American Cinematographer - January 2016 - 95

synced and dailies were uploaded to Pix.
"The Dragon's dynamic range
gives greater sensitivity in the highlights,
but also provides noise in the shadows,
which adds texture to the image," Bagley
notes. "We aimed to create a slightly
muted look for the dailies that took
advantage of these factors without looking too crisp and 'digital,' while trying to
subtly emphasize the Hammershøiesque nature of the framing and production design."
Cohen was on-hand for all three
weeks of the final grade - in which
Glasman worked with 2K DPX files
- and Hooper joined for one week
in August, shortly before the movie's
festival bows. "The intention was to
create a gentle, subtle grade, particularly
in the Danish scenes modeled on
Hammershøi paintings," Glasman
explains. "The extra color in the Paris
scenes was built into the lighting and
production design, but I added saturation. Also, I had to be careful with the

skin tones of the two leads. Eddie has
paler skin than Alicia. As Lili's health
deteriorates, this contrast became too
much and required correcting."
Looking back over his busy slate,
Cohen is particularly excited that the
period movie The Danish Girl came on
the heels of Room, a claustrophobic
modern drama about a mother and son
in captivity. "I'm quite chuffed because
they're completely different stories, looks
and sensibilities," he says. "But when the
audience sits and watches them, they
won't care about all that's gone on to
actually put those images on the screen.
It's the stories and the quality of the
films they will focus on."
●

TECHNICAL SPECS
1.85:1
Digital Capture
Red Epic Dragon
Arri/Zeiss Master Prime,
Ultra Prime; Nikon Nikkor;
Angenieux Optimo; Lensbaby

95


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Table of Contents for the Digital Edition of American Cinematographer - January 2016

Contents
American Cinematographer - January 2016 - Cover1
American Cinematographer - January 2016 - Cover2
American Cinematographer - January 2016 - 1
American Cinematographer - January 2016 - 2
American Cinematographer - January 2016 - Contents
American Cinematographer - January 2016 - 4
American Cinematographer - January 2016 - 5
American Cinematographer - January 2016 - 6
American Cinematographer - January 2016 - 7
American Cinematographer - January 2016 - 8
American Cinematographer - January 2016 - 9
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American Cinematographer - January 2016 - 14
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American Cinematographer - January 2016 - 17
American Cinematographer - January 2016 - 18
American Cinematographer - January 2016 - 19
American Cinematographer - January 2016 - 20
American Cinematographer - January 2016 - 21
American Cinematographer - January 2016 - 22
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American Cinematographer - January 2016 - 24
American Cinematographer - January 2016 - 25
American Cinematographer - January 2016 - 26
American Cinematographer - January 2016 - 27
American Cinematographer - January 2016 - 28
American Cinematographer - January 2016 - 29
American Cinematographer - January 2016 - 30
American Cinematographer - January 2016 - 31
American Cinematographer - January 2016 - 32
American Cinematographer - January 2016 - 33
American Cinematographer - January 2016 - 34
American Cinematographer - January 2016 - 35
American Cinematographer - January 2016 - 36
American Cinematographer - January 2016 - 37
American Cinematographer - January 2016 - 38
American Cinematographer - January 2016 - 39
American Cinematographer - January 2016 - 40
American Cinematographer - January 2016 - 41
American Cinematographer - January 2016 - 42
American Cinematographer - January 2016 - 43
American Cinematographer - January 2016 - 44
American Cinematographer - January 2016 - 45
American Cinematographer - January 2016 - 46
American Cinematographer - January 2016 - 47
American Cinematographer - January 2016 - 48
American Cinematographer - January 2016 - 49
American Cinematographer - January 2016 - 50
American Cinematographer - January 2016 - 51
American Cinematographer - January 2016 - 52
American Cinematographer - January 2016 - 53
American Cinematographer - January 2016 - 54
American Cinematographer - January 2016 - 55
American Cinematographer - January 2016 - 56
American Cinematographer - January 2016 - 57
American Cinematographer - January 2016 - 58
American Cinematographer - January 2016 - 59
American Cinematographer - January 2016 - 60
American Cinematographer - January 2016 - 61
American Cinematographer - January 2016 - 62
American Cinematographer - January 2016 - 63
American Cinematographer - January 2016 - 64a
American Cinematographer - January 2016 - 64b
American Cinematographer - January 2016 - 64c
American Cinematographer - January 2016 - 64d
American Cinematographer - January 2016 - 64e
American Cinematographer - January 2016 - 64f
American Cinematographer - January 2016 - 64g
American Cinematographer - January 2016 - 64h
American Cinematographer - January 2016 - 64
American Cinematographer - January 2016 - 65
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American Cinematographer - January 2016 - 77
American Cinematographer - January 2016 - 78
American Cinematographer - January 2016 - 79
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American Cinematographer - January 2016 - 94
American Cinematographer - January 2016 - 95
American Cinematographer - January 2016 - 96
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American Cinematographer - January 2016 - Cover3
American Cinematographer - January 2016 - Cover4
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