American Cinematographer - January 2014 - 88

AMC_0114_p088_p091_00 new products 11/29/13 6:12 PM Page 88

New Products & Services

* SUBMISSION INFORMATION *
Please e-mail New Products/Services releases to
newproducts@ascmag.com and include full contact
information and product images. Photos must be
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includes the Fisheye, which offers 180 degrees of view with a larger
image circle and sharper images; the Super Wide, which doubles
the field of view of the iPhone's built-in lens; the Wide Angle, which
features edge-to-edge sharpness; the Macro, for detailed close-ups;
and the 2X Tele, specially designed for the higher-resolution iPhone
5 camera.
Users who own the original iPro lens series for the iPhone 4
and 4S will be able to use their existing lenses on the iPhone 5 by
upgrading to the new iPro 5 Series 1 case. The slide-on, two-section
case features a bayonet mount to accept both the original iPro
optics and the Series 2 lenses.
For more information, visit www.schneiderkreuznach.com
and www.iprolens.com.

P+S Technik Upgrades Interchangeable Mount System
P+S Technik has upgraded its Interchangeable Mount System
to a 2.0 version compatible with the Arri Alexa, Sony F55/F5/F3, Red
One and Epic, and cameras with a PS-IMS camera mount.
The updated mount supports the aperture control for electronic Canon EF lenses combined with the PrimeCircle XE controller
and features sturdier locking mechanisms for Canon EF and Nikon
mounts. IMS 2.0 works with Canon, Nikon, Leica, BNC-R or Panavision mounted lenses.
For more information, visit www.pstechnik.de.
Schneider Adds Cine-Xenar III Prime, iPro 5
Schneider Optics has introduced the Cine-Xenar III series of
lenses and upgraded iPro, its add-on lens system for the iPhone.
The Cine-Xenar III range
features seven fixed focal
lengths:
T2.2/14mm,
T2.2/18mm, T2.2/25mm,
T2.1/35mm, T2.0/50mm,
T2.0/75mm
and
T2.0/95mm. Every lens in
the series is easily interchangeable and features
user-friendly focus with legible inscriptions and precise
setting mechanisms. The lenses come with a PL mount and can be
used on professional cameras such as the Red One, Arri Alexa,
Canon C series and Sony F series. An interchangeable camera bayonet also enables the lenses to be used with semi-professional digital
SLR cameras like the Canon EOS 7D.
Schneider's iPro 5 line is compatible with the iPhone 5 and
features an expanded series of lenses. The Series 2 family of lenses
88

January 2014

Fujifilm Extends
Zoom Range
Fujifilm
North
America Corp., Optical
Devices Division has extended
the range of the Premier PL 14-35mm
Cabrio ZK2.5x14 wide-angle lens from its
initial debut.
"The new 14-35mm Cabrio was designed with
the latest customer feedback, especially regarding focal
length," says Thom Calabro, director of marketing and product
development for the Optical Devices Division of Fujifilm North America Corp. "As with all of our Cabrio lenses, the 14-35mm lens is
lightweight and comfortable to use with today's smaller 4K
cameras, but we've expanded the focal-length range from its initial
NAB showing to 14-35mm at T2.9, with 200-degree focus rotation.
For shooters looking for a lightweight zoom that can be used as a
handheld, capturing wide angles in tight spaces, it's ideal."
The PL 14-35mm Cabrio lens has a detachable digital servo
drive and can be used as a self-contained ENG-style lens or cine-style
lens. When used without the drive, industry-standard cine motors
can be fitted.
The digital servo's 16-bit encoding assures operators that all
lens data output - including the position of the zoom, iris and
focus - is accurate. The PL 14-35mm lens supports Lens Data
System and /i metadata formats, and can be controlled using standard wireless controllers, as well as existing Fujinon wired and wireless units.
The Cabrio series also includes the recently introduced
Premier PL 19-90mm and the PL 85-300mm lenses.
For more information, visit www.fujifilmusa.com.

American Cinematographer


http://www.schneiderkreuznach.com http://www.iprolens.com http://www.pstechnik.de http://www.fujifilmusa.com

American Cinematographer - January 2014

Table of Contents for the Digital Edition of American Cinematographer - January 2014

Table of Contents
American Cinematographer - January 2014 - Cover1
American Cinematographer - January 2014 - Cover2
American Cinematographer - January 2014 - 1
American Cinematographer - January 2014 - 2
American Cinematographer - January 2014 - Table of Contents
American Cinematographer - January 2014 - 4
American Cinematographer - January 2014 - 5
American Cinematographer - January 2014 - 6
American Cinematographer - January 2014 - 7
American Cinematographer - January 2014 - 8
American Cinematographer - January 2014 - 9
American Cinematographer - January 2014 - 10
American Cinematographer - January 2014 - 11
American Cinematographer - January 2014 - 12
American Cinematographer - January 2014 - 13
American Cinematographer - January 2014 - 14
American Cinematographer - January 2014 - 15
American Cinematographer - January 2014 - 16
American Cinematographer - January 2014 - 17
American Cinematographer - January 2014 - 18
American Cinematographer - January 2014 - 19
American Cinematographer - January 2014 - 20
American Cinematographer - January 2014 - 21
American Cinematographer - January 2014 - 22
American Cinematographer - January 2014 - 23
American Cinematographer - January 2014 - 24
American Cinematographer - January 2014 - 25
American Cinematographer - January 2014 - 26
American Cinematographer - January 2014 - 27
American Cinematographer - January 2014 - 28
American Cinematographer - January 2014 - 29
American Cinematographer - January 2014 - 30
American Cinematographer - January 2014 - 31
American Cinematographer - January 2014 - 32
American Cinematographer - January 2014 - 33
American Cinematographer - January 2014 - 34
American Cinematographer - January 2014 - 35
American Cinematographer - January 2014 - 36
American Cinematographer - January 2014 - 37
American Cinematographer - January 2014 - 38
American Cinematographer - January 2014 - 39
American Cinematographer - January 2014 - 40
American Cinematographer - January 2014 - 41
American Cinematographer - January 2014 - 42
American Cinematographer - January 2014 - 43
American Cinematographer - January 2014 - 44
American Cinematographer - January 2014 - 45
American Cinematographer - January 2014 - 46
American Cinematographer - January 2014 - 47
American Cinematographer - January 2014 - 48
American Cinematographer - January 2014 - 49
American Cinematographer - January 2014 - 50
American Cinematographer - January 2014 - 51
American Cinematographer - January 2014 - 52
American Cinematographer - January 2014 - 53
American Cinematographer - January 2014 - 54
American Cinematographer - January 2014 - 55
American Cinematographer - January 2014 - 56
American Cinematographer - January 2014 - 57
American Cinematographer - January 2014 - 58
American Cinematographer - January 2014 - 59
American Cinematographer - January 2014 - 60
American Cinematographer - January 2014 - 61
American Cinematographer - January 2014 - 62
American Cinematographer - January 2014 - 63
American Cinematographer - January 2014 - 64
American Cinematographer - January 2014 - 65
American Cinematographer - January 2014 - 66
American Cinematographer - January 2014 - 67
American Cinematographer - January 2014 - 68
American Cinematographer - January 2014 - 69
American Cinematographer - January 2014 - 70
American Cinematographer - January 2014 - 71
American Cinematographer - January 2014 - 72
American Cinematographer - January 2014 - 73
American Cinematographer - January 2014 - 74
American Cinematographer - January 2014 - 75
American Cinematographer - January 2014 - 76
American Cinematographer - January 2014 - 77
American Cinematographer - January 2014 - 78
American Cinematographer - January 2014 - 79
American Cinematographer - January 2014 - 80
American Cinematographer - January 2014 - 81
American Cinematographer - January 2014 - 82
American Cinematographer - January 2014 - 83
American Cinematographer - January 2014 - 84
American Cinematographer - January 2014 - 85
American Cinematographer - January 2014 - 86
American Cinematographer - January 2014 - 87
American Cinematographer - January 2014 - 88
American Cinematographer - January 2014 - 89
American Cinematographer - January 2014 - 90
American Cinematographer - January 2014 - 91
American Cinematographer - January 2014 - 92
American Cinematographer - January 2014 - 93
American Cinematographer - January 2014 - 94
American Cinematographer - January 2014 - 95
American Cinematographer - January 2014 - 96
American Cinematographer - January 2014 - Cover3
American Cinematographer - January 2014 - Cover4
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