RECORDING June 2023 - Intro

Welcome to the digital edition of RECORDING MAGAZINE!
We are pleased to present our June issue featuring
IMMERSIVE AUDIO.
Here's to making the best recordings possible!

RECORDING June 2023

Table of Contents for the Digital Edition of RECORDING June 2023

NAMM Report
RME Fireface UFX III
Steven Slate Audio VSX
Immersive Audio Plugin Roundup!
Inside the Studio with Mark Hornsby: Two and a Half Immersive Thoughts
Soundware Showcase: Orchestral Tools Pēteris Vasks Strings
Neumann KH 150
Session Log: Immersive Audio and Sound Design in Live Sound Installations
Plugin Outlet: Dear Reality EXOVERB & EXOVERB MICRO
Kali Audio IN-UNF Ultra Nearfield Studio Monitor
Meet the Dolby Atmos Renderer
Plugin Outlet: Massenburg DesignWorks MDWDRC2 Native Dynamic Range Controller
Studio 101: Phase
Bringing Affordable Dolby Atmos to Life
Plugin Outlet: Sound Particles Density Plugin
The What’s What of Immersive Tools and Gear–Five Top Solutions for Mixing and Working in Dolby Atmos
Readers' Tracks: Will Keizer / “Take What You Want”
Fade Out: Atmos vs. Stereo, Battle of the Century?
RECORDING June 2023 - Intro
RECORDING June 2023 - Cover1
RECORDING June 2023 - Cover2
RECORDING June 2023 - 1
RECORDING June 2023 - 2
RECORDING June 2023 - 3
RECORDING June 2023 - 4
RECORDING June 2023 - 5
RECORDING June 2023 - 6
RECORDING June 2023 - 7
RECORDING June 2023 - NAMM Report
RECORDING June 2023 - 9
RECORDING June 2023 - 10
RECORDING June 2023 - 11
RECORDING June 2023 - 12
RECORDING June 2023 - 13
RECORDING June 2023 - RME Fireface UFX III
RECORDING June 2023 - 15
RECORDING June 2023 - 16
RECORDING June 2023 - 17
RECORDING June 2023 - Steven Slate Audio VSX
RECORDING June 2023 - 19
RECORDING June 2023 - 20
RECORDING June 2023 - 21
RECORDING June 2023 - Immersive Audio Plugin Roundup!
RECORDING June 2023 - 23
RECORDING June 2023 - 24
RECORDING June 2023 - 25
RECORDING June 2023 - 26
RECORDING June 2023 - 27
RECORDING June 2023 - 28
RECORDING June 2023 - 29
RECORDING June 2023 - 30
RECORDING June 2023 - 31
RECORDING June 2023 - Inside the Studio with Mark Hornsby: Two and a Half Immersive Thoughts
RECORDING June 2023 - 33
RECORDING June 2023 - 34
RECORDING June 2023 - 35
RECORDING June 2023 - Soundware Showcase: Orchestral Tools Pēteris Vasks Strings
RECORDING June 2023 - 37
RECORDING June 2023 - Neumann KH 150
RECORDING June 2023 - 39
RECORDING June 2023 - Session Log: Immersive Audio and Sound Design in Live Sound Installations
RECORDING June 2023 - 41
RECORDING June 2023 - 42
RECORDING June 2023 - 43
RECORDING June 2023 - 44
RECORDING June 2023 - 45
RECORDING June 2023 - Plugin Outlet: Dear Reality EXOVERB & EXOVERB MICRO
RECORDING June 2023 - 47
RECORDING June 2023 - Kali Audio IN-UNF Ultra Nearfield Studio Monitor
RECORDING June 2023 - 49
RECORDING June 2023 - Meet the Dolby Atmos Renderer
RECORDING June 2023 - 51
RECORDING June 2023 - 52
RECORDING June 2023 - 53
RECORDING June 2023 - Plugin Outlet: Massenburg DesignWorks MDWDRC2 Native Dynamic Range Controller
RECORDING June 2023 - 55
RECORDING June 2023 - Studio 101: Phase
RECORDING June 2023 - 57
RECORDING June 2023 - 58
RECORDING June 2023 - 59
RECORDING June 2023 - Bringing Affordable Dolby Atmos to Life
RECORDING June 2023 - 61
RECORDING June 2023 - Plugin Outlet: Sound Particles Density Plugin
RECORDING June 2023 - 63
RECORDING June 2023 - The What’s What of Immersive Tools and Gear–Five Top Solutions for Mixing and Working in Dolby Atmos
RECORDING June 2023 - 65
RECORDING June 2023 - Readers' Tracks: Will Keizer / “Take What You Want”
RECORDING June 2023 - 67
RECORDING June 2023 - 68
RECORDING June 2023 - 69
RECORDING June 2023 - 70
RECORDING June 2023 - 71
RECORDING June 2023 - Fade Out: Atmos vs. Stereo, Battle of the Century?
RECORDING June 2023 - Cover3
RECORDING June 2023 - Cover4
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