Landscapes - Winter 2017 - 17

A LET TER TO THE EDITOR

04 /
WE NEED MESSY LANDSCAPES
REAL EGUCHI, OALA, CSLA

"Life is about not knowing..."

FABRIGAMI

-Gilda Radner

The Joys of Landscape competition
is open to all students in
Landscape Architecture at U of
M. Requirements include passing
grades, a commitment to working in
studio, letters of support from both
faculty and fellow students and,
most importantly, the performance
and documentation of a creative
public act of social commentary and
artistic expression for the benefit of
a larger audience.
Janelle participated in the creation
of Spaceland and Spaceland 2 in
2016, temporary installations that
brought live music to different
Winnipeg neighbourhoods. With
seating, a DJ booth and visual
elements created out of milk crates,
and some night-time lighting,
Spaceland enlivened underutilized
and marginal spaces.
U of M students! Start preparing
your submission for the 2018 Joys of
Landscape Prize today!
bit.ly/JoysofLandscape
Ryan.Wakshinski@gov.mb.ca

EN_ IT WAS WITH GREAT EXCITEMENT that I recently reviewed my copy
of the Summer 2017 issue of LANDSCAPES | PAYSAGES. My personal
exploration in landscape architecture bears a direct relationship to the
theme of "Messy," a concept that I first focussed on in my presentation
"Botox and Blossoms: Toward a Sustainable Beauty" at a 2010 symposium,
organized by the Canadian Institute for Sustainable Biodiversity.
I believe that messiness must be central to our design efforts as the writers
in the issue assert, provided we acknowledge our cultural, aesthetic biases.
As well, we need to maintain an awareness that nature is not messy, but
simply ordered in a manner that may not often conform to our preferences
while embodying processes we don't fully understand.
One particular line, in an article by Joan Iverson Nassauer (pg. 21), stands out
for me in the "Messy" issue: "...our experience of messiness gives us reason
to fear what we do not know." It is perhaps a misconception to think that
it is messiness that we need to incorporate into our proximate, designed
cultural landscapes. Rather, as landscape architects we need to utilize the
landscape's capacity to help individuals experience their existential fears
and trauma. The landscapes in which we dwell must be the foundation
for somatic based, cognitive/emotional shifts that will lead us to an
ecologically, sustainable future or that will render us sufficiently resilient to
exist in an extremely challenging eco-social environment.
THE REBIRTH OF WONDER
In my article "Toward Mindful Design," (LP vol. 17, no.4, 2015) I wrote, "Let's
enjoy the wonder and anticipation of living mindfully in the moment, the
subtle sensuousness of the messy present..." My research continues to
suggest that we need messy landscapes, within which we feel awe and
vulnerability, in order to practice the acceptance of the uncertain and
ultimately uncontrollable reality of our lives. It is only through acceptance
of our own impermanent, biological existence that we can feel securely
attached to, and respect, the earth as a living organism. The unconditional
love and respect for the outer landscape must first begin with the same for
the inner landscape.
Congratulations to LP for taking on such challenging subject matter. I hope
this can become an important part of our ongoing dialogue.
May our local landscapes teach us what physical, messy, disorder taught
Gilda Radner:
"I always wanted a happy ending...Now I've learned, the hard way, that
some poems don't rhyme, and some stories don't have a clear beginning,
middle and end. Life is about not knowing, having to change, taking the
moment and making the best of it without knowing what's going to happen
next. Delicious ambiguity."
real@breal.ca
WINTER | HIVER 2017 17


https://www.nxtbook.com/naylor/CSLQ/CSLQ0217/index.php#/21 https://www.nxtbook.com/naylor/CSLQ/CSLQ0415/index.php#/52 http://www.bit.ly/JoysofLandscape

Table of Contents for the Digital Edition of Landscapes - Winter 2017

To Begin With
Une Dernière Salve
Collaborateurs
Writers
Upfront
Prologue
La Vague
Romance of the Stone
La Pierre Romancée
Numériser La Nature
Riding Technology’s Wild Interface
Flooding Fields
Conversation
Designing Invisible Landscapes
Stacking Up - the LA’s Toolkit: A Groundhog Plugin for Grasshopper
Grasshopper Gagne Un Plugiciel
Wood Works
Floating a New Idea for Water Stewardship
LACF
Bourses De La FACP
Critique
Parting Shot
Une Dernière Salve
Landscapes - Winter 2017 - INTRO
Landscapes - Winter 2017 - cover1
Landscapes - Winter 2017 - cover2
Landscapes - Winter 2017 - 3
Landscapes - Winter 2017 - 4
Landscapes - Winter 2017 - 5
Landscapes - Winter 2017 - 6
Landscapes - Winter 2017 - 7
Landscapes - Winter 2017 - Une Dernière Salve
Landscapes - Winter 2017 - 9
Landscapes - Winter 2017 - Writers
Landscapes - Winter 2017 - 11
Landscapes - Winter 2017 - 12
Landscapes - Winter 2017 - 13
Landscapes - Winter 2017 - 14
Landscapes - Winter 2017 - Prologue
Landscapes - Winter 2017 - 16
Landscapes - Winter 2017 - 17
Landscapes - Winter 2017 - 18
Landscapes - Winter 2017 - 19
Landscapes - Winter 2017 - La Vague
Landscapes - Winter 2017 - 21
Landscapes - Winter 2017 - La Pierre Romancée
Landscapes - Winter 2017 - 23
Landscapes - Winter 2017 - 24
Landscapes - Winter 2017 - 25
Landscapes - Winter 2017 - 26
Landscapes - Winter 2017 - 27
Landscapes - Winter 2017 - Riding Technology’s Wild Interface
Landscapes - Winter 2017 - 29
Landscapes - Winter 2017 - 30
Landscapes - Winter 2017 - 31
Landscapes - Winter 2017 - 32
Landscapes - Winter 2017 - Flooding Fields
Landscapes - Winter 2017 - 34
Landscapes - Winter 2017 - 35
Landscapes - Winter 2017 - Conversation
Landscapes - Winter 2017 - 37
Landscapes - Winter 2017 - 38
Landscapes - Winter 2017 - 39
Landscapes - Winter 2017 - 40
Landscapes - Winter 2017 - 41
Landscapes - Winter 2017 - 42
Landscapes - Winter 2017 - Designing Invisible Landscapes
Landscapes - Winter 2017 - 44
Landscapes - Winter 2017 - 45
Landscapes - Winter 2017 - Grasshopper Gagne Un Plugiciel
Landscapes - Winter 2017 - 47
Landscapes - Winter 2017 - 48
Landscapes - Winter 2017 - 49
Landscapes - Winter 2017 - 50
Landscapes - Winter 2017 - 51
Landscapes - Winter 2017 - Wood Works
Landscapes - Winter 2017 - 53
Landscapes - Winter 2017 - Floating a New Idea for Water Stewardship
Landscapes - Winter 2017 - 55
Landscapes - Winter 2017 - 56
Landscapes - Winter 2017 - 57
Landscapes - Winter 2017 - 58
Landscapes - Winter 2017 - Bourses De La FACP
Landscapes - Winter 2017 - 60
Landscapes - Winter 2017 - 61
Landscapes - Winter 2017 - Critique
Landscapes - Winter 2017 - 63
Landscapes - Winter 2017 - 64
Landscapes - Winter 2017 - 65
Landscapes - Winter 2017 - 66
Landscapes - Winter 2017 - 67
Landscapes - Winter 2017 - 68
Landscapes - Winter 2017 - 69
Landscapes - Winter 2017 - 70
Landscapes - Winter 2017 - 71
Landscapes - Winter 2017 - 72
Landscapes - Winter 2017 - 73
Landscapes - Winter 2017 - 74
Landscapes - Winter 2017 - 75
Landscapes - Winter 2017 - 76
Landscapes - Winter 2017 - Une Dernière Salve
Landscapes - Winter 2017 - 78
Landscapes - Winter 2017 - cover3
Landscapes - Winter 2017 - cover4
Landscapes - Winter 2017 - LPplus1
Landscapes - Winter 2017 - LPplus2
Landscapes - Winter 2017 - Lpplus3
Landscapes - Winter 2017 - LPplus4
Landscapes - Winter 2017 - LPplus5
Landscapes - Winter 2017 - LPplus6
Landscapes - Winter 2017 - LPplus7
Landscapes - Winter 2017 - LPplus8
Landscapes - Winter 2017 - LPplus9
Landscapes - Winter 2017 - LPplus10
Landscapes - Winter 2017 - LPplus11
Landscapes - Winter 2017 - LPplus12
Landscapes - Winter 2017 - LPplus13
Landscapes - Winter 2017 - LPplus14
Landscapes - Winter 2017 - LPplus15
Landscapes - Winter 2017 - LPplus16
Landscapes - Winter 2017 - LPplus17
Landscapes - Winter 2017 - LPplus18
Landscapes - Winter 2017 - LPplus19
Landscapes - Winter 2017 - LPplus20
Landscapes - Winter 2017 - LPplus21
Landscapes - Winter 2017 - LPplus22
Landscapes - Winter 2017 - LPplus23
Landscapes - Winter 2017 - LPplus24
Landscapes - Winter 2017 - LPplus25
Landscapes - Winter 2017 - LPplus26
Landscapes - Winter 2017 - LPplus27
Landscapes - Winter 2017 - LPplus28
Landscapes - Winter 2017 - LPplus29
Landscapes - Winter 2017 - LPplus30
Landscapes - Winter 2017 - LPplus31
Landscapes - Winter 2017 - LPplus32
Landscapes - Winter 2017 - LPplus33
Landscapes - Winter 2017 - LPplus34
Landscapes - Winter 2017 - LPplus35
Landscapes - Winter 2017 - LPplus36
Landscapes - Winter 2017 - LPplus37
https://www.nxtbook.com/naylor/CSLQ/CSLQ0220
https://www.nxtbook.com/naylor/CSLQ/CSLQ0120
https://www.nxtbook.com/naylor/CSLQ/CSLQ0419
https://www.nxtbook.com/naylor/CSLQ/CSLQ0319
https://www.nxtbook.com/naylor/CSLQ/CSLQ0219
https://www.nxtbook.com/naylor/CSLQ/CSLQ0119
https://www.nxtbook.com/naylor/CSLQ/CSLQ0418
https://www.nxtbook.com/naylor/CSLQ/CSLQ0318
https://www.nxtbook.com/naylor/CSLQ/CSLQ0218
https://www.nxtbook.com/naylor/CSLQ/CSLQ0118
https://www.nxtbook.com/naylor/CSLQ/CSLQ0417
https://www.nxtbook.com/naylor/CSLQ/CSLQ0317
https://www.nxtbook.com/naylor/CSLQ/CSLQ0217
https://www.nxtbook.com/naylor/CSLQ/CSLQ0117
https://www.nxtbook.com/naylor/CSLQ/CSLQ0416
https://www.nxtbook.com/naylor/CSLQ/CSLQ0316
https://www.nxtbook.com/naylor/CSLQ/CSLQ0216
https://www.nxtbook.com/naylor/CSLQ/CSLQ0116
https://www.nxtbook.com/naylor/CSLQ/CSLQ0415
https://www.nxtbook.com/naylor/CSLQ/CSLQ0315
https://www.nxtbook.com/naylor/CSLQ/CSLQ0215
https://www.nxtbook.com/naylor/CSLQ/CSLQ0115
https://www.nxtbook.com/naylor/CSLQ/CSLQ0414
https://www.nxtbook.com/naylor/CSLQ/CSLQ0314
https://www.nxtbook.com/naylor/CSLQ/CSLQ0214
https://www.nxtbook.com/naylor/CSLQ/CSLQ0114
https://www.nxtbook.com/naylor/CSLQ/CSLQ0413
https://www.nxtbook.com/naylor/CSLQ/CSLQ0313
https://www.nxtbook.com/naylor/CSLQ/CSLQ0213
https://www.nxtbook.com/nxtbooks/naylor/CSLQ0113
https://www.nxtbook.com/nxtbooks/naylor/CSLQ0412
https://www.nxtbook.com/nxtbooks/naylor/CSLQ0312
https://www.nxtbook.com/nxtbooks/naylor/CSLQ0212
https://www.nxtbook.com/nxtbooks/naylor/CSLQ0112
https://www.nxtbook.com/nxtbooks/naylor/CSLQ0411
https://www.nxtbook.com/nxtbooks/naylor/CSLQ0311
https://www.nxtbookmedia.com