RECORDING November 2022 - 30

A Space for Creative Inclinations
An Interview with
David Crowder
This is our studio ergonomics issue focusing
on studio design, acoustics and workflow.
All of that was the top priority. When I get home from the
road, I need everything to be dumb. I don't want to consider
things like patching and hooking things up. Everything is immediately
accessible, touchable and playable.
You have some nice keyboards
in your studio. Is that your main
instrument, or are you a guitarist?
Both, I grew up playing piano as a kid, with my mom shoving
me off to piano lessons. I hated it. I have vivid memories
of my friends playing football in our front yard, and I'm inside
practicing piano because my mom's making me. But by the
time I got to college, I'd kind of come around to it.
My dad owned an insurance agency in town, and I planned
to work for him when I finished college. So I figured I could
just study whatever I wanted at college, and being somewhat
musically inclined, I thought I'll go the easy music route, get a
BA with an emphasis in music, and have a great time at school.
As it turned out, it was not a fun degree and a lot more work
than I thought it would be [Laughs].
My junior year was when I fell in love with the guitar. There
was a dude playing guitar in the middle of campus-playing
like a Michael Hedges song. I had never heard an acoustic
guitar played like that. So, I was like, " I've gotta have him
teach me how to play. " I didn't know what standard tuning on
a guitar was for probably the first year, but I fell in love, and I
couldn't put the guitar down after that.
30 RECORDING November 2022
Do you consider yourself an audio engineer?
I'm a gorilla engineer. I know just enough in both the realms
of music and audio engineering to get me in trouble and to accommodate
my inclinations creatively. When I started making
music, I picked it up out of necessity, learning how to mic up
stuff and get something recorded.
We tried to do the producer route the first time we made a
record with the David Crowder band, and we didn't enjoy the
experience at all. But we had an engineer that we loved. His
name was Shane Wilson, and we learned a lot about how to
get around in a studio through Shane. Most of the gear I have
now is from his recommendations. But, even though I know how
gear works, I'm not going to mix my records. When we can, my
preference is to have an engineer that knows what they're doing
set up the signal chain and then let me go from there.
What DAW do you work in?
Ableton Live and Pro Tools. A lot of the music creation happens
in Ableton, and then I usually have it running in Rewire in
Pro Tools. I capture most of the live audio and analog stuff in
Pro Tools and the MIDI stuff in Ableton.
You built your studio in your basement, right?
That's correct. The basement was unfinished when we got the
house-just some basic rooms and these poles holding up the
rest of the house. We don't know what this room was initially
used for--I guess a storage room. We liked and kept the footprint
of it. Then we had an acoustician come down, shoot it,
and tell us where to set things up.
We weren't worried about sound isolation. So all the money went
into acoustic treatment. Because it's just my wife and me, she can
tell me to be quiet, or I can ask her to go somewhere else [Laughs].

RECORDING November 2022

Table of Contents for the Digital Edition of RECORDING November 2022

Fade In
Fast Forward
Focal Sub6, Focal Sub One and Focal Sub12
Neumann NDH 30
A Family of Amphion Monitors Compared
Plugin Outlet: BABY Audio IHNY-2
KRK S10.4 Studio Subwoofer
A Space for Creative Inclinations: An Interview with David Crowder
Plugin Outlet: KIT Plugins Blackbird Mo-Q
Inside the Studio with Mark Hornsby: Paragon Studios 2.0
IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
Inside the Box with Joe Albano: Virtual Studio Modeling
ddrum NIO Percussion Pad
Yorkville Sound YSM5 Series II
Session Log with Marc Urselli: A Brief History of EastSide Sound
GIK Acoustics Sound Blocks
State of Acoustics 2022
Thermionic Culture The Fat Bustard II
Readers' Tracks
Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Intro
RECORDING November 2022 - Cover1
RECORDING November 2022 - Cover2
RECORDING November 2022 - 1
RECORDING November 2022 - 2
RECORDING November 2022 - 3
RECORDING November 2022 - Fade In
RECORDING November 2022 - 5
RECORDING November 2022 - 6
RECORDING November 2022 - 7
RECORDING November 2022 - Fast Forward
RECORDING November 2022 - 9
RECORDING November 2022 - Focal Sub6, Focal Sub One and Focal Sub12
RECORDING November 2022 - 11
RECORDING November 2022 - 12
RECORDING November 2022 - 13
RECORDING November 2022 - Neumann NDH 30
RECORDING November 2022 - 15
RECORDING November 2022 - A Family of Amphion Monitors Compared
RECORDING November 2022 - 17
RECORDING November 2022 - 18
RECORDING November 2022 - 19
RECORDING November 2022 - 20
RECORDING November 2022 - 21
RECORDING November 2022 - 22
RECORDING November 2022 - 23
RECORDING November 2022 - Plugin Outlet: BABY Audio IHNY-2
RECORDING November 2022 - 25
RECORDING November 2022 - KRK S10.4 Studio Subwoofer
RECORDING November 2022 - 27
RECORDING November 2022 - A Space for Creative Inclinations: An Interview with David Crowder
RECORDING November 2022 - 29
RECORDING November 2022 - 30
RECORDING November 2022 - 31
RECORDING November 2022 - 32
RECORDING November 2022 - 33
RECORDING November 2022 - 34
RECORDING November 2022 - 35
RECORDING November 2022 - Plugin Outlet: KIT Plugins Blackbird Mo-Q
RECORDING November 2022 - 37
RECORDING November 2022 - Inside the Studio with Mark Hornsby: Paragon Studios 2.0
RECORDING November 2022 - 39
RECORDING November 2022 - 40
RECORDING November 2022 - 41
RECORDING November 2022 - IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
RECORDING November 2022 - 43
RECORDING November 2022 - 44
RECORDING November 2022 - 45
RECORDING November 2022 - Inside the Box with Joe Albano: Virtual Studio Modeling
RECORDING November 2022 - 47
RECORDING November 2022 - 48
RECORDING November 2022 - 49
RECORDING November 2022 - ddrum NIO Percussion Pad
RECORDING November 2022 - 51
RECORDING November 2022 - Yorkville Sound YSM5 Series II
RECORDING November 2022 - 53
RECORDING November 2022 - Session Log with Marc Urselli: A Brief History of EastSide Sound
RECORDING November 2022 - 55
RECORDING November 2022 - 56
RECORDING November 2022 - 57
RECORDING November 2022 - GIK Acoustics Sound Blocks
RECORDING November 2022 - 59
RECORDING November 2022 - State of Acoustics 2022
RECORDING November 2022 - 61
RECORDING November 2022 - Thermionic Culture The Fat Bustard II
RECORDING November 2022 - 63
RECORDING November 2022 - Readers' Tracks
RECORDING November 2022 - 65
RECORDING November 2022 - 66
RECORDING November 2022 - 67
RECORDING November 2022 - 68
RECORDING November 2022 - 69
RECORDING November 2022 - 70
RECORDING November 2022 - 71
RECORDING November 2022 - Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Cover3
RECORDING November 2022 - Cover4
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