RECORDING January 2023 - 44

REVIEW
sE
Electronics
T2
The sound of titanium-
updated!
REVIEW BY PAUL VNUK JR.
he T2 is the latest microphone release from sE Electronics. If you are
thinking, " Wait, wasn't the T2 released 14 years ago, in 2009? " The
answer is, " Yes, yes it was. " When companies often update a product,
they proudly label it as version 2 or give it a new name. Other times, they
improve the product and casually slip it into the marketplace-this is one
of those times. So, let's check out the new and improved sE Electronics T2.
design
of
the
sE 4400a with the dual-diaphragm
titanium capsule from the sE Titan
(reviewed in March 2008), which it
effectively replaced in the line.
The 4400a has also been updated
and rereleased, and we will be looking
at the new dubbed sE4400 in a future issue.
According to sE, both models retain
the sound of the originals, and the bulk of
the improvements lie in their fit and finish.
Looks, Finish and Build
The T2 is a large-diaphragm multi-pattern
transformerless FET mic. Its center
terminated, dual 1 " true condenser capsule
is made of Titanium-sputtered mylar
rather than the typical gold-sputtered
offerings found in most condenser mics.
Visually the T2 is in the mid-70s
Austrian-school
side-by-side with an original, I can say that
the current T2 looks built to take a licking
and keep on ticking-perfectly suited for
the rigors of stage use as well as the studio.
In Control
The T2 boasts four matching all-metal
mechanical controls. The first pair of
3-position
toggle switches engage a
-10/-20dB pad and a 40 or 80 Hz,
6dB/Oct low-cut filter.
The second pair of toggles select the
polar pattern options. The first 3-position
switch selects between Omni and Fig. 8
on the sides, but when in its center position,
it shifts control over to the second
2-position switch for a choice of cardioid
and hypercardioid pattern options.
Shocking!
style, sporting a flat,
rectangular 5.75 " x 2.32 " x 1.10 "
body with gently curved sides.
While it looks identical to its past self,
the new die-cast metal T2 body is dressed
in a dent-proof hand polished nickel finish
with an improved reinforced spring steel
wire mesh grille. While I can't compare it
44 RECORDING January 2023
The included low-profile, open-front
shock mount is the last of the new improvements.
While similar to the previT
Pleased
to Meet You Again
The original sE Electronics T2 blended
the body and circuit
ous offering, the updated design is more
streamlined, with a large thumbscrew
for the adjustable mic mount and a rubber
base. It has a nicely improved, snug
screw-on compression clamp that holds
firm to the mic's barrel connector. sE is
so confident in its design and ability to
stay out of the way when positioning
the mic in tight spaces that there was no
need to include a standard mic clip.
The T2 is available on its own or as a
factory-matched pair in a compact aluminum
briefcase. Stereo sets also come
with an included stereo bar.
Frequencies
According to sE, a titanium-sputtered
diaphragm offers a faster transient response
and improved clarity over traditional
gold-sputtered designs.
On paper, the T2 is a relatively flat
mic across each polar pattern in the
low-end and mid-range. The upper mids
and highs exhibit a slight broad 2dB
peak from 6 to 20 kHz in cardioid mode.
That peak becomes less pronounced and
Frequency Range: ....................................................................... 20 Hz-20 kHz
Sensitivity: .........................................................................25 mV / Pa (-32dBV)
Max SPL: ..................................................................... 157dB SPL (- 0.5% THD)
Equivalent Noise Level: ....................................................................... 13dB(A)
Signal to Noise Ratio: ...............................................................................81dB

RECORDING January 2023

Table of Contents for the Digital Edition of RECORDING January 2023

Fade In
Fast Forward
Roland SPD-SX PRO Sampling Pad
Session Log with Marc Urselli: Trasfrontera Japan, taiko drums, Kaoru Watanabe and Anna Sato
Soundware Showcase: Toontrack Hitmaker SDX
PreSonus Studio One Version 6
Hugh Padgham: Behind the Gates of the Hitmaker
LEWITT BEATKIT PRO
Soundware Showcase: Spitfire Audio Abbey Road Orchestra: Low Percussion
Studio 101 with Joe Albano: An Intro to Drum Recording
sE Electronics T2
Solid State Logic SSL CONNEX
API 3122V
Inside the Studio with Mark Hornsby: Steve Gadd
Plugin Outlet: Strymon BigSky Plugin
Panda Audio Future Impact v3
EFNOTE 3X & EFNOTE 7
Readers’ Tracks
Fade Out: New (Year’s) Studio Resolutions
RECORDING January 2023 - Intro
RECORDING January 2023 - Cover1
RECORDING January 2023 - Cover2
RECORDING January 2023 - 1
RECORDING January 2023 - 2
RECORDING January 2023 - 3
RECORDING January 2023 - Fade In
RECORDING January 2023 - 5
RECORDING January 2023 - 6
RECORDING January 2023 - 7
RECORDING January 2023 - Fast Forward
RECORDING January 2023 - 9
RECORDING January 2023 - Roland SPD-SX PRO Sampling Pad
RECORDING January 2023 - 11
RECORDING January 2023 - 12
RECORDING January 2023 - 13
RECORDING January 2023 - Session Log with Marc Urselli: Trasfrontera Japan, taiko drums, Kaoru Watanabe and Anna Sato
RECORDING January 2023 - 15
RECORDING January 2023 - 16
RECORDING January 2023 - 17
RECORDING January 2023 - 18
RECORDING January 2023 - 19
RECORDING January 2023 - Soundware Showcase: Toontrack Hitmaker SDX
RECORDING January 2023 - 21
RECORDING January 2023 - 22
RECORDING January 2023 - 23
RECORDING January 2023 - PreSonus Studio One Version 6
RECORDING January 2023 - 25
RECORDING January 2023 - 26
RECORDING January 2023 - 27
RECORDING January 2023 - Hugh Padgham: Behind the Gates of the Hitmaker
RECORDING January 2023 - 29
RECORDING January 2023 - 30
RECORDING January 2023 - 31
RECORDING January 2023 - 32
RECORDING January 2023 - 33
RECORDING January 2023 - LEWITT BEATKIT PRO
RECORDING January 2023 - 35
RECORDING January 2023 - 36
RECORDING January 2023 - 37
RECORDING January 2023 - Soundware Showcase: Spitfire Audio Abbey Road Orchestra: Low Percussion
RECORDING January 2023 - 39
RECORDING January 2023 - Studio 101 with Joe Albano: An Intro to Drum Recording
RECORDING January 2023 - 41
RECORDING January 2023 - 42
RECORDING January 2023 - 43
RECORDING January 2023 - sE Electronics T2
RECORDING January 2023 - 45
RECORDING January 2023 - Solid State Logic SSL CONNEX
RECORDING January 2023 - 47
RECORDING January 2023 - API 3122V
RECORDING January 2023 - 49
RECORDING January 2023 - Inside the Studio with Mark Hornsby: Steve Gadd
RECORDING January 2023 - 51
RECORDING January 2023 - 52
RECORDING January 2023 - 53
RECORDING January 2023 - 54
RECORDING January 2023 - 55
RECORDING January 2023 - Plugin Outlet: Strymon BigSky Plugin
RECORDING January 2023 - 57
RECORDING January 2023 - Panda Audio Future Impact v3
RECORDING January 2023 - 59
RECORDING January 2023 - EFNOTE 3X & EFNOTE 7
RECORDING January 2023 - 61
RECORDING January 2023 - 62
RECORDING January 2023 - 63
RECORDING January 2023 - Readers’ Tracks
RECORDING January 2023 - 65
RECORDING January 2023 - 66
RECORDING January 2023 - 67
RECORDING January 2023 - 68
RECORDING January 2023 - 69
RECORDING January 2023 - 70
RECORDING January 2023 - 71
RECORDING January 2023 - Fade Out: New (Year’s) Studio Resolutions
RECORDING January 2023 - Cover3
RECORDING January 2023 - Cover4
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