RECORDING November 2022 - 44
REVIEW
IK Multimedia
iLoud Precision Monitors
Precision 6 Experiences
The Precision 6 feels like a slightly scaled-back
version of the MTM, with a touch
less bass reproduction, yet still capable of
achieving a nice sense of loudness. Our
A Room at Coupe Studios typically hosts
Genelec 8351B 3-way monitors (armed
with dual 8 " woofers and a matching sub
from Genelec), and the Precision 6 didn't
feel underpowered for the space. They
are more than capable of enveloping larger
spaces while maintaining a fast and
accurate response. The only notable difference
when jumping between the MTM
and the Precision 6 was the slightly more
taxed low-end reproduction, and vocals
seemed to translate marginally more
forward on the Precision 6.
Please Standby
The last button engages the now industry-standard Auto Standby mode. I did experience
a bit of inconsistency with the pre-set listening threshold. A few times I encountered
the monitors going into standby while I was actively mixing at moderate 70-75dB
levels, which was enough for me to turn this feature off to avoid further interruptions.
In Use: Pro Studio
I had the opportunity to leave all three pairs set up side-by-side for a few weeks of
daily mixing and listening sessions. I found an immediate familiarity with the Precision
series. By that, I mean there weren't any unpleasant surprises in my usual reference
mixes, such as the ol' standby Aja by Steely Dan. Everything translated exactly as
expected, and switching between models on the fly resulted in an impressively uniform
sound across the line. Every track sounds natural and accurate, without any noticeable
coloration. For most of my testing, I set the rear controls to FLAT and didn't impose any
DSP room correction in the treated control room at Coupe Studios.
Precision MTM Experiences
The iLoud Precision MTM has a beautiful soundstage with laser accurate imaging, punchy
transients, and truly physics-defying bass. Despite setting up the system intentionally
without a sub, I had to double-take after listening to " Ekuté " by Pino Palladino + Blake
Mills. The sense of sub-bass frequencies produced (specifically by the kick when the drum
kit comes in) made me pause to ensure another engineer hadn't rigged up a sub while
I wasn't in the room! That being said, the low end doesn't overshadow the rest of the
spectrum on the Precision MTM-I don't detect any abuse of bass just for the sake of bass.
The low end is capable when the content demands it but accurate overall.
The rest of the response follows suit, with an incredibly balanced tonality throughout
the spectrum. In some cases, monitors designed for 'accuracy above all else' can be
clinical and often don't make music fun to listen to-making you work harder for your
mixes. While there is a place and need for those types of monitors, I think IK found
a pleasant middle ground. While tuned for accuracy from head to toe, the Precision
series models still translate the energy and excitement in the source material.
The enjoyable listening experience is partly due to the deep and detailed stereo
imaging. At times the monitors seemed to transparently dissolve into the meter bridge.
44 RECORDING November 2022
Precision 5 Experiences
While the Precision 5 also performed
admirably in the larger control room
environment, they did feel a tad underpowered
for the space. So, to give the
Precision 5 a more accurate representation
of a real-world room they'd typically
be set up in, I decided to put them
through the paces at my (much smaller)
home studio.
In Use: Project Studio
If you're mixing in a smaller space (or
need portability) but still demand precision,
the Precision 5 thrives here. I spent
time mixing in my home studio-with
and without ARC room correction and
a small sub (ADAM Audio Sub7). In this
environment, the Precision 5 provided
an enveloping sound stage with crisp
transients and a transparent
tonality
throughout the spectrum. It didn't take
long to gain confidence in what I was
hearing, which was confirmed by the excellent
translation to the bigger Precision
siblings at the studio and various other
playback systems I tried. The ARC room
calibration enhanced the response, most
notably in the lower midrange in my
case, as it accounted for my less-thanideal
placement against a wall.
After some testing, I ultimately left the sub
on, which provided a small amount of lowend
support. However, I'd put the supplemental
sub in the " nice to have " category
with the Precision 5, not " need to have. "
Similar to its 6 " sibling, the bass response
in the Precision 5 is admirable for its size
but isn't quite as effortless in the sub-bass
realm as the larger Precision MTM.
RECORDING November 2022
Table of Contents for the Digital Edition of RECORDING November 2022
Fade In
Fast Forward
Focal Sub6, Focal Sub One and Focal Sub12
Neumann NDH 30
A Family of Amphion Monitors Compared
Plugin Outlet: BABY Audio IHNY-2
KRK S10.4 Studio Subwoofer
A Space for Creative Inclinations: An Interview with David Crowder
Plugin Outlet: KIT Plugins Blackbird Mo-Q
Inside the Studio with Mark Hornsby: Paragon Studios 2.0
IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
Inside the Box with Joe Albano: Virtual Studio Modeling
ddrum NIO Percussion Pad
Yorkville Sound YSM5 Series II
Session Log with Marc Urselli: A Brief History of EastSide Sound
GIK Acoustics Sound Blocks
State of Acoustics 2022
Thermionic Culture The Fat Bustard II
Readers' Tracks
Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Intro
RECORDING November 2022 - Cover1
RECORDING November 2022 - Cover2
RECORDING November 2022 - 1
RECORDING November 2022 - 2
RECORDING November 2022 - 3
RECORDING November 2022 - Fade In
RECORDING November 2022 - 5
RECORDING November 2022 - 6
RECORDING November 2022 - 7
RECORDING November 2022 - Fast Forward
RECORDING November 2022 - 9
RECORDING November 2022 - Focal Sub6, Focal Sub One and Focal Sub12
RECORDING November 2022 - 11
RECORDING November 2022 - 12
RECORDING November 2022 - 13
RECORDING November 2022 - Neumann NDH 30
RECORDING November 2022 - 15
RECORDING November 2022 - A Family of Amphion Monitors Compared
RECORDING November 2022 - 17
RECORDING November 2022 - 18
RECORDING November 2022 - 19
RECORDING November 2022 - 20
RECORDING November 2022 - 21
RECORDING November 2022 - 22
RECORDING November 2022 - 23
RECORDING November 2022 - Plugin Outlet: BABY Audio IHNY-2
RECORDING November 2022 - 25
RECORDING November 2022 - KRK S10.4 Studio Subwoofer
RECORDING November 2022 - 27
RECORDING November 2022 - A Space for Creative Inclinations: An Interview with David Crowder
RECORDING November 2022 - 29
RECORDING November 2022 - 30
RECORDING November 2022 - 31
RECORDING November 2022 - 32
RECORDING November 2022 - 33
RECORDING November 2022 - 34
RECORDING November 2022 - 35
RECORDING November 2022 - Plugin Outlet: KIT Plugins Blackbird Mo-Q
RECORDING November 2022 - 37
RECORDING November 2022 - Inside the Studio with Mark Hornsby: Paragon Studios 2.0
RECORDING November 2022 - 39
RECORDING November 2022 - 40
RECORDING November 2022 - 41
RECORDING November 2022 - IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
RECORDING November 2022 - 43
RECORDING November 2022 - 44
RECORDING November 2022 - 45
RECORDING November 2022 - Inside the Box with Joe Albano: Virtual Studio Modeling
RECORDING November 2022 - 47
RECORDING November 2022 - 48
RECORDING November 2022 - 49
RECORDING November 2022 - ddrum NIO Percussion Pad
RECORDING November 2022 - 51
RECORDING November 2022 - Yorkville Sound YSM5 Series II
RECORDING November 2022 - 53
RECORDING November 2022 - Session Log with Marc Urselli: A Brief History of EastSide Sound
RECORDING November 2022 - 55
RECORDING November 2022 - 56
RECORDING November 2022 - 57
RECORDING November 2022 - GIK Acoustics Sound Blocks
RECORDING November 2022 - 59
RECORDING November 2022 - State of Acoustics 2022
RECORDING November 2022 - 61
RECORDING November 2022 - Thermionic Culture The Fat Bustard II
RECORDING November 2022 - 63
RECORDING November 2022 - Readers' Tracks
RECORDING November 2022 - 65
RECORDING November 2022 - 66
RECORDING November 2022 - 67
RECORDING November 2022 - 68
RECORDING November 2022 - 69
RECORDING November 2022 - 70
RECORDING November 2022 - 71
RECORDING November 2022 - Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Cover3
RECORDING November 2022 - Cover4
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