American Cinematographer - January 2017 - 48

◗

Worlds Apart

Top: Jim and Aurora try to make sense of what is happening aboard the ship.
Middle: The crew readies the command-deck corridor for a scene. Bottom: Jim and Aurora
have a look.

48

January 2017

American Cinematographer

we placed some other [Kino Flo units]
to light the bluescreen.
Toward the end of the film,
Rodrigues and Ferreira have a long
conversation in a temple courtyard at
sunset. How did you achieve continuity there?
Prieto: That was eight pages of
dialogue. I knew that if we shot in the
day, maintaining lighting continuity
would be impossible and we'd never be
able to create a sunset effect with all the
ambient daylight, so I proposed shooting it night-for-sunset. For soft ambient
daylight, we wired three sausage-shaped
HMI balloons to a truss that we
suspended from a huge industrial crane.
To suggest a hazy setting sun, we hung
four Wendy Lights from an industrial
crane, put them through a 20-by-12foot frame of Half Soft Frost and
dimmed them down; that gave the
scene an orange sunset glow, a contrast
to the soft, cool shadow fill light from
the HMI balloons. The temple interior,
which you see in the background of
some shots, was rigged with more
daylight Kinos for ambience and more
of our firelight/candlelight effects.
I usually give the actors total freedom, but in this case I felt their placement was crucial, so I asked Marty if we
could position the actors so the temple
interior would be behind Rodrigues and



Table of Contents for the Digital Edition of American Cinematographer - January 2017

Contents
American Cinematographer - January 2017 - Cover1
American Cinematographer - January 2017 - Cover2
American Cinematographer - January 2017 - 1
American Cinematographer - January 2017 - 2
American Cinematographer - January 2017 - Contents
American Cinematographer - January 2017 - 4
American Cinematographer - January 2017 - 5
American Cinematographer - January 2017 - 6
American Cinematographer - January 2017 - 7
American Cinematographer - January 2017 - 8
American Cinematographer - January 2017 - 9
American Cinematographer - January 2017 - 10
American Cinematographer - January 2017 - 11
American Cinematographer - January 2017 - 12
American Cinematographer - January 2017 - 13
American Cinematographer - January 2017 - 14
American Cinematographer - January 2017 - 15
American Cinematographer - January 2017 - 16
American Cinematographer - January 2017 - 17
American Cinematographer - January 2017 - 18
American Cinematographer - January 2017 - 19
American Cinematographer - January 2017 - 20
American Cinematographer - January 2017 - 21
American Cinematographer - January 2017 - 22
American Cinematographer - January 2017 - 23
American Cinematographer - January 2017 - 24
American Cinematographer - January 2017 - 25
American Cinematographer - January 2017 - 26
American Cinematographer - January 2017 - 27
American Cinematographer - January 2017 - 28
American Cinematographer - January 2017 - 29
American Cinematographer - January 2017 - 30
American Cinematographer - January 2017 - 31
American Cinematographer - January 2017 - 32
American Cinematographer - January 2017 - 33
American Cinematographer - January 2017 - 34
American Cinematographer - January 2017 - 35
American Cinematographer - January 2017 - 36
American Cinematographer - January 2017 - 37
American Cinematographer - January 2017 - 38
American Cinematographer - January 2017 - 39
American Cinematographer - January 2017 - 40
American Cinematographer - January 2017 - 41
American Cinematographer - January 2017 - 42
American Cinematographer - January 2017 - 43
American Cinematographer - January 2017 - 44
American Cinematographer - January 2017 - 45
American Cinematographer - January 2017 - 46
American Cinematographer - January 2017 - 47
American Cinematographer - January 2017 - 48
American Cinematographer - January 2017 - 48a
American Cinematographer - January 2017 - 48b
American Cinematographer - January 2017 - 49
American Cinematographer - January 2017 - 50
American Cinematographer - January 2017 - 51
American Cinematographer - January 2017 - 52
American Cinematographer - January 2017 - 53
American Cinematographer - January 2017 - 54
American Cinematographer - January 2017 - 55
American Cinematographer - January 2017 - 56
American Cinematographer - January 2017 - 57
American Cinematographer - January 2017 - 58
American Cinematographer - January 2017 - 59
American Cinematographer - January 2017 - 60
American Cinematographer - January 2017 - 61
American Cinematographer - January 2017 - 62
American Cinematographer - January 2017 - 63
American Cinematographer - January 2017 - 64
American Cinematographer - January 2017 - 65
American Cinematographer - January 2017 - 66
American Cinematographer - January 2017 - 67
American Cinematographer - January 2017 - 68
American Cinematographer - January 2017 - 69
American Cinematographer - January 2017 - 70
American Cinematographer - January 2017 - 71
American Cinematographer - January 2017 - 72
American Cinematographer - January 2017 - 73
American Cinematographer - January 2017 - 74
American Cinematographer - January 2017 - 75
American Cinematographer - January 2017 - 76
American Cinematographer - January 2017 - 77
American Cinematographer - January 2017 - 78
American Cinematographer - January 2017 - 79
American Cinematographer - January 2017 - 80
American Cinematographer - January 2017 - 81
American Cinematographer - January 2017 - 82
American Cinematographer - January 2017 - 83
American Cinematographer - January 2017 - 84
American Cinematographer - January 2017 - 85
American Cinematographer - January 2017 - 86
American Cinematographer - January 2017 - 87
American Cinematographer - January 2017 - 88
American Cinematographer - January 2017 - 89
American Cinematographer - January 2017 - 90
American Cinematographer - January 2017 - 91
American Cinematographer - January 2017 - 92
American Cinematographer - January 2017 - 93
American Cinematographer - January 2017 - 94
American Cinematographer - January 2017 - 95
American Cinematographer - January 2017 - 96
American Cinematographer - January 2017 - 97
American Cinematographer - January 2017 - 98
American Cinematographer - January 2017 - 99
American Cinematographer - January 2017 - 100
American Cinematographer - January 2017 - 101
American Cinematographer - January 2017 - 102
American Cinematographer - January 2017 - 103
American Cinematographer - January 2017 - 104
American Cinematographer - January 2017 - 105
American Cinematographer - January 2017 - 106
American Cinematographer - January 2017 - 107
American Cinematographer - January 2017 - 108
American Cinematographer - January 2017 - Cover3
American Cinematographer - January 2017 - Cover4
http://www.nxtbook.com/nxtbooks/ac/ac0420
http://www.nxtbook.com/nxtbooks/ac/ac0320
http://www.nxtbook.com/nxtbooks/ac/ac0220
http://www.nxtbook.com/nxtbooks/ac/ac0120
http://www.nxtbook.com/nxtbooks/ac/ac1219
http://www.nxtbook.com/nxtbooks/ac/ac1119
http://www.nxtbook.com/nxtbooks/ac/ac1019
http://www.nxtbook.com/nxtbooks/ac/ac0919
http://www.nxtbook.com/nxtbooks/ac/ac0819
http://www.nxtbook.com/nxtbooks/ac/ac0719
http://www.nxtbook.com/nxtbooks/ac/ac0619
http://www.nxtbook.com/nxtbooks/ac/ac0519
http://www.nxtbook.com/nxtbooks/ac/ac0419
http://www.nxtbook.com/nxtbooks/ac/ac0319
http://www.nxtbook.com/nxtbooks/ac/ac0219_v2
http://www.nxtbook.com/nxtbooks/ac/ac0219
http://www.nxtbook.com/nxtbooks/ac/ac0119_v2
http://www.nxtbook.com/nxtbooks/ac/ac0119
http://www.nxtbook.com/nxtbooks/ac/ac1218
http://www.nxtbook.com/nxtbooks/ac/ac1118
http://www.nxtbook.com/nxtbooks/ac/ac1018
http://www.nxtbook.com/nxtbooks/ac/ac0918
http://www.nxtbook.com/nxtbooks/ac/ac0818
http://www.nxtbook.com/nxtbooks/ac/ac0718
http://www.nxtbook.com/nxtbooks/ac/ac0618
http://www.nxtbook.com/nxtbooks/ac/ac0518
http://www.nxtbook.com/nxtbooks/ac/ac0418
http://www.nxtbook.com/nxtbooks/ac/ac0318
http://www.nxtbook.com/nxtbooks/ac/ac0218
http://www.nxtbook.com/nxtbooks/ac/ac0118
http://www.nxtbook.com/nxtbooks/ac/ac1217
http://www.nxtbook.com/nxtbooks/ac/ac1117
http://www.nxtbook.com/nxtbooks/ac/ac1017
http://www.nxtbook.com/nxtbooks/ac/ac0917
http://www.nxtbook.com/nxtbooks/ac/ac0817
http://www.nxtbook.com/nxtbooks/ac/ac0717
http://www.nxtbook.com/nxtbooks/ac/ac0617
http://www.nxtbook.com/nxtbooks/ac/ac0517
http://www.nxtbook.com/nxtbooks/ac/ac0417
http://www.nxtbook.com/nxtbooks/ac/ac0317
http://www.nxtbook.com/nxtbooks/ac/ac0217
http://www.nxtbook.com/nxtbooks/ac/ac0117
http://www.nxtbook.com/nxtbooks/ac/ac1216
http://www.nxtbook.com/nxtbooks/ac/ac1116
http://www.nxtbook.com/nxtbooks/ac/ac1016
http://www.nxtbook.com/nxtbooks/ac/ac0916
http://www.nxtbook.com/nxtbooks/ac/ac0816
http://www.nxtbook.com/nxtbooks/ac/ac0716
http://www.nxtbook.com/nxtbooks/ac/ac0616
http://www.nxtbook.com/nxtbooks/ac/ac0516
http://www.nxtbook.com/nxtbooks/ac/ac0416
http://www.nxtbook.com/nxtbooks/ac/ac0316
http://www.nxtbook.com/nxtbooks/ac/ac0216
http://www.nxtbook.com/nxtbooks/ac/ac0116
http://www.nxtbook.com/nxtbooks/ac/ac1215
http://www.nxtbook.com/nxtbooks/ac/ac1115
http://www.nxtbook.com/nxtbooks/ac/ac1015
http://www.nxtbook.com/nxtbooks/ac/ac0915
http://www.nxtbook.com/nxtbooks/ac/ac0815
http://www.nxtbook.com/nxtbooks/ac/ac0715
http://www.nxtbook.com/nxtbooks/ac/ac0615
http://www.nxtbook.com/nxtbooks/ac/ac0515
http://www.nxtbook.com/nxtbooks/ac/ac0415
http://www.nxtbook.com/nxtbooks/ac/ac0315
http://www.nxtbook.com/nxtbooks/ac/ac0215
http://www.nxtbook.com/nxtbooks/ac/ac0115
http://www.nxtbookMEDIA.com