American Cinematographer - January 2013 - 76
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A Musical Revolution
returned to Pinewood, where T stage had been remade into the Thénardiers’ inn (where “Master of the House” is performed) and a nighttime “frost fair” exterior. “Balancing the cold night exteriors in the snow with the warmth of the tavern has been quite fun,” says Cohen, who was in the midst of the final 2K digital grade at London’s Company 3 when he spoke to AC. Cohen and colorist Adam Glasman were pushing the look into a realm “I don’t think you’d associate with a musical,” says the cinematographer. “It’s quite rough-andready, messy and grungy.” In the number “Lovely Ladies,” shot on Pinewood’s M stage, even Hathaway’s beauty is dimmed down. “She looks amazing at the beginning of the film, but not for very long, because Fantine is a fallen woman, and she falls quite a long way,” says Cohen. “By the time she’s on the ‘Lovely Ladies’ dockyard set, she’s had her hair shaved off, and she’s incredibly gaunt.”
Cohen takes stock of the set on T stage. “It was built diagonally across the studio and went all the way up to the ceiling,” he explains. “It was redressed for different periods and lit for every possible lighting situation.”
a Steadicam shot, a kind of calm after the storm. Locations included Greenwich Naval College, where an exterior space doubled for the Place de la Bastille; 14th-century buildings at Winchester College, which were lit with 4K Lunix balloons, four Genie booms, three
Spiders with 10Ks and ulcers (a.k.a. large gobos), and a cherry picker with two ¼ Wendy Lights; and interiors and exteriors at Boughton Hall, an English country mansion where several sequences were shot, including the “Beggars at the Feast” number. After shooting at these sites, the production
76
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American Cinematographer - January 2013
Table of Contents for the Digital Edition of American Cinematographer - January 2013
American Cinematographer - January 2013
Contents
Editor’s Note
President’s Desk
Short Takes: GE.com, “Juice Train”
Production Slate: Amour • Promised Land
Once Upon a Time in the South
An Unlikely Hero
An Unlikely Hero
A Musical Revolution
A Musical Revolution
An Auteur’s Angst
An Auteur’s Angst
Post Focus: Restoring Sunset Blvd. • 2012 HPA Awards
Post Focus: Restoring Sunset Blvd. • 2012 HPA Awards
New Products & Services
New Products & Services
International Marketplace
International Marketplace
Classified Ads
Classified Ads
Ad Index
Ad Index
In Memoriam: Ken Lamkin, ASC
In Memoriam: Ken Lamkin, ASC
Clubhouse News
Clubhouse News
ASC Close-Up: Newton Thomas Sigel
ASC Close-Up: Newton Thomas Sigel
American Cinematographer - January 2013 - American Cinematographer - January 2013
American Cinematographer - January 2013 - Cover2
American Cinematographer - January 2013 - 1
American Cinematographer - January 2013 - 2
American Cinematographer - January 2013 - 3
American Cinematographer - January 2013 - 4
American Cinematographer - January 2013 - Contents
American Cinematographer - January 2013 - 6
American Cinematographer - January 2013 - 7
American Cinematographer - January 2013 - Editor’s Note
American Cinematographer - January 2013 - 9
American Cinematographer - January 2013 - President’s Desk
American Cinematographer - January 2013 - 11
American Cinematographer - January 2013 - Short Takes: GE.com, “Juice Train”
American Cinematographer - January 2013 - 13
American Cinematographer - January 2013 - 14
American Cinematographer - January 2013 - 15
American Cinematographer - January 2013 - 16
American Cinematographer - January 2013 - 17
American Cinematographer - January 2013 - Production Slate: Amour • Promised Land
American Cinematographer - January 2013 - 19
American Cinematographer - January 2013 - 20
American Cinematographer - January 2013 - 21
American Cinematographer - January 2013 - 22
American Cinematographer - January 2013 - 23
American Cinematographer - January 2013 - 24
American Cinematographer - January 2013 - 25
American Cinematographer - January 2013 - 26
American Cinematographer - January 2013 - 27
American Cinematographer - January 2013 - 28
American Cinematographer - January 2013 - 29
American Cinematographer - January 2013 - 30
American Cinematographer - January 2013 - 31
American Cinematographer - January 2013 - Once Upon a Time in the South
American Cinematographer - January 2013 - 33
American Cinematographer - January 2013 - 34
American Cinematographer - January 2013 - 35
American Cinematographer - January 2013 - 36
American Cinematographer - January 2013 - 37
American Cinematographer - January 2013 - 38
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American Cinematographer - January 2013 - 45
American Cinematographer - January 2013 - 46
American Cinematographer - January 2013 - 47
American Cinematographer - January 2013 - 48
American Cinematographer - January 2013 - 49
American Cinematographer - January 2013 - An Unlikely Hero
American Cinematographer - January 2013 - 51
American Cinematographer - January 2013 - 52
American Cinematographer - January 2013 - 53
American Cinematographer - January 2013 - 54
American Cinematographer - January 2013 - 55
American Cinematographer - January 2013 - 56
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American Cinematographer - January 2013 - 61
American Cinematographer - January 2013 - 62
American Cinematographer - January 2013 - 63
American Cinematographer - January 2013 - 64
American Cinematographer - January 2013 - 65
American Cinematographer - January 2013 - A Musical Revolution
American Cinematographer - January 2013 - 67
American Cinematographer - January 2013 - 68
American Cinematographer - January 2013 - 69
American Cinematographer - January 2013 - 70
American Cinematographer - January 2013 - 71
American Cinematographer - January 2013 - 72
American Cinematographer - January 2013 - 73
American Cinematographer - January 2013 - 74
American Cinematographer - January 2013 - 75
American Cinematographer - January 2013 - 76
American Cinematographer - January 2013 - 77
American Cinematographer - January 2013 - An Auteur’s Angst
American Cinematographer - January 2013 - 79
American Cinematographer - January 2013 - 80
American Cinematographer - January 2013 - 81
American Cinematographer - January 2013 - 82
American Cinematographer - January 2013 - 83
American Cinematographer - January 2013 - 84
American Cinematographer - January 2013 - 85
American Cinematographer - January 2013 - 86
American Cinematographer - January 2013 - 87
American Cinematographer - January 2013 - 88
American Cinematographer - January 2013 - 89
American Cinematographer - January 2013 - Post Focus: Restoring Sunset Blvd. • 2012 HPA Awards
American Cinematographer - January 2013 - 91
American Cinematographer - January 2013 - 92
American Cinematographer - January 2013 - 93
American Cinematographer - January 2013 - 94
American Cinematographer - January 2013 - 95
American Cinematographer - January 2013 - New Products & Services
American Cinematographer - January 2013 - 97
American Cinematographer - January 2013 - 98
American Cinematographer - January 2013 - 99
American Cinematographer - January 2013 - 100
American Cinematographer - January 2013 - 101
American Cinematographer - January 2013 - International Marketplace
American Cinematographer - January 2013 - Classified Ads
American Cinematographer - January 2013 - Ad Index
American Cinematographer - January 2013 - In Memoriam: Ken Lamkin, ASC
American Cinematographer - January 2013 - Clubhouse News
American Cinematographer - January 2013 - 107
American Cinematographer - January 2013 - ASC Close-Up: Newton Thomas Sigel
American Cinematographer - January 2013 - Cover3
American Cinematographer - January 2013 - Cover4
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