Big Picture - May 2017 - 27

Sub

Five new printers
your shop should take note of.

TS30-1300

MIMAKI | mimakiusa.com

Mimaki has expanded its TS line of dye sublimation printers
to include the entry-level TS30-1300 in addition to the
high-speed TS300P-1800 and recently launched superwide
TS500P-3200. The TS30-1300 is a 54-in. model designed for
first-time users of dye sublimation or for shops outputting
short runs, samples, and custom work.
The machine can be configured in 6-color or dual-CMYK
mode; print speeds can reach 211 sq ft/hr when running dual
CMYK. Additional features include variable dot imaging;
Mimaki Advanced Pass System to reduce banding; and an
Uninterrupted Ink Supply System that automatically replaces
empty ink cartridges in 4-color mode. An optional 2-L bulk
ink system is also available.
Mimaki's RasterLink6 RIP software is included.

VALUEJET 1948X

MUTOH | mutoh.com

Mutoh's new ValueJet 1948X dye sublimation printer is
designed for producing tradeshow graphics, promotional
items, flags, interior d├ęcor, apparel, and more, at speeds up to
2199 sq ft/hr. Features include a rear media feed lever, an HD
take-up system, and four staggered printheads. Users can
choose up to 8 colors for the 75-in. machine. The printer offers
an open RIP software architecture.

ARTEMISA T2100

PARADIGM IMAGING | paradigmimaging.com

BIGPICTURE.NET

SID Signs and distributor partner Paradigm Imaging have
launched the Artemisa T2100 textile printer, an 82-in.
machine for producing tradeshow signage, mesh building
wraps, sports and fashion apparel, flags, and more. Featuring
four Seiko 508-GS printheads, the Artemisa offers a max.
resolution of 1440 dpi in 4 colors. Print speeds can reach up to
538 sq ft/hr.
Additional features include a double auto-cleaning system,
an automatic media take-up system, and an integrated inline
heat press. Includes Maintop RIP software.

27


http://www.mimakiusa.com http://www.mutoh.com http://www.paradigmimaging.com http://www.BIGPICTURE.NET

Table of Contents for the Digital Edition of Big Picture - May 2017

Big Picture - May 2017
Contents
Insight
Wide Angle
Upfront
Business + Management
Selling a Story
How I Got the Job: James Swanson
Dialing in on Dye Sub
R+D
Job Log
Big Picture - May 2017 - Big Picture - May 2017
Big Picture - May 2017 - Cover2
Big Picture - May 2017 - Contents
Big Picture - May 2017 - Insight
Big Picture - May 2017 - 3
Big Picture - May 2017 - Wide Angle
Big Picture - May 2017 - 5
Big Picture - May 2017 - Upfront
Big Picture - May 2017 - 7
Big Picture - May 2017 - 8
Big Picture - May 2017 - 9
Big Picture - May 2017 - 10
Big Picture - May 2017 - 11
Big Picture - May 2017 - Business + Management
Big Picture - May 2017 - 13
Big Picture - May 2017 - Selling a Story
Big Picture - May 2017 - 15
Big Picture - May 2017 - 16
Big Picture - May 2017 - 17
Big Picture - May 2017 - 18
Big Picture - May 2017 - 19
Big Picture - May 2017 - 20
Big Picture - May 2017 - 21
Big Picture - May 2017 - How I Got the Job: James Swanson
Big Picture - May 2017 - 23
Big Picture - May 2017 - 24
Big Picture - May 2017 - 25
Big Picture - May 2017 - Dialing in on Dye Sub
Big Picture - May 2017 - 27
Big Picture - May 2017 - R+D
Big Picture - May 2017 - 29
Big Picture - May 2017 - 30
Big Picture - May 2017 - 31
Big Picture - May 2017 - 32
Big Picture - May 2017 - 33
Big Picture - May 2017 - 34
Big Picture - May 2017 - 35
Big Picture - May 2017 - Job Log
Big Picture - May 2017 - Cover3
Big Picture - May 2017 - Cover4
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