RECORDING November 2022 - 45
X-MONITOR + ARC System 3
I previously covered the ARC System 3
software on its own in November 2020, in
September 2019 (part of the original iLoud
MTM review), and July 2021 (part of Total
Studio 3 MAX). In short, it compensates for
your room's acoustics using the included
measurement microphone and stores these
profiles in a dedicated plugin or directly
into the Precision monitors.
The X-MONITOR software is included
with the Precision monitors, opening the
door to additional acoustic and voicing adjustments.
X-MONITOR integrates with the
onboard DSP seamlessly, even allowing for
adjustments to the back panel controls entirely
through the software. It also provides
visualizations for pre and post-correction
curves, creating your own frequency response
and the option to emulate more
than 20 additional iconic monitors.
The optional remote control allows you
to store four different monitor 'voices'
and toggle between them on the fly. This
could be handy if you want to A/B the accuracy
of the Precision monitors against
another style of your choosing, offering
a whole new perspective while mixing.
Final Thoughts
As mentioned, I was already a fan of the previous iLoud series, and The IK Multimedia
iLoud Precision line builds on the stellar iLoud reputation. In fact, it over
delivers, surpassing all expectations I had entering the review. All three models
straddle the line beautifully between purpose-built accurate mixing tools and monitors
on which you want to kick back and listen to your favorite albums. I found
myself mixing for long periods without encountering significant signs of fatigue,
and across the board had excellent mix translation to all types of consumer and
pro audio systems.
At the end of the day, that's all you can hope for in a monitoring system-confidence
and trust in what you're hearing. If it manages to simultaneously get you excited to
mix and listen to music every day, that's an even bigger win.
Precision 5 ..... Precision 6 ..... Precision MTM
Total RMS Power ........................135 W .............150 W ..............175 W
Max SPL (peak, pair, music) ........114.5dB...........116dB ..............119dB
Crossover Frequency ..................2.1 kHz ............1.9 kHz ............1.9 kHz
LF Power Amp (Short-term) .......110 W..............120 W ..............145 W
HF Power Amp (Short term) .......25 W................30 W ................30 W
THD ............................................0.005% ............0.005% ............0.005%
Unit-to-Unit Variance ..................+/-0.5dB ..........+/-0.5dB ..........+/-0.5dB
Price: $899 (each) iLoud Precision 5; $999 (each) iLoud Precision 6;
$1,199 (each) iLoud Precision MTM
More from: ikmultimedia.com
STEREO PASSIVE EQUALIZER
NEW!
- CLASSIC EQ DESIGN, 100% ANALOG HARDWARE -
- STEREO MATCHED CHANNELS -
- CONTROL VIA FRONT PANEL OR DAW PLUGIN -
- SETTING RECALL VIA DAW PLUGIN -
$1999 USA MAP
www.transaudiogroup.com
http://ikmultimedia.com
http://transaudiogroup.com
RECORDING November 2022
Table of Contents for the Digital Edition of RECORDING November 2022
Fade In
Fast Forward
Focal Sub6, Focal Sub One and Focal Sub12
Neumann NDH 30
A Family of Amphion Monitors Compared
Plugin Outlet: BABY Audio IHNY-2
KRK S10.4 Studio Subwoofer
A Space for Creative Inclinations: An Interview with David Crowder
Plugin Outlet: KIT Plugins Blackbird Mo-Q
Inside the Studio with Mark Hornsby: Paragon Studios 2.0
IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
Inside the Box with Joe Albano: Virtual Studio Modeling
ddrum NIO Percussion Pad
Yorkville Sound YSM5 Series II
Session Log with Marc Urselli: A Brief History of EastSide Sound
GIK Acoustics Sound Blocks
State of Acoustics 2022
Thermionic Culture The Fat Bustard II
Readers' Tracks
Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Intro
RECORDING November 2022 - Cover1
RECORDING November 2022 - Cover2
RECORDING November 2022 - 1
RECORDING November 2022 - 2
RECORDING November 2022 - 3
RECORDING November 2022 - Fade In
RECORDING November 2022 - 5
RECORDING November 2022 - 6
RECORDING November 2022 - 7
RECORDING November 2022 - Fast Forward
RECORDING November 2022 - 9
RECORDING November 2022 - Focal Sub6, Focal Sub One and Focal Sub12
RECORDING November 2022 - 11
RECORDING November 2022 - 12
RECORDING November 2022 - 13
RECORDING November 2022 - Neumann NDH 30
RECORDING November 2022 - 15
RECORDING November 2022 - A Family of Amphion Monitors Compared
RECORDING November 2022 - 17
RECORDING November 2022 - 18
RECORDING November 2022 - 19
RECORDING November 2022 - 20
RECORDING November 2022 - 21
RECORDING November 2022 - 22
RECORDING November 2022 - 23
RECORDING November 2022 - Plugin Outlet: BABY Audio IHNY-2
RECORDING November 2022 - 25
RECORDING November 2022 - KRK S10.4 Studio Subwoofer
RECORDING November 2022 - 27
RECORDING November 2022 - A Space for Creative Inclinations: An Interview with David Crowder
RECORDING November 2022 - 29
RECORDING November 2022 - 30
RECORDING November 2022 - 31
RECORDING November 2022 - 32
RECORDING November 2022 - 33
RECORDING November 2022 - 34
RECORDING November 2022 - 35
RECORDING November 2022 - Plugin Outlet: KIT Plugins Blackbird Mo-Q
RECORDING November 2022 - 37
RECORDING November 2022 - Inside the Studio with Mark Hornsby: Paragon Studios 2.0
RECORDING November 2022 - 39
RECORDING November 2022 - 40
RECORDING November 2022 - 41
RECORDING November 2022 - IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
RECORDING November 2022 - 43
RECORDING November 2022 - 44
RECORDING November 2022 - 45
RECORDING November 2022 - Inside the Box with Joe Albano: Virtual Studio Modeling
RECORDING November 2022 - 47
RECORDING November 2022 - 48
RECORDING November 2022 - 49
RECORDING November 2022 - ddrum NIO Percussion Pad
RECORDING November 2022 - 51
RECORDING November 2022 - Yorkville Sound YSM5 Series II
RECORDING November 2022 - 53
RECORDING November 2022 - Session Log with Marc Urselli: A Brief History of EastSide Sound
RECORDING November 2022 - 55
RECORDING November 2022 - 56
RECORDING November 2022 - 57
RECORDING November 2022 - GIK Acoustics Sound Blocks
RECORDING November 2022 - 59
RECORDING November 2022 - State of Acoustics 2022
RECORDING November 2022 - 61
RECORDING November 2022 - Thermionic Culture The Fat Bustard II
RECORDING November 2022 - 63
RECORDING November 2022 - Readers' Tracks
RECORDING November 2022 - 65
RECORDING November 2022 - 66
RECORDING November 2022 - 67
RECORDING November 2022 - 68
RECORDING November 2022 - 69
RECORDING November 2022 - 70
RECORDING November 2022 - 71
RECORDING November 2022 - Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Cover3
RECORDING November 2022 - Cover4
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