American Cinematographer - January 2014 - 48

AMC_0114_p036_p049_a_feature 11/23/13 4:46 PM Page 48

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Folk Implosion

Ethan (left) and
Joel Coen join
Delbonnel at
the monitor.

away," recalls Delbonnel. "It was a gray
day." To adjust the level of fill, he either
changed the inclination of the frames or
added solids to reduce the bounce. The
lighting on Davis is similar, but with a
little less fill. "That's my principle: I
work with contrasts of very soft light,"
says Delbonnel.
He turned to hard light for two

48

sequences, the Gaslight Café, where
Davis takes the stage and also sits in the
audience, and the Gate of Horn in
Chicago, where Davis does an
impromptu audition for Bud Grossman
(F. Murray Abraham), a powerful music
manager. The Gaslight was re-created
in a New York hangar, and Delbonnel
started by setting a level of fill from

above with a grid of about 2,000 15watt bulbs on the ceiling. "That gave
me a fill-light base, so I didn't have to
spend my time adding fill. I needed to
modulate this fill, so we turned these
strings of bulbs on and off by sections.
The fill light was my exposure reference, at 2 stops under."
When Davis is onstage,
Delbonnel added two hard sources, a
1K Par 64 pointing straight down, and
an 800-watt follow spot from the side,
with beams that fell near the actor without lighting him directly. The cinematographer filled the space with
smoke to make the dark areas more
readable.
In another Gaslight scene, Davis
and Jean are seated in the audience and
joined by Jim ( Justin Timberlake).
Delbonnel lit the table with a 1K
Dedoflex Octodome on the right of
frame. "It's very soft and diffused," he
notes. The backlight in the background
was provided by a 2K open-faced



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American Cinematographer - January 2014

Table of Contents for the Digital Edition of American Cinematographer - January 2014

Table of Contents
American Cinematographer - January 2014 - Cover1
American Cinematographer - January 2014 - Cover2
American Cinematographer - January 2014 - 1
American Cinematographer - January 2014 - 2
American Cinematographer - January 2014 - Table of Contents
American Cinematographer - January 2014 - 4
American Cinematographer - January 2014 - 5
American Cinematographer - January 2014 - 6
American Cinematographer - January 2014 - 7
American Cinematographer - January 2014 - 8
American Cinematographer - January 2014 - 9
American Cinematographer - January 2014 - 10
American Cinematographer - January 2014 - 11
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American Cinematographer - January 2014 - 13
American Cinematographer - January 2014 - 14
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American Cinematographer - January 2014 - 16
American Cinematographer - January 2014 - 17
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American Cinematographer - January 2014 - 20
American Cinematographer - January 2014 - 21
American Cinematographer - January 2014 - 22
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American Cinematographer - January 2014 - 24
American Cinematographer - January 2014 - 25
American Cinematographer - January 2014 - 26
American Cinematographer - January 2014 - 27
American Cinematographer - January 2014 - 28
American Cinematographer - January 2014 - 29
American Cinematographer - January 2014 - 30
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American Cinematographer - January 2014 - 35
American Cinematographer - January 2014 - 36
American Cinematographer - January 2014 - 37
American Cinematographer - January 2014 - 38
American Cinematographer - January 2014 - 39
American Cinematographer - January 2014 - 40
American Cinematographer - January 2014 - 41
American Cinematographer - January 2014 - 42
American Cinematographer - January 2014 - 43
American Cinematographer - January 2014 - 44
American Cinematographer - January 2014 - 45
American Cinematographer - January 2014 - 46
American Cinematographer - January 2014 - 47
American Cinematographer - January 2014 - 48
American Cinematographer - January 2014 - 49
American Cinematographer - January 2014 - 50
American Cinematographer - January 2014 - 51
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American Cinematographer - January 2014 - 53
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American Cinematographer - January 2014 - 55
American Cinematographer - January 2014 - 56
American Cinematographer - January 2014 - 57
American Cinematographer - January 2014 - 58
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American Cinematographer - January 2014 - 60
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American Cinematographer - January 2014 - 62
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American Cinematographer - January 2014 - 65
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American Cinematographer - January 2014 - 70
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American Cinematographer - January 2014 - 90
American Cinematographer - January 2014 - 91
American Cinematographer - January 2014 - 92
American Cinematographer - January 2014 - 93
American Cinematographer - January 2014 - 94
American Cinematographer - January 2014 - 95
American Cinematographer - January 2014 - 96
American Cinematographer - January 2014 - Cover3
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