RECORDING March 2023 - 41
What about microphones?
I bulk-bought all of these weird 1950s mics from this eccentric
guy who used to work for Ampex. There are some
bizarre little mics in there. Things that sound very midrange,
crunchy and interestingly compressed-very textural. We
used a lot of those mics on the album, like the Shure Model
747 waffle iron microphone, salt shaker mics and I also really
like the old Shure 520DX green bullet mic. Then we have
more standard mics when we need cleaner vocals and such.
Have you ever played with the
Placid Audio Copperphone?
Oh yeah, of course. The copper mic! It's kind of thin and
metallic. That's a really fun mic. Sometimes I throw that up as
a room mic for the drums for a crazy effect. Wayne Coyne
from The Flaming Lips uses one live.
What would you use for the cleaner vocals?
Sometimes we use an Electro-Voice 635L (omnidirectional
handheld dynamic) or a Neumann TLM 102. I also used an
AEA A440, but I think we broke it [Laughs]. I like to sing
through the bullet mic, and I am a big fan of using a clean
mic next to one of the weird mics. If you angle them right
and the mics sound different, you can get really cool blends.
Are the strings on the songs real?
Most of them are real. Maybe it's a bit pretentious to put
strings on stuff, but I love arranging strings so much that I
can't stop. It's like my idea for everything, " Let's put strings
on it. "
I write the string parts using MIDI in Logic Pro, and then I
send the MIDI recordings to Earl Maneein-just the recording
because I am not classically trained and have no idea
how to write scores. Earl would transcribe them and play
along to them by ear.
Then I would mix Mellotron strings with the real ones because
I like the added texture.
What is your bass rig? Do you track
direct or with an amp?
I prefer using an amp. I have a vintage solid-state Kustom
bass amp from the 70s with the old tuck and roll upholstery.
Which color?
It is teal glitter, which was definitely a factor in why I
bought it. I used to be a tube freak, but I learned that not all
solid-state amps are created equal. I have heard some pretty
generic-sounding tube amps. This particular bass amp has a
gnarly, dirty, wonderful sound. It actually sounds very 'tuby.'
It's my preferred amp.
For basses, I used to play a Hofner, but for obvious reasons,
I couldn't play that in my band with Sean [Laughs]. But
I liked how light it is. I have a small upper body, and heavy
basses hurt my back. Now I have a custom bass that I designed.
The guys at Harvester (Australia) built it for me, and
they did a beautiful job.
RECORDING March 2023 41
http://adkmic.com
RECORDING March 2023
Table of Contents for the Digital Edition of RECORDING March 2023
Fade In
Fast Forward
Neumann M49 V
Studio 101 with Joe Albano: Intro to Vocal Recording
Plugin Outlet: IK Multimedia T-RackS Joe Chiccarelli Vocal Strip
A Family of AKG C Series Microphones Compared
Reviewed and Revisited: Placid Audio Copperphone & Placid Audio 20th Anniversary Copperphone
Glamorous Modern Metamorphoses - The Creative Ethos of Charlotte Kemp Muhl and UNI and The Urchins SIMULATOR
Plugin Outlet: Antares Auto-Tune Pro X
sE 4400
Inside the Studio with Mark Hornsby: Vocal Advice with Beth Cohen
Drawmer 1972
Plugin Outlet: Black Rooster Audio VLA-2A Mark II & TD-201 Delay
Session Log with Marc Urselli: Recording the Foo Fighters at EastWest
Soyuz 1973
Black Lion Audio Auteur DT
Readers’ Tracks
Fade Out: The Art, Frustration and Wonder of Recording Your Own Vocals
RECORDING March 2023 - Intro
RECORDING March 2023 - Cover1
RECORDING March 2023 - Cover2
RECORDING March 2023 - 1
RECORDING March 2023 - 2
RECORDING March 2023 - 3
RECORDING March 2023 - Fade In
RECORDING March 2023 - 5
RECORDING March 2023 - 6
RECORDING March 2023 - 7
RECORDING March 2023 - Fast Forward
RECORDING March 2023 - 9
RECORDING March 2023 - Neumann M49 V
RECORDING March 2023 - 11
RECORDING March 2023 - 12
RECORDING March 2023 - 13
RECORDING March 2023 - 14
RECORDING March 2023 - 15
RECORDING March 2023 - 16
RECORDING March 2023 - 17
RECORDING March 2023 - Studio 101 with Joe Albano: Intro to Vocal Recording
RECORDING March 2023 - 19
RECORDING March 2023 - 20
RECORDING March 2023 - 21
RECORDING March 2023 - Plugin Outlet: IK Multimedia T-RackS Joe Chiccarelli Vocal Strip
RECORDING March 2023 - 23
RECORDING March 2023 - A Family of AKG C Series Microphones Compared
RECORDING March 2023 - 25
RECORDING March 2023 - 26
RECORDING March 2023 - 27
RECORDING March 2023 - 28
RECORDING March 2023 - 29
RECORDING March 2023 - 30
RECORDING March 2023 - 31
RECORDING March 2023 - Reviewed and Revisited: Placid Audio Copperphone & Placid Audio 20th Anniversary Copperphone
RECORDING March 2023 - 33
RECORDING March 2023 - 34
RECORDING March 2023 - 35
RECORDING March 2023 - Glamorous Modern Metamorphoses - The Creative Ethos of Charlotte Kemp Muhl and UNI and The Urchins SIMULATOR
RECORDING March 2023 - 37
RECORDING March 2023 - 38
RECORDING March 2023 - 39
RECORDING March 2023 - 40
RECORDING March 2023 - 41
RECORDING March 2023 - 42
RECORDING March 2023 - 43
RECORDING March 2023 - Plugin Outlet: Antares Auto-Tune Pro X
RECORDING March 2023 - 45
RECORDING March 2023 - sE 4400
RECORDING March 2023 - 47
RECORDING March 2023 - Inside the Studio with Mark Hornsby: Vocal Advice with Beth Cohen
RECORDING March 2023 - 49
RECORDING March 2023 - 50
RECORDING March 2023 - 51
RECORDING March 2023 - Drawmer 1972
RECORDING March 2023 - 53
RECORDING March 2023 - Plugin Outlet: Black Rooster Audio VLA-2A Mark II & TD-201 Delay
RECORDING March 2023 - 55
RECORDING March 2023 - Session Log with Marc Urselli: Recording the Foo Fighters at EastWest
RECORDING March 2023 - 57
RECORDING March 2023 - 58
RECORDING March 2023 - 59
RECORDING March 2023 - Soyuz 1973
RECORDING March 2023 - 61
RECORDING March 2023 - Black Lion Audio Auteur DT
RECORDING March 2023 - 63
RECORDING March 2023 - Readers’ Tracks
RECORDING March 2023 - 65
RECORDING March 2023 - 66
RECORDING March 2023 - 67
RECORDING March 2023 - 68
RECORDING March 2023 - 69
RECORDING March 2023 - 70
RECORDING March 2023 - 71
RECORDING March 2023 - Fade Out: The Art, Frustration and Wonder of Recording Your Own Vocals
RECORDING March 2023 - Cover3
RECORDING March 2023 - Cover4
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