RECORDING June 2024 - Intro

Welcome to the digital edition of RECORDING MAGAZINE!
We are pleased to present our June issue featuring
IMMERSIVE AUDIO.
Here's to making the best recordings possible!

RECORDING June 2024

Table of Contents for the Digital Edition of RECORDING June 2024

Fade In
Fast Forward
Inside the Studio with Mark Hornsby Stereo to Immersive at Crossway Studio
Genelec 8381A SAM™ Adaptive Point Source Main Monitor
Plugin Outlet: The Cargo Cult Slapper 3, Spanner 4 and Stemcell
Talking Atmos with Richard Chycki
Audeze Maxwell
Plugin Outlet: PSPaudioware PSP auralComp
beyerdynamic DT 770 PRO X Limited Edition
Divergence, Low-End and Other Dolby Atmos Tips and Tricks
KRK Systems ROKIT 8 Generation Five and ROKIT 5 Generation Five
A Short History of Immersive Audio
Amphion One25A
Know Your Lows: The LFE, Your Atmos Music Mix and You
Antelope Audio Orion 32+ Gen4
RECORDING’s Field Notes 10 Questions about Immersive Mixing
Plugin Outlet: Eventide Blackhole and MicroPitch Immersive
TASCAM Sonicview 16XP & SB-16D Digital Stage Box
Studio 101 Delay-Based Effects Part 2
Readers’ Tracks
Ocean Way Audio HR3.5 & Pro3s
Fade Out
RECORDING June 2024 - Intro
RECORDING June 2024 - Cover1
RECORDING June 2024 - Cover2
RECORDING June 2024 - 1
RECORDING June 2024 - 2
RECORDING June 2024 - 3
RECORDING June 2024 - Fade In
RECORDING June 2024 - 5
RECORDING June 2024 - 6
RECORDING June 2024 - 7
RECORDING June 2024 - Fast Forward
RECORDING June 2024 - 9
RECORDING June 2024 - Inside the Studio with Mark Hornsby Stereo to Immersive at Crossway Studio
RECORDING June 2024 - 11
RECORDING June 2024 - 12
RECORDING June 2024 - 13
RECORDING June 2024 - 14
RECORDING June 2024 - 15
RECORDING June 2024 - Genelec 8381A SAM™ Adaptive Point Source Main Monitor
RECORDING June 2024 - 17
RECORDING June 2024 - 18
RECORDING June 2024 - 19
RECORDING June 2024 - Plugin Outlet: The Cargo Cult Slapper 3, Spanner 4 and Stemcell
RECORDING June 2024 - 21
RECORDING June 2024 - 22
RECORDING June 2024 - 23
RECORDING June 2024 - Talking Atmos with Richard Chycki
RECORDING June 2024 - 25
RECORDING June 2024 - 26
RECORDING June 2024 - 27
RECORDING June 2024 - 28
RECORDING June 2024 - 29
RECORDING June 2024 - Audeze Maxwell
RECORDING June 2024 - 31
RECORDING June 2024 - Plugin Outlet: PSPaudioware PSP auralComp
RECORDING June 2024 - 33
RECORDING June 2024 - beyerdynamic DT 770 PRO X Limited Edition
RECORDING June 2024 - 35
RECORDING June 2024 - Divergence, Low-End and Other Dolby Atmos Tips and Tricks
RECORDING June 2024 - 37
RECORDING June 2024 - 38
RECORDING June 2024 - 39
RECORDING June 2024 - KRK Systems ROKIT 8 Generation Five and ROKIT 5 Generation Five
RECORDING June 2024 - 41
RECORDING June 2024 - 42
RECORDING June 2024 - 43
RECORDING June 2024 - A Short History of Immersive Audio
RECORDING June 2024 - 45
RECORDING June 2024 - Amphion One25A
RECORDING June 2024 - 47
RECORDING June 2024 - Know Your Lows: The LFE, Your Atmos Music Mix and You
RECORDING June 2024 - 49
RECORDING June 2024 - 50
RECORDING June 2024 - 51
RECORDING June 2024 - Antelope Audio Orion 32+ Gen4
RECORDING June 2024 - 53
RECORDING June 2024 - RECORDING’s Field Notes 10 Questions about Immersive Mixing
RECORDING June 2024 - 55
RECORDING June 2024 - 56
RECORDING June 2024 - 57
RECORDING June 2024 - Plugin Outlet: Eventide Blackhole and MicroPitch Immersive
RECORDING June 2024 - 59
RECORDING June 2024 - TASCAM Sonicview 16XP & SB-16D Digital Stage Box
RECORDING June 2024 - 61
RECORDING June 2024 - Studio 101 Delay-Based Effects Part 2
RECORDING June 2024 - 63
RECORDING June 2024 - 64
RECORDING June 2024 - 65
RECORDING June 2024 - Readers’ Tracks
RECORDING June 2024 - 67
RECORDING June 2024 - Ocean Way Audio HR3.5 & Pro3s
RECORDING June 2024 - 69
RECORDING June 2024 - 70
RECORDING June 2024 - 71
RECORDING June 2024 - Fade Out
RECORDING June 2024 - Cover3
RECORDING June 2024 - Cover4
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