Package Design - June/July 2014 - 56
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brand. Also, it got to market in half
the time of their internal process,
because we are able to provide
ideation, alignment, prototypes,
When Design Meets
Manufacturing...
creation and validation without
having to throw the project "over
the wall" to execute it.
JUSTIN EAKES: Another example
of this integration in action is an
entrepreneurial concept that
application of mold engineering
on several projects where a brand
involved pre-filled glasses of wine
and finshed product manufactur-
manager wanted a change, the
stacked to form a "bottle." To
ing. We are able to bring in our
team spent months and up to a
create that package, we had to
engineering and manufacturing
quarter million dollars and then
ensure top-load strength and a
experts early on, during the inno-
took it to the manufacturer, only to
footprint that works for retail. That
vation and ideation phases of the
have them say no, that it wouldn't
bottle began distribution in
process, to bring great design
work. At R&D/Leverage, one
Southern California and is now all
ideas to life - and to market. That
example of this more effective
over the U.S.
value proposition is very
integrated approach was the
PACKAGE DESIGN: How would
PACKAGE DESIGN: Turning a
important.
redesign of a 20-ounce soft drink
you describe the current pace of
vision into a reality is one thing.
JUSTIN EAKES: We really offer
bottle with Dr. Pepper Snapple
new product development?
But being sure that reality is in line
the full design piece. As speed to
Group. They had tried working just
JASON HUSK: We are working on
with your vision is quite another.
market becomes more crucial, we
with a design firm before, but the
other major development projects,
How does R&D/Leverage work
are able to talk the language of
ideas didn't go anywhere because
including packages for major food
with CPG companies to ensure
design but can speak just as well
there was no connection with
and beverage, home care and
that their end product meets the
to the technical side. Instead of
manufacturability. We had
personal care companies.
package design goals - both
having to partner with a
something different to offer them,
MATT HUTCHERSON: More and
effectively and cost-effectively?
manufacturer, for example, we're
with ideas and methodologies
more brands are looking at
JASON HUSK: Because R&D/
able to have 50 engineers right
from the consumer side and
packaging to offer something
Leverage is essentially a merger
there, at any given time.
proprietary tools from the mold
unique that stands out on the shelf.
between a design firm and mold
PACKAGE DESIGN: Can you
side, to help them design a bottle
We are helping these companies
manufacturer, we offer the front-
share examples of how you have
that would function in the
grow their business by
end creative design, consumer
helped bridge vision and
consumer's life. It worked and we
encouraging consumers put the
research and ideation capabilities
functionality?
ended up that launching that
product in their cart. It's not just
that you'd expect from a design
JASON HUSK: In my previous
bottle about a year and half ago
the graphics -- shape and structure
firm combined with the practical
work in the CPG industry, I worked
across almost every DPSG drink
can be iconic.
R&D/LEVERAGE
MATTHEW HUTCHERSON
INDUSTRIAL DESIGNER
JUSTIN EAKES
SENIOR INDUSTRIAL DESIGNER
JASON HUSK
DIRECTOR OF BUSINESS DEVELOPMENT
With offices in the Kansas City metro area and in the United Kingdom, R&D/Leverage provides structural brand development and mold manufacturing for
the food, beverage, home, personal care and healthcare industries. Visit www.rdleverage.com for more information.
56
JUNE/JULY 2014
Package Design - June/July 2014
Table of Contents for the Digital Edition of Package Design - June/July 2014
Package Design - June/July 2014
Table of Contents
Editor’s Letter
Publisher’s Letter
Front Panel
Snapshots
Package Design Matters: Creative Drive
Packaging Pantene’s Crowning Glory
Nature Nut
Keepin’ it Real
Design Tech Products: Prototyping Technologies
Fresh Story
Brand Makers
Product Focus: Biobased Packaging
ndex of Advertisers
Field Notes
Package Design - June/July 2014 - Intro
Package Design - June/July 2014 - BB1
Package Design - June/July 2014 - BB2
Package Design - June/July 2014 - Package Design - June/July 2014
Package Design - June/July 2014 - Cover2
Package Design - June/July 2014 - 1
Package Design - June/July 2014 - Table of Contents
Package Design - June/July 2014 - 3
Package Design - June/July 2014 - Editor’s Letter
Package Design - June/July 2014 - 5
Package Design - June/July 2014 - Publisher’s Letter
Package Design - June/July 2014 - Front Panel
Package Design - June/July 2014 - 8
Package Design - June/July 2014 - 9
Package Design - June/July 2014 - 10
Package Design - June/July 2014 - 11
Package Design - June/July 2014 - Snapshots
Package Design - June/July 2014 - 13
Package Design - June/July 2014 - 14
Package Design - June/July 2014 - 15
Package Design - June/July 2014 - Package Design Matters: Creative Drive
Package Design - June/July 2014 - 17
Package Design - June/July 2014 - 18
Package Design - June/July 2014 - 19
Package Design - June/July 2014 - 20
Package Design - June/July 2014 - 21
Package Design - June/July 2014 - 22
Package Design - June/July 2014 - 23
Package Design - June/July 2014 - 24
Package Design - June/July 2014 - 25
Package Design - June/July 2014 - 26
Package Design - June/July 2014 - 27
Package Design - June/July 2014 - Packaging Pantene’s Crowning Glory
Package Design - June/July 2014 - 29
Package Design - June/July 2014 - 30
Package Design - June/July 2014 - 31
Package Design - June/July 2014 - Nature Nut
Package Design - June/July 2014 - 33
Package Design - June/July 2014 - 34
Package Design - June/July 2014 - Keepin’ it Real
Package Design - June/July 2014 - 36
Package Design - June/July 2014 - 37
Package Design - June/July 2014 - 38
Package Design - June/July 2014 - 39
Package Design - June/July 2014 - Design Tech Products: Prototyping Technologies
Package Design - June/July 2014 - 41
Package Design - June/July 2014 - 42
Package Design - June/July 2014 - 43
Package Design - June/July 2014 - 44
Package Design - June/July 2014 - 45
Package Design - June/July 2014 - 46
Package Design - June/July 2014 - 47
Package Design - June/July 2014 - 48
Package Design - June/July 2014 - 49
Package Design - June/July 2014 - 50
Package Design - June/July 2014 - Fresh Story
Package Design - June/July 2014 - 52
Package Design - June/July 2014 - 53
Package Design - June/July 2014 - 54
Package Design - June/July 2014 - 55
Package Design - June/July 2014 - 56
Package Design - June/July 2014 - 57
Package Design - June/July 2014 - Brand Makers
Package Design - June/July 2014 - 59
Package Design - June/July 2014 - 60
Package Design - June/July 2014 - 61
Package Design - June/July 2014 - 62
Package Design - June/July 2014 - 63
Package Design - June/July 2014 - 64
Package Design - June/July 2014 - 65
Package Design - June/July 2014 - 66
Package Design - June/July 2014 - 67
Package Design - June/July 2014 - 68
Package Design - June/July 2014 - 69
Package Design - June/July 2014 - 70
Package Design - June/July 2014 - 71
Package Design - June/July 2014 - Product Focus: Biobased Packaging
Package Design - June/July 2014 - 73
Package Design - June/July 2014 - 74
Package Design - June/July 2014 - 75
Package Design - June/July 2014 - 76
Package Design - June/July 2014 - 77
Package Design - June/July 2014 - 78
Package Design - June/July 2014 - ndex of Advertisers
Package Design - June/July 2014 - Field Notes
Package Design - June/July 2014 - Cover3
Package Design - June/July 2014 - Cover4
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