American Cinematographer - February 2017 - 63
enthuses, "You feel like you're part of a
family here that cares about the struggle
we all have to go through to create our
images." Still, upon hearing the news of
the award from ASC President Kees
van Oostrum, Lachman demurs, "I was
astonished that I would receive this. I
always felt like a bit of an outsider to all
the great talents here."
But for those who know
Lachman, have worked with him or
simply admire his staggering body of
work, the honor couldn't find a more
deserving recipient. As Blanchett says,
"With Ed, the feel on set is always
experimental, always searching, full of
ideas, alternatives and fresh perspectives. We had next to no time on the
films I've worked on with Ed, which
makes what he achieved even more
remarkable - playful, masterful and
breathtakingly surprising." ●
Lachman captures last light at sunset.
American Cinematographer - February 2017
Table of Contents for the Digital Edition of American Cinematographer - February 2017
Contents
American Cinematographer - February 2017 - Cover1
American Cinematographer - February 2017 - Cover2
American Cinematographer - February 2017 - 1
American Cinematographer - February 2017 - 2
American Cinematographer - February 2017 - Contents
American Cinematographer - February 2017 - 4
American Cinematographer - February 2017 - 5
American Cinematographer - February 2017 - 6
American Cinematographer - February 2017 - 7
American Cinematographer - February 2017 - 8
American Cinematographer - February 2017 - 9
American Cinematographer - February 2017 - 10
American Cinematographer - February 2017 - 11
American Cinematographer - February 2017 - 12
American Cinematographer - February 2017 - 13
American Cinematographer - February 2017 - 14
American Cinematographer - February 2017 - 15
American Cinematographer - February 2017 - 16
American Cinematographer - February 2017 - 17
American Cinematographer - February 2017 - 18
American Cinematographer - February 2017 - 19
American Cinematographer - February 2017 - 20
American Cinematographer - February 2017 - 21
American Cinematographer - February 2017 - 22
American Cinematographer - February 2017 - 23
American Cinematographer - February 2017 - 24
American Cinematographer - February 2017 - 25
American Cinematographer - February 2017 - 26
American Cinematographer - February 2017 - 27
American Cinematographer - February 2017 - 28
American Cinematographer - February 2017 - 29
American Cinematographer - February 2017 - 30
American Cinematographer - February 2017 - 31
American Cinematographer - February 2017 - 32
American Cinematographer - February 2017 - 33
American Cinematographer - February 2017 - 34
American Cinematographer - February 2017 - 35
American Cinematographer - February 2017 - 36
American Cinematographer - February 2017 - A
American Cinematographer - February 2017 - B
American Cinematographer - February 2017 - 37
American Cinematographer - February 2017 - 38
American Cinematographer - February 2017 - 39
American Cinematographer - February 2017 - 40
American Cinematographer - February 2017 - 41
American Cinematographer - February 2017 - 42
American Cinematographer - February 2017 - 43
American Cinematographer - February 2017 - 44
American Cinematographer - February 2017 - 45
American Cinematographer - February 2017 - 46
American Cinematographer - February 2017 - 47
American Cinematographer - February 2017 - 48
American Cinematographer - February 2017 - 49
American Cinematographer - February 2017 - 50
American Cinematographer - February 2017 - 51
American Cinematographer - February 2017 - 52
American Cinematographer - February 2017 - 53
American Cinematographer - February 2017 - I1
American Cinematographer - February 2017 - I2
American Cinematographer - February 2017 - I3
American Cinematographer - February 2017 - I4
American Cinematographer - February 2017 - I5
American Cinematographer - February 2017 - I6
American Cinematographer - February 2017 - 54
American Cinematographer - February 2017 - 55
American Cinematographer - February 2017 - 56
American Cinematographer - February 2017 - 57
American Cinematographer - February 2017 - 58
American Cinematographer - February 2017 - 59
American Cinematographer - February 2017 - 60
American Cinematographer - February 2017 - 61
American Cinematographer - February 2017 - 62
American Cinematographer - February 2017 - 63
American Cinematographer - February 2017 - 64
American Cinematographer - February 2017 - 65
American Cinematographer - February 2017 - 66
American Cinematographer - February 2017 - 67
American Cinematographer - February 2017 - 68
American Cinematographer - February 2017 - 69
American Cinematographer - February 2017 - 70
American Cinematographer - February 2017 - 71
American Cinematographer - February 2017 - 72
American Cinematographer - February 2017 - 73
American Cinematographer - February 2017 - 74
American Cinematographer - February 2017 - 75
American Cinematographer - February 2017 - 76
American Cinematographer - February 2017 - 77
American Cinematographer - February 2017 - 78
American Cinematographer - February 2017 - 79
American Cinematographer - February 2017 - 80
American Cinematographer - February 2017 - 81
American Cinematographer - February 2017 - 82
American Cinematographer - February 2017 - 83
American Cinematographer - February 2017 - 84
American Cinematographer - February 2017 - 85
American Cinematographer - February 2017 - 86
American Cinematographer - February 2017 - 87
American Cinematographer - February 2017 - 88
American Cinematographer - February 2017 - 89
American Cinematographer - February 2017 - 90
American Cinematographer - February 2017 - 91
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American Cinematographer - February 2017 - 96
American Cinematographer - February 2017 - Cover3
American Cinematographer - February 2017 - Cover4
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