RECORDING November 2022 - 23

One12
Operating
Principle
Crossover
Impedance
Max SPL
Sensitivity
Frequency
Response
Power
recommendation
Price (each)
Amp Wattage
Price:
Two-way,
1,600 Hz
8 Ω
-
84 dB
@ 2.83V/1m
One15
Two-way,
passive radiator passive radiator
1,600 Hz
8 Ω
-
84 dB
@ 2.83V/1m
78 - 20,000 Hz 49 - 20,000 Hz
+/-3dB
+/-3dB
50 - 200 W
$750
Amp700
(Stereo)
2x 350 W @ 8 ohms;
2x 700 W @ 4 ohms
$2,000
50 - 200 W
$1,000
One18
Two-way,
passive radiator
1,600 Hz
8 Ω
-
85 dB
@ 2.83V/1m
45 - 20,000 Hz
+/-3dB
100 - 350 W
$1,500
Two15
Two-way,
passive radiator
1,600 Hz
4 Ω
-
86 dB
@ 2.83V/1m
Two18
Two-way,
passive radiator
1,600 Hz
4 Ω
-
89 dB
@ 2.83V/1m
44 - 20,000 Hz 40 - 20,000 Hz 20 Hz - 260 Hz
+/-3dB
+/-3dB
100 - 350 W
$2,000
Amp400.8
(8-Channel)
410 W @ 1 % THD+N, 20 Hz - 20 kHz, 4 Ω (2 channel driven)
205 W @ 1 % THD+N, 20 Hz - 20 kHz, 8 Ω (2 channel driven)
$4,500
100 - 350 W
$3,000
20 - 100 Hz
+/-3dB (low pass)
35 Hz - 200 kHz
+/-3dB (high pass)
-
$5,500
+/-3dB (low pass)
100 Hz - 200 kHz
+/-3dB (high pass)
-
$9,500
BaseFlex25
One-way
closed box,
stereo
Active 4th-order
@ 35-260 Hz
-
117dB
-
BaseTwo25
One way with
passive radiator,
stereo
Active 4th-order,
selectable @
40, 60, 80, 100 Hz
-
127dB
-
The attention to detail in the design of this preamp shows. No electrolytic capacitors
in the signal path, true diff erential amplifi er circuitry, and a transimpedance (current
feedback) gain stage result in all the detail of my many microphones coming through.
And the pre comes with a 20 year warranty (no joke). I could work with two or three of
the m801mk2 units as my only preamps at Jackpot! and I'd be totally happy for the rest
of my career. And I could stop worrying about which mic preamp to use... "
- Larry Crane, TapeOp Magazine, Jackpot! Recording Studio
www.gracedesign.com
http://gracedesign.com

RECORDING November 2022

Table of Contents for the Digital Edition of RECORDING November 2022

Fade In
Fast Forward
Focal Sub6, Focal Sub One and Focal Sub12
Neumann NDH 30
A Family of Amphion Monitors Compared
Plugin Outlet: BABY Audio IHNY-2
KRK S10.4 Studio Subwoofer
A Space for Creative Inclinations: An Interview with David Crowder
Plugin Outlet: KIT Plugins Blackbird Mo-Q
Inside the Studio with Mark Hornsby: Paragon Studios 2.0
IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
Inside the Box with Joe Albano: Virtual Studio Modeling
ddrum NIO Percussion Pad
Yorkville Sound YSM5 Series II
Session Log with Marc Urselli: A Brief History of EastSide Sound
GIK Acoustics Sound Blocks
State of Acoustics 2022
Thermionic Culture The Fat Bustard II
Readers' Tracks
Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Intro
RECORDING November 2022 - Cover1
RECORDING November 2022 - Cover2
RECORDING November 2022 - 1
RECORDING November 2022 - 2
RECORDING November 2022 - 3
RECORDING November 2022 - Fade In
RECORDING November 2022 - 5
RECORDING November 2022 - 6
RECORDING November 2022 - 7
RECORDING November 2022 - Fast Forward
RECORDING November 2022 - 9
RECORDING November 2022 - Focal Sub6, Focal Sub One and Focal Sub12
RECORDING November 2022 - 11
RECORDING November 2022 - 12
RECORDING November 2022 - 13
RECORDING November 2022 - Neumann NDH 30
RECORDING November 2022 - 15
RECORDING November 2022 - A Family of Amphion Monitors Compared
RECORDING November 2022 - 17
RECORDING November 2022 - 18
RECORDING November 2022 - 19
RECORDING November 2022 - 20
RECORDING November 2022 - 21
RECORDING November 2022 - 22
RECORDING November 2022 - 23
RECORDING November 2022 - Plugin Outlet: BABY Audio IHNY-2
RECORDING November 2022 - 25
RECORDING November 2022 - KRK S10.4 Studio Subwoofer
RECORDING November 2022 - 27
RECORDING November 2022 - A Space for Creative Inclinations: An Interview with David Crowder
RECORDING November 2022 - 29
RECORDING November 2022 - 30
RECORDING November 2022 - 31
RECORDING November 2022 - 32
RECORDING November 2022 - 33
RECORDING November 2022 - 34
RECORDING November 2022 - 35
RECORDING November 2022 - Plugin Outlet: KIT Plugins Blackbird Mo-Q
RECORDING November 2022 - 37
RECORDING November 2022 - Inside the Studio with Mark Hornsby: Paragon Studios 2.0
RECORDING November 2022 - 39
RECORDING November 2022 - 40
RECORDING November 2022 - 41
RECORDING November 2022 - IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
RECORDING November 2022 - 43
RECORDING November 2022 - 44
RECORDING November 2022 - 45
RECORDING November 2022 - Inside the Box with Joe Albano: Virtual Studio Modeling
RECORDING November 2022 - 47
RECORDING November 2022 - 48
RECORDING November 2022 - 49
RECORDING November 2022 - ddrum NIO Percussion Pad
RECORDING November 2022 - 51
RECORDING November 2022 - Yorkville Sound YSM5 Series II
RECORDING November 2022 - 53
RECORDING November 2022 - Session Log with Marc Urselli: A Brief History of EastSide Sound
RECORDING November 2022 - 55
RECORDING November 2022 - 56
RECORDING November 2022 - 57
RECORDING November 2022 - GIK Acoustics Sound Blocks
RECORDING November 2022 - 59
RECORDING November 2022 - State of Acoustics 2022
RECORDING November 2022 - 61
RECORDING November 2022 - Thermionic Culture The Fat Bustard II
RECORDING November 2022 - 63
RECORDING November 2022 - Readers' Tracks
RECORDING November 2022 - 65
RECORDING November 2022 - 66
RECORDING November 2022 - 67
RECORDING November 2022 - 68
RECORDING November 2022 - 69
RECORDING November 2022 - 70
RECORDING November 2022 - 71
RECORDING November 2022 - Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Cover3
RECORDING November 2022 - Cover4
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