Big Picture - May 2017 - 33
Epson Develops Color Management
for Photographers
New Laminating Film
from Orafol
ORAFOL | orafolamericas.com
Orafol has released Oraguard 215DU Laminating
Film. The company reports the fi lm utilizes a bonding
adhesive specially formulated to eliminate silvering on
UV printed graphics.
Available in matte and gloss in 54- and 60-in. widths.
Xaar Adds
Materialise Software
to 3D Printing Bundle
XAAR | xaar.com
Xaar is now offering 3D printing software from Materialise
as an option in the company's additive manufacturing
development kit. The bundle, designed for OEMs looking
to develop inkjet-enabled 3D printing equipment, also
includes printheads, an ink supply system, and drive
electronics to control the printhead.
Materialise Magics is a data preparation software
engineered to transform 3D models into printable data.
Functions include mesh repair, editing, and enhancement.
Materialise Standard Image Build Processor interfaces
between the Magics platform and the 3D printer, transitioning models to an inkjet-specific data format. A profi le
editor allows users to customize this process, enabling
multichannel and multipass formats. The program's pixel
fi ll methods, including gradient fi lls and tiling, allow users
to fi ll print areas with any pattern.
EPSON | epson.com
Epson Print Layout offers a linear color management workflow designed for
photographers using the SureColor P-Series printers. The platform is said to
simplify printer selection, layout, and color management settings; it also features
a live black-and-white mode output preview. It is available as an Adobe Photoshop plug-in or as a standalone application for Windows- or Mac-based systems.
The software also offers full ICC profi le support; or, users can select automatic
color modes through the Epson print driver.
Additional features include customized frame and border options for gallery
wrap printing, and automatic paper sizing for panoramas.
http://www.epson.com
http://www.orafolamericas.com
http://www.xaar.com
http://www.coreldraw.com/bigpicture
Table of Contents for the Digital Edition of Big Picture - May 2017
Big Picture - May 2017
Contents
Insight
Wide Angle
Upfront
Business + Management
Selling a Story
How I Got the Job: James Swanson
Dialing in on Dye Sub
R+D
Job Log
Big Picture - May 2017 - Big Picture - May 2017
Big Picture - May 2017 - Cover2
Big Picture - May 2017 - Contents
Big Picture - May 2017 - Insight
Big Picture - May 2017 - 3
Big Picture - May 2017 - Wide Angle
Big Picture - May 2017 - 5
Big Picture - May 2017 - Upfront
Big Picture - May 2017 - 7
Big Picture - May 2017 - 8
Big Picture - May 2017 - 9
Big Picture - May 2017 - 10
Big Picture - May 2017 - 11
Big Picture - May 2017 - Business + Management
Big Picture - May 2017 - 13
Big Picture - May 2017 - Selling a Story
Big Picture - May 2017 - 15
Big Picture - May 2017 - 16
Big Picture - May 2017 - 17
Big Picture - May 2017 - 18
Big Picture - May 2017 - 19
Big Picture - May 2017 - 20
Big Picture - May 2017 - 21
Big Picture - May 2017 - How I Got the Job: James Swanson
Big Picture - May 2017 - 23
Big Picture - May 2017 - 24
Big Picture - May 2017 - 25
Big Picture - May 2017 - Dialing in on Dye Sub
Big Picture - May 2017 - 27
Big Picture - May 2017 - R+D
Big Picture - May 2017 - 29
Big Picture - May 2017 - 30
Big Picture - May 2017 - 31
Big Picture - May 2017 - 32
Big Picture - May 2017 - 33
Big Picture - May 2017 - 34
Big Picture - May 2017 - 35
Big Picture - May 2017 - Job Log
Big Picture - May 2017 - Cover3
Big Picture - May 2017 - Cover4
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