Recording February 2024 - Intro

Welcome to the digital edition of RECORDING MAGAZINE!
We are pleased to present our February issue featuring
MONITORS AND HEADPHONES.
Here's to making the best recordings possible!

Recording February 2024

Table of Contents for the Digital Edition of Recording February 2024

Fade In
Fast Forward
Neumann MT 48 Interface
Plugin Outlet: NUGEN Audio AB Assist 2
Shure AONIC 50 Gen 2
Headphone Mixing Tips for Dolby Atmos
JH Audio Pearl + Ruby
Reviewed & Revisited: Tom Danley TDH-3
Chandler TG Microphone Type L
Inside the Studio with Mark Hornsby:  Recording Studio Monitors—What to look/listen for?
Ultimate Ears Professional UE PREMIER
Plugin Outlet: Antares Vocal Reverb by Auto-Tune
ADAM Audio T5V Active Studio Monitors
Studio 101: Equalizers
GIK Acoustics SlatFusor Bass Trap/Diffuser
Plugin Outlet: FabFilter Pro-R 2
API MC531 Monitor Controller
Sony MDR-MV1
Readers’ Tracks
Mercury Recording Equipment Company Mercury 666
Focal Trio6 ST6
Heritage Audio R.A.M 1000
RECORDING’s Field Notes: Listen Up
Fade Out: Mons or Cans?
Recording February 2024 - Intro
Recording February 2024 - Cover1
Recording February 2024 - Cover2
Recording February 2024 - 1
Recording February 2024 - 2
Recording February 2024 - 3
Recording February 2024 - Fade In
Recording February 2024 - 5
Recording February 2024 - 6
Recording February 2024 - 7
Recording February 2024 - Fast Forward
Recording February 2024 - 9
Recording February 2024 - Neumann MT 48 Interface
Recording February 2024 - 11
Recording February 2024 - 12
Recording February 2024 - 13
Recording February 2024 - Plugin Outlet: NUGEN Audio AB Assist 2
Recording February 2024 - 15
Recording February 2024 - Shure AONIC 50 Gen 2
Recording February 2024 - 17
Recording February 2024 - Headphone Mixing Tips for Dolby Atmos
Recording February 2024 - 19
Recording February 2024 - 20
Recording February 2024 - 21
Recording February 2024 - JH Audio Pearl + Ruby
Recording February 2024 - 23
Recording February 2024 - 24
Recording February 2024 - 25
Recording February 2024 - Reviewed & Revisited: Tom Danley TDH-3
Recording February 2024 - 27
Recording February 2024 - 28
Recording February 2024 - 29
Recording February 2024 - Chandler TG Microphone Type L
Recording February 2024 - 31
Recording February 2024 - 32
Recording February 2024 - 33
Recording February 2024 - Inside the Studio with Mark Hornsby:  Recording Studio Monitors—What to look/listen for?
Recording February 2024 - 35
Recording February 2024 - 36
Recording February 2024 - 37
Recording February 2024 - Ultimate Ears Professional UE PREMIER
Recording February 2024 - 39
Recording February 2024 - Plugin Outlet: Antares Vocal Reverb by Auto-Tune
Recording February 2024 - 41
Recording February 2024 - ADAM Audio T5V Active Studio Monitors
Recording February 2024 - 43
Recording February 2024 - Studio 101: Equalizers
Recording February 2024 - 45
Recording February 2024 - 46
Recording February 2024 - 47
Recording February 2024 - GIK Acoustics SlatFusor Bass Trap/Diffuser
Recording February 2024 - 49
Recording February 2024 - Plugin Outlet: FabFilter Pro-R 2
Recording February 2024 - 51
Recording February 2024 - API MC531 Monitor Controller
Recording February 2024 - 53
Recording February 2024 - Sony MDR-MV1
Recording February 2024 - 55
Recording February 2024 - Readers’ Tracks
Recording February 2024 - 57
Recording February 2024 - Mercury Recording Equipment Company Mercury 666
Recording February 2024 - 59
Recording February 2024 - Focal Trio6 ST6
Recording February 2024 - 61
Recording February 2024 - Heritage Audio R.A.M 1000
Recording February 2024 - 63
Recording February 2024 - RECORDING’s Field Notes: Listen Up
Recording February 2024 - 65
Recording February 2024 - 66
Recording February 2024 - 67
Recording February 2024 - 68
Recording February 2024 - 69
Recording February 2024 - 70
Recording February 2024 - 71
Recording February 2024 - Fade Out: Mons or Cans?
Recording February 2024 - Cover3
Recording February 2024 - Cover4
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