American Cinematographer - January 2016 - 102

Telecine &
Color Grading

to-back and side-to-side for ideal weight
distribution.
The cage can be used with both onboard and/or block batteries, allowing for
hot-swapping. Additionally, a quick-release
dovetail allows for easy transitioning from a
studio to handheld setup.
For additional information, visit
www.keslowcamera.com.

"Jod is a true artist with
a great passion for his craft."
- John W. Simmons, ASC

Contact Jod @ 310-713-8388
Jod@apt-4.com

Band Pro Distributes
IB/E Expander
Band Pro is now distributing IB/E
Optics' S35xFF Expander. The super 35 to
full-frame expander provides full sensor
coverage - even with Red's 8K Weapon
sensor - from any super 35mm lens.
For additional information, visit
www.bandpro.com
and
www.ibeoptics.com.
Schneider-Kreuznach Adds
E Mount for FF-Primes
Schneider-Kreuznach recently unveiled FF-Prime lenses with a Sony E mount.
The E mount allows users to mount the fullframe lenses to cameras such as Sony's a7R
II. FF-Primes - which have been on the
market since 2014 - could already be used
in combination with Nikon's F mount,
Canon's EOS mount and PL mounts.
"With the FF-Prime lenses, we want
to provide a genuine optical alternative [for]
professional filmmakers and cinematogra102

phers," says Harald Barth, head of film and
photo at Jos. Schneider Optische Werke
GmbH. "We are delighted that we can
meet the considerable demand for a combination with a Sony E mount and thus
expand the scope for application."
With 4K resolution (4096x2304
pixels), the lenses were
designed specifically for DSLR
cameras with
full-frame
sensors and for
p ro f e s s i o n a l
cine cameras.
The homogeneous
set comprises 25mm, 35mm, 50mm,
75mm and 100mm focal lengths (all T2.1).
For additional information, visit
www.schneiderkreuznach.com.
Rokinon Highlights Xeen Lenses
Rokinon has introduced the Xeen
professional-grade cine-lens system, which
offers the professional optical quality,
features, specifications and performance
that are expected of a cine-lens system, but
with a significantly lower price tag.
The initial three Xeen lenses comprise
a 24mm, 50mm and 85mm. All three
feature an aperture of T1.5 and full-frame
coverage. They will be available in mounts

for Canon EF, Nikon F, Sony E, Micro Four
Thirds and PL. Additional focal lengths are
scheduled to be introduced throughout
2016.
Xeen lenses are tightly color matched
and boast all-metal bodies. The entire range
features a unified 114mm non-rotating
front diameter; 40-degree iris rotation and
200-degree focus rotation with large, easyto-read markings and dual-calibrated rightand left-side distance and T-stop scales; and


http://www.APT-4.com http://www.keslowcamera.com http://www.schneiderkreuznach.com http://www.bandpro.com http://www.ibe-optics.com http://www.ibe-optics.com http://WWW.THEASC.COM

Table of Contents for the Digital Edition of American Cinematographer - January 2016

Contents
American Cinematographer - January 2016 - Cover1
American Cinematographer - January 2016 - Cover2
American Cinematographer - January 2016 - 1
American Cinematographer - January 2016 - 2
American Cinematographer - January 2016 - Contents
American Cinematographer - January 2016 - 4
American Cinematographer - January 2016 - 5
American Cinematographer - January 2016 - 6
American Cinematographer - January 2016 - 7
American Cinematographer - January 2016 - 8
American Cinematographer - January 2016 - 9
American Cinematographer - January 2016 - 10
American Cinematographer - January 2016 - 11
American Cinematographer - January 2016 - 12
American Cinematographer - January 2016 - 13
American Cinematographer - January 2016 - 14
American Cinematographer - January 2016 - 15
American Cinematographer - January 2016 - 16
American Cinematographer - January 2016 - 17
American Cinematographer - January 2016 - 18
American Cinematographer - January 2016 - 19
American Cinematographer - January 2016 - 20
American Cinematographer - January 2016 - 21
American Cinematographer - January 2016 - 22
American Cinematographer - January 2016 - 23
American Cinematographer - January 2016 - 24
American Cinematographer - January 2016 - 25
American Cinematographer - January 2016 - 26
American Cinematographer - January 2016 - 27
American Cinematographer - January 2016 - 28
American Cinematographer - January 2016 - 29
American Cinematographer - January 2016 - 30
American Cinematographer - January 2016 - 31
American Cinematographer - January 2016 - 32
American Cinematographer - January 2016 - 33
American Cinematographer - January 2016 - 34
American Cinematographer - January 2016 - 35
American Cinematographer - January 2016 - 36
American Cinematographer - January 2016 - 37
American Cinematographer - January 2016 - 38
American Cinematographer - January 2016 - 39
American Cinematographer - January 2016 - 40
American Cinematographer - January 2016 - 41
American Cinematographer - January 2016 - 42
American Cinematographer - January 2016 - 43
American Cinematographer - January 2016 - 44
American Cinematographer - January 2016 - 45
American Cinematographer - January 2016 - 46
American Cinematographer - January 2016 - 47
American Cinematographer - January 2016 - 48
American Cinematographer - January 2016 - 49
American Cinematographer - January 2016 - 50
American Cinematographer - January 2016 - 51
American Cinematographer - January 2016 - 52
American Cinematographer - January 2016 - 53
American Cinematographer - January 2016 - 54
American Cinematographer - January 2016 - 55
American Cinematographer - January 2016 - 56
American Cinematographer - January 2016 - 57
American Cinematographer - January 2016 - 58
American Cinematographer - January 2016 - 59
American Cinematographer - January 2016 - 60
American Cinematographer - January 2016 - 61
American Cinematographer - January 2016 - 62
American Cinematographer - January 2016 - 63
American Cinematographer - January 2016 - 64a
American Cinematographer - January 2016 - 64b
American Cinematographer - January 2016 - 64c
American Cinematographer - January 2016 - 64d
American Cinematographer - January 2016 - 64e
American Cinematographer - January 2016 - 64f
American Cinematographer - January 2016 - 64g
American Cinematographer - January 2016 - 64h
American Cinematographer - January 2016 - 64
American Cinematographer - January 2016 - 65
American Cinematographer - January 2016 - 66
American Cinematographer - January 2016 - 67
American Cinematographer - January 2016 - 68
American Cinematographer - January 2016 - 69
American Cinematographer - January 2016 - 70
American Cinematographer - January 2016 - 71
American Cinematographer - January 2016 - 72
American Cinematographer - January 2016 - 73
American Cinematographer - January 2016 - 74
American Cinematographer - January 2016 - 75
American Cinematographer - January 2016 - 76
American Cinematographer - January 2016 - 77
American Cinematographer - January 2016 - 78
American Cinematographer - January 2016 - 79
American Cinematographer - January 2016 - 80
American Cinematographer - January 2016 - 81
American Cinematographer - January 2016 - 82
American Cinematographer - January 2016 - 83
American Cinematographer - January 2016 - 84
American Cinematographer - January 2016 - 85
American Cinematographer - January 2016 - 86
American Cinematographer - January 2016 - 87
American Cinematographer - January 2016 - 88
American Cinematographer - January 2016 - 89
American Cinematographer - January 2016 - 90
American Cinematographer - January 2016 - 91
American Cinematographer - January 2016 - 92
American Cinematographer - January 2016 - 93
American Cinematographer - January 2016 - 94
American Cinematographer - January 2016 - 95
American Cinematographer - January 2016 - 96
American Cinematographer - January 2016 - 97
American Cinematographer - January 2016 - 98
American Cinematographer - January 2016 - 99
American Cinematographer - January 2016 - 100
American Cinematographer - January 2016 - 101
American Cinematographer - January 2016 - 102
American Cinematographer - January 2016 - 103
American Cinematographer - January 2016 - 104
American Cinematographer - January 2016 - 105
American Cinematographer - January 2016 - 106
American Cinematographer - January 2016 - 107
American Cinematographer - January 2016 - 108
American Cinematographer - January 2016 - 109
American Cinematographer - January 2016 - 110
American Cinematographer - January 2016 - 111
American Cinematographer - January 2016 - 112
American Cinematographer - January 2016 - 113
American Cinematographer - January 2016 - 114
American Cinematographer - January 2016 - 115
American Cinematographer - January 2016 - 116
American Cinematographer - January 2016 - Cover3
American Cinematographer - January 2016 - Cover4
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