RECORDING January 2023 - 58
REVIEW
Panda Audio
Future
Impact v3
Harness the sound of classic
synthesizers in a powerful stomp box
REVIEW BY ALEX HAWLEY
F
ounded by András Szalay in Hungary, Panda
Audio is a small company focusing on digital
signal
processing
and
embedded
systems
development. Aside from its product line, Panda
Audio also develops products for Fishman, Akai
Professional and TASCAM. On review today is the
Future Impact v3, the latest iteration of its acclaimed
bass/guitar synthesizer pedal.
Overview
Future Impact v3 is an effects pedal that creates monophonic
synth sounds for bass guitar, electric guitar or keyboards. It also
can serve as a general multi-effects rig with chorus, flanger,
phaser, tremolo, distortion and more.
Future Impact v3 holds 99 factory patches arranged in 10
banks. Sounds can be edited on the pedal or by using a free
software editor for Windows or Mac.
The pedal is built with the latest technology, sporting massively
upgraded hardware and software capabilities. It features
state-of-the-art DSP processing chips that perform more
than 100 times faster than its predecessor. The extra power
also yields improved audio specs: 24-bit AD/DA converters,
oversampling and true bypass, plus all of its algorithms are
calculated with 32-bit accuracy.
The back panel hosts all connections: 1
/4
jacks, along with 5-pin MIDI in and out. The 9V barrel power
connector needs at least 100mA of current, and no power
supply is included-so make sure your pedal power of choice
provides enough current! I use the Friedman Power Grid on my
board for current-hungry units like this, but most modern pedal
power banks should get the job done.
Brief History
Future Impact is the successor to the legendary Akai Deep
Impact, which has long been discontinued and fetches steep
prices on second-hand sites. Deep Impact was made famous
by the likes of Bootsy Collins, Chris Wolstenholme (Muse), Paul
Turner (Jamiroquai), and Mike Gordon (Phish). The original unit
came with nine patches.
Who was the original designer of Deep Impact? Well, that
was András Szalay, making the Panda Audio Future Impact a
true successor. All nine original patches are found in the new
pedal, plus a whole lot more.
58 RECORDING January 2023
Operation
The pedal's operation is
deceptive;
there's more than
meets the eye. It features input and output level knobs
(paired with color-coded LEDs for input level), a parameter
knob, a push button edit/bank knob, and two stomp
switches for bypass and patch selection. Pressing the bank
up knob jumps to the following bank while pressing the program
footswitch changes the program in the selected bank.
The parameter knob has 11 options, which can be adjusted
using the edit knob and saved by pressing it down. The
LED screen shows the current bank and program, with the
third number representing the selected parameter's value.
" input and output
RECORDING January 2023
Table of Contents for the Digital Edition of RECORDING January 2023
Fade In
Fast Forward
Roland SPD-SX PRO Sampling Pad
Session Log with Marc Urselli: Trasfrontera Japan, taiko drums, Kaoru Watanabe and Anna Sato
Soundware Showcase: Toontrack Hitmaker SDX
PreSonus Studio One Version 6
Hugh Padgham: Behind the Gates of the Hitmaker
LEWITT BEATKIT PRO
Soundware Showcase: Spitfire Audio Abbey Road Orchestra: Low Percussion
Studio 101 with Joe Albano: An Intro to Drum Recording
sE Electronics T2
Solid State Logic SSL CONNEX
API 3122V
Inside the Studio with Mark Hornsby: Steve Gadd
Plugin Outlet: Strymon BigSky Plugin
Panda Audio Future Impact v3
EFNOTE 3X & EFNOTE 7
Readers’ Tracks
Fade Out: New (Year’s) Studio Resolutions
RECORDING January 2023 - Intro
RECORDING January 2023 - Cover1
RECORDING January 2023 - Cover2
RECORDING January 2023 - 1
RECORDING January 2023 - 2
RECORDING January 2023 - 3
RECORDING January 2023 - Fade In
RECORDING January 2023 - 5
RECORDING January 2023 - 6
RECORDING January 2023 - 7
RECORDING January 2023 - Fast Forward
RECORDING January 2023 - 9
RECORDING January 2023 - Roland SPD-SX PRO Sampling Pad
RECORDING January 2023 - 11
RECORDING January 2023 - 12
RECORDING January 2023 - 13
RECORDING January 2023 - Session Log with Marc Urselli: Trasfrontera Japan, taiko drums, Kaoru Watanabe and Anna Sato
RECORDING January 2023 - 15
RECORDING January 2023 - 16
RECORDING January 2023 - 17
RECORDING January 2023 - 18
RECORDING January 2023 - 19
RECORDING January 2023 - Soundware Showcase: Toontrack Hitmaker SDX
RECORDING January 2023 - 21
RECORDING January 2023 - 22
RECORDING January 2023 - 23
RECORDING January 2023 - PreSonus Studio One Version 6
RECORDING January 2023 - 25
RECORDING January 2023 - 26
RECORDING January 2023 - 27
RECORDING January 2023 - Hugh Padgham: Behind the Gates of the Hitmaker
RECORDING January 2023 - 29
RECORDING January 2023 - 30
RECORDING January 2023 - 31
RECORDING January 2023 - 32
RECORDING January 2023 - 33
RECORDING January 2023 - LEWITT BEATKIT PRO
RECORDING January 2023 - 35
RECORDING January 2023 - 36
RECORDING January 2023 - 37
RECORDING January 2023 - Soundware Showcase: Spitfire Audio Abbey Road Orchestra: Low Percussion
RECORDING January 2023 - 39
RECORDING January 2023 - Studio 101 with Joe Albano: An Intro to Drum Recording
RECORDING January 2023 - 41
RECORDING January 2023 - 42
RECORDING January 2023 - 43
RECORDING January 2023 - sE Electronics T2
RECORDING January 2023 - 45
RECORDING January 2023 - Solid State Logic SSL CONNEX
RECORDING January 2023 - 47
RECORDING January 2023 - API 3122V
RECORDING January 2023 - 49
RECORDING January 2023 - Inside the Studio with Mark Hornsby: Steve Gadd
RECORDING January 2023 - 51
RECORDING January 2023 - 52
RECORDING January 2023 - 53
RECORDING January 2023 - 54
RECORDING January 2023 - 55
RECORDING January 2023 - Plugin Outlet: Strymon BigSky Plugin
RECORDING January 2023 - 57
RECORDING January 2023 - Panda Audio Future Impact v3
RECORDING January 2023 - 59
RECORDING January 2023 - EFNOTE 3X & EFNOTE 7
RECORDING January 2023 - 61
RECORDING January 2023 - 62
RECORDING January 2023 - 63
RECORDING January 2023 - Readers’ Tracks
RECORDING January 2023 - 65
RECORDING January 2023 - 66
RECORDING January 2023 - 67
RECORDING January 2023 - 68
RECORDING January 2023 - 69
RECORDING January 2023 - 70
RECORDING January 2023 - 71
RECORDING January 2023 - Fade Out: New (Year’s) Studio Resolutions
RECORDING January 2023 - Cover3
RECORDING January 2023 - Cover4
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