RECORDING November 2022 - 56
THE P-12 FAITHFULLY REPRODUCES
THE CLARITY, OPENNESS,
AND
TOP-END AIR THAT MADE THE ORIGINAL
C12 ONE OF THE WORLD'S FINEST
VOCAL MICROPHONES.
og
L Session
og
OF EASTSIDE SOUND
L Session
by Marc Urselli
A BRIEF
HISTORY
L SessionBut it's not just about silence and isolation,
it goes way beyond that. The rooms
sound good. They are alive, but not too
lively, with surfaces made of mixed materials
with different absorption and reflective
qualities, such as Fender grill cloth fabric
at the bottom, soft fabric at the top and
wood slats to break up sound waves. And
then, there is symmetry and asymmetry.
The ten sides of the control room's decagon
are perfectly symmetrical with each
other, but all the other rooms have different
shapes and sizes with many corners,
often wider than your average 90-degree
corner, to avoid the accumulation of bass
frequencies. The build-out of this studio is
truly a work of art in itself, and sadly studios
are rarely built like this anymore.
og
THEN THERE'S THE GEAR
After
the
console,
the
next
most
important piece of equipment in a studio
is the monitors. People often forget that
monitor choice often affects the studio
design itself. For example, the width of
the window between the control room
and the
live room may depend on
whether you are going to have soffitmounted
speakers or speakers on a
stand. Will they go into the wall above
the glass or on the sides of the window?
Originally we built the new EastSide
around a pair of Augspurger monitors
with a wooden horn, two 12 " woofers
and one 18 " subwoofer on each side.
These monsters were built as freestanding
units that stood 6' tall, sitting on a
base filled with sand for stability and
mass. After about 10-15 years, we
switched to a pair of ADAM Audio S5H
monitors, which I personally prefer. They
are half the size of the previous boxes
but pack a nice punch. They also offer
a consistent, reliable sound and don't
need to be retuned often as they aren't
affected by humidity in their wood.
Since they were the same width as the
previous boxes, we were able to repurpose
the wooden structure in the wall
and soffit-mount the new speakers.
Live room as seen from largest booth
Construction of the control room
Big beautiful top-end air
Rich lows & smooth mid-range
Warm and quiet tube mic
Edge-terminated brass capsule
9 indexed polar-patterns
Handmade in USA
Control room side wall
PELUSOMICROPHONELAB.COM
Peluso Microphone Lab
Live room with all the booths
56 RECORDING November 2022
CONDENSER TUBE MICROPHONE
CLASSIC LARGE DIAMETER
P-12
http://www.PELUSOMICROPHONELAB.COM
RECORDING November 2022
Table of Contents for the Digital Edition of RECORDING November 2022
Fade In
Fast Forward
Focal Sub6, Focal Sub One and Focal Sub12
Neumann NDH 30
A Family of Amphion Monitors Compared
Plugin Outlet: BABY Audio IHNY-2
KRK S10.4 Studio Subwoofer
A Space for Creative Inclinations: An Interview with David Crowder
Plugin Outlet: KIT Plugins Blackbird Mo-Q
Inside the Studio with Mark Hornsby: Paragon Studios 2.0
IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
Inside the Box with Joe Albano: Virtual Studio Modeling
ddrum NIO Percussion Pad
Yorkville Sound YSM5 Series II
Session Log with Marc Urselli: A Brief History of EastSide Sound
GIK Acoustics Sound Blocks
State of Acoustics 2022
Thermionic Culture The Fat Bustard II
Readers' Tracks
Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Intro
RECORDING November 2022 - Cover1
RECORDING November 2022 - Cover2
RECORDING November 2022 - 1
RECORDING November 2022 - 2
RECORDING November 2022 - 3
RECORDING November 2022 - Fade In
RECORDING November 2022 - 5
RECORDING November 2022 - 6
RECORDING November 2022 - 7
RECORDING November 2022 - Fast Forward
RECORDING November 2022 - 9
RECORDING November 2022 - Focal Sub6, Focal Sub One and Focal Sub12
RECORDING November 2022 - 11
RECORDING November 2022 - 12
RECORDING November 2022 - 13
RECORDING November 2022 - Neumann NDH 30
RECORDING November 2022 - 15
RECORDING November 2022 - A Family of Amphion Monitors Compared
RECORDING November 2022 - 17
RECORDING November 2022 - 18
RECORDING November 2022 - 19
RECORDING November 2022 - 20
RECORDING November 2022 - 21
RECORDING November 2022 - 22
RECORDING November 2022 - 23
RECORDING November 2022 - Plugin Outlet: BABY Audio IHNY-2
RECORDING November 2022 - 25
RECORDING November 2022 - KRK S10.4 Studio Subwoofer
RECORDING November 2022 - 27
RECORDING November 2022 - A Space for Creative Inclinations: An Interview with David Crowder
RECORDING November 2022 - 29
RECORDING November 2022 - 30
RECORDING November 2022 - 31
RECORDING November 2022 - 32
RECORDING November 2022 - 33
RECORDING November 2022 - 34
RECORDING November 2022 - 35
RECORDING November 2022 - Plugin Outlet: KIT Plugins Blackbird Mo-Q
RECORDING November 2022 - 37
RECORDING November 2022 - Inside the Studio with Mark Hornsby: Paragon Studios 2.0
RECORDING November 2022 - 39
RECORDING November 2022 - 40
RECORDING November 2022 - 41
RECORDING November 2022 - IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
RECORDING November 2022 - 43
RECORDING November 2022 - 44
RECORDING November 2022 - 45
RECORDING November 2022 - Inside the Box with Joe Albano: Virtual Studio Modeling
RECORDING November 2022 - 47
RECORDING November 2022 - 48
RECORDING November 2022 - 49
RECORDING November 2022 - ddrum NIO Percussion Pad
RECORDING November 2022 - 51
RECORDING November 2022 - Yorkville Sound YSM5 Series II
RECORDING November 2022 - 53
RECORDING November 2022 - Session Log with Marc Urselli: A Brief History of EastSide Sound
RECORDING November 2022 - 55
RECORDING November 2022 - 56
RECORDING November 2022 - 57
RECORDING November 2022 - GIK Acoustics Sound Blocks
RECORDING November 2022 - 59
RECORDING November 2022 - State of Acoustics 2022
RECORDING November 2022 - 61
RECORDING November 2022 - Thermionic Culture The Fat Bustard II
RECORDING November 2022 - 63
RECORDING November 2022 - Readers' Tracks
RECORDING November 2022 - 65
RECORDING November 2022 - 66
RECORDING November 2022 - 67
RECORDING November 2022 - 68
RECORDING November 2022 - 69
RECORDING November 2022 - 70
RECORDING November 2022 - 71
RECORDING November 2022 - Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Cover3
RECORDING November 2022 - Cover4
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