American Cinematographer - February 2017 - 4
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An International Publication of the ASC
WEB EXCLUSIVES
Designing and building the galaxy of Rogue One: A Star Wars Story
Veterans of the Star Wars series, senior visual-effects supervisor John
Knoll and co-production designer Doug Chiang, discuss their work
on the new film in extended interviews.
"We're depicting locations and showing vehicles that are directly
referencing A New Hope, so you want them to feel like the same thing.
But our general mantra was, 'Match your memory of it more than the
reality.' Sometimes you go look at the actual prop in the archive
building, or you look back at the actual shot from the movie, and you
go, 'Oh, I remember it being a little better than that.'"
- John Knoll
Find them at www.theasc.com/site/blog/web-exclusives
AC DIGITAL EDITION - ROGUE ONE SPECIAL
Haven't had enough? Go even further behind the scenes of the latest
Star Wars adventure in our multi-page photo supplement that will be
exclusive to the February 2017 American Cinematographer digital edition.
To subscribe, go to www.theasc.com/ac_magazine/digital_edition.php
Get all this and much
more via theasc.com and our
social-media platforms.
www.theasc.com
John Knoll and Doug Chiang photos by John Wilson. Additional photos by Jonathan Olley. All images courtesy of Lucasfilm Ltd.
"I've been designing in Star Wars now for over 20 years, and a good
seven of those were spent working directly with George Lucas, which
gave me a really strong understanding of what makes a Star Wars
design. And so, when I started working with Gareth Edwards, I
knew how far we could bend the rules and what we should do to
anchor this film with Episode IV."
- Doug Chiang
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American Cinematographer - February 2017
Table of Contents for the Digital Edition of American Cinematographer - February 2017
Contents
American Cinematographer - February 2017 - Cover1
American Cinematographer - February 2017 - Cover2
American Cinematographer - February 2017 - 1
American Cinematographer - February 2017 - 2
American Cinematographer - February 2017 - Contents
American Cinematographer - February 2017 - 4
American Cinematographer - February 2017 - 5
American Cinematographer - February 2017 - 6
American Cinematographer - February 2017 - 7
American Cinematographer - February 2017 - 8
American Cinematographer - February 2017 - 9
American Cinematographer - February 2017 - 10
American Cinematographer - February 2017 - 11
American Cinematographer - February 2017 - 12
American Cinematographer - February 2017 - 13
American Cinematographer - February 2017 - 14
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American Cinematographer - February 2017 - 17
American Cinematographer - February 2017 - 18
American Cinematographer - February 2017 - 19
American Cinematographer - February 2017 - 20
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American Cinematographer - February 2017 - 22
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American Cinematographer - February 2017 - 24
American Cinematographer - February 2017 - 25
American Cinematographer - February 2017 - 26
American Cinematographer - February 2017 - 27
American Cinematographer - February 2017 - 28
American Cinematographer - February 2017 - 29
American Cinematographer - February 2017 - 30
American Cinematographer - February 2017 - 31
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American Cinematographer - February 2017 - 33
American Cinematographer - February 2017 - 34
American Cinematographer - February 2017 - 35
American Cinematographer - February 2017 - 36
American Cinematographer - February 2017 - A
American Cinematographer - February 2017 - B
American Cinematographer - February 2017 - 37
American Cinematographer - February 2017 - 38
American Cinematographer - February 2017 - 39
American Cinematographer - February 2017 - 40
American Cinematographer - February 2017 - 41
American Cinematographer - February 2017 - 42
American Cinematographer - February 2017 - 43
American Cinematographer - February 2017 - 44
American Cinematographer - February 2017 - 45
American Cinematographer - February 2017 - 46
American Cinematographer - February 2017 - 47
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American Cinematographer - February 2017 - 49
American Cinematographer - February 2017 - 50
American Cinematographer - February 2017 - 51
American Cinematographer - February 2017 - 52
American Cinematographer - February 2017 - 53
American Cinematographer - February 2017 - I1
American Cinematographer - February 2017 - I2
American Cinematographer - February 2017 - I3
American Cinematographer - February 2017 - I4
American Cinematographer - February 2017 - I5
American Cinematographer - February 2017 - I6
American Cinematographer - February 2017 - 54
American Cinematographer - February 2017 - 55
American Cinematographer - February 2017 - 56
American Cinematographer - February 2017 - 57
American Cinematographer - February 2017 - 58
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American Cinematographer - February 2017 - Cover3
American Cinematographer - February 2017 - Cover4
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