clear, rich, subtle and bold, all at
the same time. " From there, I found it easier to describe what the One18 is not rather
than what it is.
" They do not have the modern ultra-bright studio monitor sound. They do not have
gobs of extended room-rattling low end, nor do they have scooped, tailored or exaggerated
mids. In essence, they sound as if nothing is exaggerated across the sonic spectrum. "
I also like that, " the One18 retains its fullness at low volumes and as such they are
exceptionally comfortable to mix on for extended periods of time. "
My favorite trait of the One18 (and the whole line) is the soundstage mentioned above.
I liked that I could walk around my studio with music playing, and, " The highs and mids
stayed tonally similar, with little rolloff or coloration-even when I was standing on the sides. "
At the time I purchased and purposely chose the Amp100 over the Amp500, as I
preferred the more open, almost feathery top end offered by the Amp100 to the tighter,
punchier Amp500. I don't know what internal voodoo was added in the current
Amp700, but it seems to provide the best of both worlds.
18 RECORDING November 2022

RECORDING November 2022

Table of Contents for the Digital Edition of RECORDING November 2022

Fade In
Fast Forward
Focal Sub6, Focal Sub One and Focal Sub12
Neumann NDH 30
A Family of Amphion Monitors Compared
Plugin Outlet: BABY Audio IHNY-2
KRK S10.4 Studio Subwoofer
A Space for Creative Inclinations: An Interview with David Crowder
Plugin Outlet: KIT Plugins Blackbird Mo-Q
Inside the Studio with Mark Hornsby: Paragon Studios 2.0
IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
Inside the Box with Joe Albano: Virtual Studio Modeling
ddrum NIO Percussion Pad
Yorkville Sound YSM5 Series II
Session Log with Marc Urselli: A Brief History of EastSide Sound
GIK Acoustics Sound Blocks
State of Acoustics 2022
Thermionic Culture The Fat Bustard II
Readers' Tracks
Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Intro
RECORDING November 2022 - Cover1
RECORDING November 2022 - Cover2
RECORDING November 2022 - 1
RECORDING November 2022 - 2
RECORDING November 2022 - 3
RECORDING November 2022 - Fade In
RECORDING November 2022 - 5
RECORDING November 2022 - 6
RECORDING November 2022 - 7
RECORDING November 2022 - Fast Forward
RECORDING November 2022 - 9
RECORDING November 2022 - Focal Sub6, Focal Sub One and Focal Sub12
RECORDING November 2022 - 11
RECORDING November 2022 - 12
RECORDING November 2022 - 13
RECORDING November 2022 - Neumann NDH 30
RECORDING November 2022 - 15
RECORDING November 2022 - A Family of Amphion Monitors Compared
RECORDING November 2022 - 17
RECORDING November 2022 - 18
RECORDING November 2022 - 19
RECORDING November 2022 - 20
RECORDING November 2022 - 21
RECORDING November 2022 - 22
RECORDING November 2022 - 23
RECORDING November 2022 - Plugin Outlet: BABY Audio IHNY-2
RECORDING November 2022 - 25
RECORDING November 2022 - KRK S10.4 Studio Subwoofer
RECORDING November 2022 - 27
RECORDING November 2022 - A Space for Creative Inclinations: An Interview with David Crowder
RECORDING November 2022 - 29
RECORDING November 2022 - 30
RECORDING November 2022 - 31
RECORDING November 2022 - 32
RECORDING November 2022 - 33
RECORDING November 2022 - 34
RECORDING November 2022 - 35
RECORDING November 2022 - Plugin Outlet: KIT Plugins Blackbird Mo-Q
RECORDING November 2022 - 37
RECORDING November 2022 - Inside the Studio with Mark Hornsby: Paragon Studios 2.0
RECORDING November 2022 - 39
RECORDING November 2022 - 40
RECORDING November 2022 - 41
RECORDING November 2022 - IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
RECORDING November 2022 - 43
RECORDING November 2022 - 44
RECORDING November 2022 - 45
RECORDING November 2022 - Inside the Box with Joe Albano: Virtual Studio Modeling
RECORDING November 2022 - 47
RECORDING November 2022 - 48
RECORDING November 2022 - 49
RECORDING November 2022 - ddrum NIO Percussion Pad
RECORDING November 2022 - 51
RECORDING November 2022 - Yorkville Sound YSM5 Series II
RECORDING November 2022 - 53
RECORDING November 2022 - Session Log with Marc Urselli: A Brief History of EastSide Sound
RECORDING November 2022 - 55
RECORDING November 2022 - 56
RECORDING November 2022 - 57
RECORDING November 2022 - GIK Acoustics Sound Blocks
RECORDING November 2022 - 59
RECORDING November 2022 - State of Acoustics 2022
RECORDING November 2022 - 61
RECORDING November 2022 - Thermionic Culture The Fat Bustard II
RECORDING November 2022 - 63
RECORDING November 2022 - Readers' Tracks
RECORDING November 2022 - 65
RECORDING November 2022 - 66
RECORDING November 2022 - 67
RECORDING November 2022 - 68
RECORDING November 2022 - 69
RECORDING November 2022 - 70
RECORDING November 2022 - 71
RECORDING November 2022 - Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Cover3
RECORDING November 2022 - Cover4
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