RECORDING November 2022 - 69

and thank you for always being helpful in the Forums
and helpful with new people at the Rally.
Continued from page 66
short emails to libraries-nobody wants to read
eight paragraphs. In two or three sentences you
should be able to say what you want and ask them if
they're interested in listening and what format they
would like to receive that in.
Dean made this point before, and I want to underline
it. The more time they spend talking to you... You
can't be narcissistic; it's not all about you. They've got a
hundred, 200, 500, a thousand composers in their catalog;
if they spend 20 minutes on the phone once a
week with each of those, they have no time to get out
there and make you money with your music. So, if they
make a buck, you'remaking a buck. They choose to
spend their time getting music into shows and films
and video games, commercials, whatever, rather than
being your handholding buddy in the music business.
That's why they all love TAXI, because we do the handholding
and kind of teach you how to get to that pro
level. And then, once you kind of graduate from TAXI
and you're on your own, at that point you don't really
need us. But a lot of people continue to be members,
because some libraries that you are in now, maybe
they've got a great relationship with a hit show and
that show after nine years gets canceled. And now
they've lost their biggest client, and their sales may
drop by 30% next year, and you've got a lot of stuff in
that catalog.
So, use TAXI to build new relationships all the time,
because, like Deano, you want yourself out there in as
many catalogs as you can get, but not necessarily the
ones where you can generally upload your music to a
company online. In most cases, that's a bad sign. It
hurts me-it drives me crazy more than hurting me-
when people post on a forum somewhere on social
media, " Oh, this got rejected by TAXI, but I got it into a
library, " and people go, " Oh, they're holding you back,
but you did it on your own. Good for you. " But what
they don't know is, you've put it in some crap library
that would take somebody farting the national
anthem.
Not a bad idea. [laughs]
We actually had somebody do that years ago. Somewhere
in the office we have a recording of somebody
farting some famous tune! But, I digress...
Dean, you know, the fact that you are so accessible, so
helpful at the Road Rallies-the physical ones-to
other people. It's people like you, in meeting guys like
you, becoming friends with you and developing relationships.
We've known each other for somewhere
around 20 years. On my really bad days at TAXI, it's people
like you that remind me why I do this, why I work
as much as I do. I am just so proud of you, and the other
people like you that looked at it and went, " I can make
this work. " And you've turned it into your full-time gig,
you're making a nice living at it and you share, and you
inspire others. So, congratulations on all that success,
RECORDING November 2022 69
I really, really am sorry I forgot the orange book,
which is still at the office. I'm looking over at my box
of books here. But these two books-I'll hold them
up one at a time. Demystifying the Genre, if you
haven't read this book-and I'm not saying this
because I'm looking at Dean and I'm trying to score
points with him-I'm saying this because I absolutely
believe it from my core. If you haven't read this book
[he shows book], then you are going to take twice as
long and work twice as hard and make easily twice as
many mistakes. Spend $20, $30, whatever these
books cost. How much do they cost, Deano?
I don't know. $15 or $20?
All of Dean's amazing books are on Amazon. They are
" must-reads " for anybody who wants to get into the
production music side of the music business!
I want to thank you, Michael. It all started for me
with my relationship with TAXI, with you, with the
community and the people in the community that
you fostered, that you've cultivated, that you've
grown, and the teaching and learning here and the
opportunities. Just thank you so much. And I got gold
records because of you and TAXI. Thank you!
No, you got gold records because you wrote great
songs. TAXI just made the introduction. We bring you
to the dance, but you've got to get up there and
boogie.
Well, thank you and your whole staff!
Thank you, Dean. Ladies and gentlemen, Mr. Dean
Krippaehne!
http://recordingmag.com/total-recording http://taxi.com

RECORDING November 2022

Table of Contents for the Digital Edition of RECORDING November 2022

Fade In
Fast Forward
Focal Sub6, Focal Sub One and Focal Sub12
Neumann NDH 30
A Family of Amphion Monitors Compared
Plugin Outlet: BABY Audio IHNY-2
KRK S10.4 Studio Subwoofer
A Space for Creative Inclinations: An Interview with David Crowder
Plugin Outlet: KIT Plugins Blackbird Mo-Q
Inside the Studio with Mark Hornsby: Paragon Studios 2.0
IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
Inside the Box with Joe Albano: Virtual Studio Modeling
ddrum NIO Percussion Pad
Yorkville Sound YSM5 Series II
Session Log with Marc Urselli: A Brief History of EastSide Sound
GIK Acoustics Sound Blocks
State of Acoustics 2022
Thermionic Culture The Fat Bustard II
Readers' Tracks
Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Intro
RECORDING November 2022 - Cover1
RECORDING November 2022 - Cover2
RECORDING November 2022 - 1
RECORDING November 2022 - 2
RECORDING November 2022 - 3
RECORDING November 2022 - Fade In
RECORDING November 2022 - 5
RECORDING November 2022 - 6
RECORDING November 2022 - 7
RECORDING November 2022 - Fast Forward
RECORDING November 2022 - 9
RECORDING November 2022 - Focal Sub6, Focal Sub One and Focal Sub12
RECORDING November 2022 - 11
RECORDING November 2022 - 12
RECORDING November 2022 - 13
RECORDING November 2022 - Neumann NDH 30
RECORDING November 2022 - 15
RECORDING November 2022 - A Family of Amphion Monitors Compared
RECORDING November 2022 - 17
RECORDING November 2022 - 18
RECORDING November 2022 - 19
RECORDING November 2022 - 20
RECORDING November 2022 - 21
RECORDING November 2022 - 22
RECORDING November 2022 - 23
RECORDING November 2022 - Plugin Outlet: BABY Audio IHNY-2
RECORDING November 2022 - 25
RECORDING November 2022 - KRK S10.4 Studio Subwoofer
RECORDING November 2022 - 27
RECORDING November 2022 - A Space for Creative Inclinations: An Interview with David Crowder
RECORDING November 2022 - 29
RECORDING November 2022 - 30
RECORDING November 2022 - 31
RECORDING November 2022 - 32
RECORDING November 2022 - 33
RECORDING November 2022 - 34
RECORDING November 2022 - 35
RECORDING November 2022 - Plugin Outlet: KIT Plugins Blackbird Mo-Q
RECORDING November 2022 - 37
RECORDING November 2022 - Inside the Studio with Mark Hornsby: Paragon Studios 2.0
RECORDING November 2022 - 39
RECORDING November 2022 - 40
RECORDING November 2022 - 41
RECORDING November 2022 - IK Multimedia iLoud Precision MTM, Precision 5 & Precision 6
RECORDING November 2022 - 43
RECORDING November 2022 - 44
RECORDING November 2022 - 45
RECORDING November 2022 - Inside the Box with Joe Albano: Virtual Studio Modeling
RECORDING November 2022 - 47
RECORDING November 2022 - 48
RECORDING November 2022 - 49
RECORDING November 2022 - ddrum NIO Percussion Pad
RECORDING November 2022 - 51
RECORDING November 2022 - Yorkville Sound YSM5 Series II
RECORDING November 2022 - 53
RECORDING November 2022 - Session Log with Marc Urselli: A Brief History of EastSide Sound
RECORDING November 2022 - 55
RECORDING November 2022 - 56
RECORDING November 2022 - 57
RECORDING November 2022 - GIK Acoustics Sound Blocks
RECORDING November 2022 - 59
RECORDING November 2022 - State of Acoustics 2022
RECORDING November 2022 - 61
RECORDING November 2022 - Thermionic Culture The Fat Bustard II
RECORDING November 2022 - 63
RECORDING November 2022 - Readers' Tracks
RECORDING November 2022 - 65
RECORDING November 2022 - 66
RECORDING November 2022 - 67
RECORDING November 2022 - 68
RECORDING November 2022 - 69
RECORDING November 2022 - 70
RECORDING November 2022 - 71
RECORDING November 2022 - Fade Out: Studio Thoughts from Allen Sides
RECORDING November 2022 - Cover3
RECORDING November 2022 - Cover4
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