American Cinematographer - January 2010 - 51
came out of that hole at full pelt, and I filmed her from the back of a quadbike, handholding the camera. It was a rough ride over an area the size of several football fields. Letting her run in the semi-darkness or having her backlit for sections of it was fine, because the shadows are telling the story as much as the highlights.” Lesnie’s main cameras were Arricam Lites and Arri 435s, and he regarded Angenieux Optimo zoom lenses, particularly the T2.6 15-40mm, as invaluable on the shoot. “We shot the majority of the film on that lens. The 15mm end is nice and wide, and the 40mm is close enough to get into a head-and-shoulders frame size without too much distortion. If I chose to ride the zoom during a shot, we had that option.” (The production also carried T2.6 17-80mm and 24-290mm Angenieux Optimos, as well as a set of Arri Ultra Primes.) To capture scenes in a local shopping mall, the production took over the MacDade Mall in Holmes, Pa., where only two shops were in use. Knowing Jackson’s predilection for roaming with a freewheeling camera, Lesnie established an unobtrusive high-level ambience in the shopping center using practicals and fake skylights created by production designer Naomi Shohan. “I noticed during the location scouts that some of the malls had skylights providing stabs of sunlight that livened everything up,” he recalls. This mall’s ceiling contained halogen lamps with a green spike, and the narrow ceiling space precluded hanging lamps. Fortune and Shohan devised what Lesnie describes as “an ingenious solution.” He explains, “We selected sections down the length of the mall from which to remove the ceiling paneling. The art department then built a circular structure made out of solid polystyrene that was attached to the metal section of the roof. We crammed as many Image 80s and other Kino Flos as we could into the circle.” An egg crate helped focus the light while maintaining its softness. The www.theasc.com Top: Preparing a night shoot in the cornfield. Middle: Harvey checks on his secret room. Bottom (from left): 1st AC Colin Deane, camera operator Cameron McLean, Lesnie, 1st AC Dean McCarroll and stills photographer Pierre Vinet capture Harvey at home. Stretchedmuslin ceilings helped the team reduce lighting technology in house interiors. January 2010
http://www.theasc.com
American Cinematographer - January 2010
Table of Contents for the Digital Edition of American Cinematographer - January 2010
American Cinematographer - January 2010
Contents
President’s Desk
Short Takes: Hyundai Sonata Campaign
Production Slate: The White Ribbon • The Imaginarium of Doctor Parnassus
Conquering New Worlds
Watchful Spirit
Super Sleuth
The Right Stuff
Editor’s Note
Post Focus: Technicolor Hollywood • HPA Awards
Filmmakers’ Forum: Shane Hurlbut, ASC
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Billy Dickson
American Cinematographer - January 2010 - American Cinematographer - January 2010
American Cinematographer - January 2010 - Cover2
American Cinematographer - January 2010 - 1
American Cinematographer - January 2010 - 2
American Cinematographer - January 2010 - Contents
American Cinematographer - January 2010 - 4
American Cinematographer - January 2010 - 5
American Cinematographer - January 2010 - 6
American Cinematographer - January 2010 - 7
American Cinematographer - January 2010 - 8
American Cinematographer - January 2010 - 9
American Cinematographer - January 2010 - President’s Desk
American Cinematographer - January 2010 - 11
American Cinematographer - January 2010 - Short Takes: Hyundai Sonata Campaign
American Cinematographer - January 2010 - 13
American Cinematographer - January 2010 - 14
American Cinematographer - January 2010 - 15
American Cinematographer - January 2010 - 16
American Cinematographer - January 2010 - 17
American Cinematographer - January 2010 - Production Slate: The White Ribbon • The Imaginarium of Doctor Parnassus
American Cinematographer - January 2010 - 19
American Cinematographer - January 2010 - 20
American Cinematographer - January 2010 - 21
American Cinematographer - January 2010 - 22
American Cinematographer - January 2010 - 23
American Cinematographer - January 2010 - 24
American Cinematographer - January 2010 - 25
American Cinematographer - January 2010 - 26
American Cinematographer - January 2010 - 27
American Cinematographer - January 2010 - 28
American Cinematographer - January 2010 - 29
American Cinematographer - January 2010 - 30
American Cinematographer - January 2010 - 31
American Cinematographer - January 2010 - Conquering New Worlds
American Cinematographer - January 2010 - 33
American Cinematographer - January 2010 - 34
American Cinematographer - January 2010 - 35
American Cinematographer - January 2010 - 36
American Cinematographer - January 2010 - 37
American Cinematographer - January 2010 - 38
American Cinematographer - January 2010 - 39
American Cinematographer - January 2010 - 40
American Cinematographer - January 2010 - 41
American Cinematographer - January 2010 - 42
American Cinematographer - January 2010 - 43
American Cinematographer - January 2010 - 44
American Cinematographer - January 2010 - 45
American Cinematographer - January 2010 - 46
American Cinematographer - January 2010 - 47
American Cinematographer - January 2010 - Watchful Spirit
American Cinematographer - January 2010 - 49
American Cinematographer - January 2010 - 50
American Cinematographer - January 2010 - 51
American Cinematographer - January 2010 - 52
American Cinematographer - January 2010 - 53
American Cinematographer - January 2010 - 54
American Cinematographer - January 2010 - 55
American Cinematographer - January 2010 - 56
American Cinematographer - January 2010 - 57
American Cinematographer - January 2010 - 58
American Cinematographer - January 2010 - 59
American Cinematographer - January 2010 - Super Sleuth
American Cinematographer - January 2010 - 61
American Cinematographer - January 2010 - 62
American Cinematographer - January 2010 - 63
American Cinematographer - January 2010 - 64
American Cinematographer - January 2010 - 65
American Cinematographer - January 2010 - 66
American Cinematographer - January 2010 - 67
American Cinematographer - January 2010 - 68
American Cinematographer - January 2010 - 69
American Cinematographer - January 2010 - The Right Stuff
American Cinematographer - January 2010 - 71
American Cinematographer - January 2010 - 72
American Cinematographer - January 2010 - 73
American Cinematographer - January 2010 - 74
American Cinematographer - January 2010 - 75
American Cinematographer - January 2010 - 76
American Cinematographer - January 2010 - 77
American Cinematographer - January 2010 - 78
American Cinematographer - January 2010 - 79
American Cinematographer - January 2010 - Editor’s Note
American Cinematographer - January 2010 - 81
American Cinematographer - January 2010 - 82
American Cinematographer - January 2010 - 83
American Cinematographer - January 2010 - Post Focus: Technicolor Hollywood • HPA Awards
American Cinematographer - January 2010 - 85
American Cinematographer - January 2010 - 86
American Cinematographer - January 2010 - 87
American Cinematographer - January 2010 - Filmmakers’ Forum: Shane Hurlbut, ASC
American Cinematographer - January 2010 - 89
American Cinematographer - January 2010 - 90
American Cinematographer - January 2010 - 91
American Cinematographer - January 2010 - 92
American Cinematographer - January 2010 - 93
American Cinematographer - January 2010 - New Products & Services
American Cinematographer - January 2010 - 95
American Cinematographer - January 2010 - 96
American Cinematographer - January 2010 - 97
American Cinematographer - January 2010 - International Marketplace
American Cinematographer - January 2010 - Classified Ads
American Cinematographer - January 2010 - Ad Index
American Cinematographer - January 2010 - 101
American Cinematographer - January 2010 - Clubhouse News
American Cinematographer - January 2010 - 103
American Cinematographer - January 2010 - ASC Close-Up: Billy Dickson
American Cinematographer - January 2010 - Cover3
American Cinematographer - January 2010 - Cover4
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