American Cinematographer - January 2013 - 93
Ray Dolby, recipient of the Charles S. Schwartz Award, is flanked by his son, David Dolby (left), and Walter Murch, ACE.
Thrones, “The Prince of Winterfell”; Rob Pizzey of Company 3, for The Iron Lady; and Siggy Ferstl of Company 3, for Chrysler, “Halftime in America.” Also nominated for Outstanding Color Grading: Sean Coleman of Company 3, for Audi, “Ahab”; Tony D’Amore of Technicolor Creative Services Hollywood, for Magic City, “Castles Made of Sand”; Adam Glasman of Company 3, for The Best Exotic Marigold Hotel; Lorraine Grand, for Hatfields & McCoys, “Night 2”; Dave Hussey of Company 3, for Ciroc, “Rat Pack”; Tim Masick of Company 3, for Captain Morgan, “Secret Passage” and Elizabeth Arden, “Wonderstruck”; Stephen Nakamura of Company 3, for Prometheus; James Norman of 1000volt, for Once Upon a Time in Anatolia; Tom Poole of Company 3, for Drive; Tony Smith of Encore, for Castle, “The Blue Butterfly”; and Martin Zeichner of Technicolor-PostWorks New York, for Boardwalk Empire, “21.” Outstanding Sound awards were presented to: Jimmy Hite of Margarita Mix Santa Monica, for Nissan Leaf, “Gas Powered Everything”; Mark Lanza, Larry Mann, Alan Decker and Nello Torri of Universal Sound, for Grimm, “Pilot”; and Chris Ward, Brent Burge, Michael Hedges, Christopher Boyes and Andy Nelson of Park
Road Post Production, for The Adventures of Tintin. Outstanding Editing awards, sponsored by Avid Technology, were presented to: Chris Franklin of Big Sky Editorial, for MasterCard, “Tango”; John Wilson, ACE, of Carnival Film & Television, for Downton Abbey, “Series 2 Episode 7”; and Thelma Schoonmaker, ACE, of Sikelia Productions, for Hugo. Outstanding Compositing Awards were won by: Benjamin Walsh, Dominik Bauch and Nicholas Kim of Method Studios, for Chevy, “2012 Silverado”; Bob Minshall, Mark Intravartolo, Jeremy Jozwik and Carrie Smith of Encore, for NCIS: Naval Criminal Investigative Service, “Rekindled”; and Nelson Sepulveda, Alan Travis, Peter Demarest and Chris Bayz of Industrial Light & Magic, for The Avengers. The HPA Judges Award for Creativity and Innovation in Postproduction was presented to Gradient Interactive for Sandbox, a mobile, real-time previs system. Returning to the stage, Silverman introduced Walter Murch, ACE, who, Silverman noted, is “the only person to [have won] the Academy Award for both picture and sound editorial.” Murch presented the Charles S. Schwartz Award for Outstanding Contribution in the Field of Postproduction
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American Cinematographer - January 2013
Table of Contents for the Digital Edition of American Cinematographer - January 2013
American Cinematographer - January 2013
Contents
Editor’s Note
President’s Desk
Short Takes: GE.com, “Juice Train”
Production Slate: Amour • Promised Land
Once Upon a Time in the South
An Unlikely Hero
An Unlikely Hero
A Musical Revolution
A Musical Revolution
An Auteur’s Angst
An Auteur’s Angst
Post Focus: Restoring Sunset Blvd. • 2012 HPA Awards
Post Focus: Restoring Sunset Blvd. • 2012 HPA Awards
New Products & Services
New Products & Services
International Marketplace
International Marketplace
Classified Ads
Classified Ads
Ad Index
Ad Index
In Memoriam: Ken Lamkin, ASC
In Memoriam: Ken Lamkin, ASC
Clubhouse News
Clubhouse News
ASC Close-Up: Newton Thomas Sigel
ASC Close-Up: Newton Thomas Sigel
American Cinematographer - January 2013 - American Cinematographer - January 2013
American Cinematographer - January 2013 - Cover2
American Cinematographer - January 2013 - 1
American Cinematographer - January 2013 - 2
American Cinematographer - January 2013 - 3
American Cinematographer - January 2013 - 4
American Cinematographer - January 2013 - Contents
American Cinematographer - January 2013 - 6
American Cinematographer - January 2013 - 7
American Cinematographer - January 2013 - Editor’s Note
American Cinematographer - January 2013 - 9
American Cinematographer - January 2013 - President’s Desk
American Cinematographer - January 2013 - 11
American Cinematographer - January 2013 - Short Takes: GE.com, “Juice Train”
American Cinematographer - January 2013 - 13
American Cinematographer - January 2013 - 14
American Cinematographer - January 2013 - 15
American Cinematographer - January 2013 - 16
American Cinematographer - January 2013 - 17
American Cinematographer - January 2013 - Production Slate: Amour • Promised Land
American Cinematographer - January 2013 - 19
American Cinematographer - January 2013 - 20
American Cinematographer - January 2013 - 21
American Cinematographer - January 2013 - 22
American Cinematographer - January 2013 - 23
American Cinematographer - January 2013 - 24
American Cinematographer - January 2013 - 25
American Cinematographer - January 2013 - 26
American Cinematographer - January 2013 - 27
American Cinematographer - January 2013 - 28
American Cinematographer - January 2013 - 29
American Cinematographer - January 2013 - 30
American Cinematographer - January 2013 - 31
American Cinematographer - January 2013 - Once Upon a Time in the South
American Cinematographer - January 2013 - 33
American Cinematographer - January 2013 - 34
American Cinematographer - January 2013 - 35
American Cinematographer - January 2013 - 36
American Cinematographer - January 2013 - 37
American Cinematographer - January 2013 - 38
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American Cinematographer - January 2013 - 40
American Cinematographer - January 2013 - 41
American Cinematographer - January 2013 - 42
American Cinematographer - January 2013 - 43
American Cinematographer - January 2013 - 44
American Cinematographer - January 2013 - 45
American Cinematographer - January 2013 - 46
American Cinematographer - January 2013 - 47
American Cinematographer - January 2013 - 48
American Cinematographer - January 2013 - 49
American Cinematographer - January 2013 - An Unlikely Hero
American Cinematographer - January 2013 - 51
American Cinematographer - January 2013 - 52
American Cinematographer - January 2013 - 53
American Cinematographer - January 2013 - 54
American Cinematographer - January 2013 - 55
American Cinematographer - January 2013 - 56
American Cinematographer - January 2013 - 57
American Cinematographer - January 2013 - 58
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American Cinematographer - January 2013 - 60
American Cinematographer - January 2013 - 61
American Cinematographer - January 2013 - 62
American Cinematographer - January 2013 - 63
American Cinematographer - January 2013 - 64
American Cinematographer - January 2013 - 65
American Cinematographer - January 2013 - A Musical Revolution
American Cinematographer - January 2013 - 67
American Cinematographer - January 2013 - 68
American Cinematographer - January 2013 - 69
American Cinematographer - January 2013 - 70
American Cinematographer - January 2013 - 71
American Cinematographer - January 2013 - 72
American Cinematographer - January 2013 - 73
American Cinematographer - January 2013 - 74
American Cinematographer - January 2013 - 75
American Cinematographer - January 2013 - 76
American Cinematographer - January 2013 - 77
American Cinematographer - January 2013 - An Auteur’s Angst
American Cinematographer - January 2013 - 79
American Cinematographer - January 2013 - 80
American Cinematographer - January 2013 - 81
American Cinematographer - January 2013 - 82
American Cinematographer - January 2013 - 83
American Cinematographer - January 2013 - 84
American Cinematographer - January 2013 - 85
American Cinematographer - January 2013 - 86
American Cinematographer - January 2013 - 87
American Cinematographer - January 2013 - 88
American Cinematographer - January 2013 - 89
American Cinematographer - January 2013 - Post Focus: Restoring Sunset Blvd. • 2012 HPA Awards
American Cinematographer - January 2013 - 91
American Cinematographer - January 2013 - 92
American Cinematographer - January 2013 - 93
American Cinematographer - January 2013 - 94
American Cinematographer - January 2013 - 95
American Cinematographer - January 2013 - New Products & Services
American Cinematographer - January 2013 - 97
American Cinematographer - January 2013 - 98
American Cinematographer - January 2013 - 99
American Cinematographer - January 2013 - 100
American Cinematographer - January 2013 - 101
American Cinematographer - January 2013 - International Marketplace
American Cinematographer - January 2013 - Classified Ads
American Cinematographer - January 2013 - Ad Index
American Cinematographer - January 2013 - In Memoriam: Ken Lamkin, ASC
American Cinematographer - January 2013 - Clubhouse News
American Cinematographer - January 2013 - 107
American Cinematographer - January 2013 - ASC Close-Up: Newton Thomas Sigel
American Cinematographer - January 2013 - Cover3
American Cinematographer - January 2013 - Cover4
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