American Cinematographer - February 2017 - 95
person whose masterful 35mm film
photography ... will stand the test of time
like the greatest paintings and statues.
Rodrigo joins an esteemed list of cinematographers generous enough to pass on
their incredible knowledge and insight to
the next generation."
Yedlin Discusses Pixel-Counting
Preoccupation
Steve Yedlin, ASC recently
presented a short demo at the ASC Clubhouse, followed by a discussion on the
topic of acquisition and pipeline evaluation
for high-resolution exhibition. Yedlin's demo
challenges some of the common preconceptions about the correlation between
resolution and perceptual viewing experience, and it includes footage from six
contemporary cameras, including digital
systems as well as 35mm and 65mm
motion-picture film.
Fraser, McGarvey Enjoy Coffee,
Conversation
The Society recently held two Coffee
& Conversation events at its Clubhouse in
Hollywood, one with Greig Fraser, ASC,
ACS in conversation about the feature Lion,
and the other with Seamus McGarvey,
ASC, BSC discussing his work on Nocturnal
Animals. Both events were moderated by
AC contributor Jim Hemphill.
Kline Joins King Kong Tribute
Richard H. Kline, ASC recently
joined an American Cinematheque tribute
screening of King Kong (1976) at the Aero
Theatre in Santa Monica, Calif. Ray Morton,
author of King Kong: The History of a
Movie Icon, moderated the tribute Q&A,
which featured Kline and makeup artist Rick
Baker. Also participating were Richard
Kraft of Kraft-Engel Management, who
spoke on behalf of the film's
composer, John Barry; actor Jack O'Halloran; and Martha De Laurentiis, wife of the
●
film's producer, Dino De Laurentiis.
http://www.theasc.com
American Cinematographer - February 2017
Table of Contents for the Digital Edition of American Cinematographer - February 2017
Contents
American Cinematographer - February 2017 - Cover1
American Cinematographer - February 2017 - Cover2
American Cinematographer - February 2017 - 1
American Cinematographer - February 2017 - 2
American Cinematographer - February 2017 - Contents
American Cinematographer - February 2017 - 4
American Cinematographer - February 2017 - 5
American Cinematographer - February 2017 - 6
American Cinematographer - February 2017 - 7
American Cinematographer - February 2017 - 8
American Cinematographer - February 2017 - 9
American Cinematographer - February 2017 - 10
American Cinematographer - February 2017 - 11
American Cinematographer - February 2017 - 12
American Cinematographer - February 2017 - 13
American Cinematographer - February 2017 - 14
American Cinematographer - February 2017 - 15
American Cinematographer - February 2017 - 16
American Cinematographer - February 2017 - 17
American Cinematographer - February 2017 - 18
American Cinematographer - February 2017 - 19
American Cinematographer - February 2017 - 20
American Cinematographer - February 2017 - 21
American Cinematographer - February 2017 - 22
American Cinematographer - February 2017 - 23
American Cinematographer - February 2017 - 24
American Cinematographer - February 2017 - 25
American Cinematographer - February 2017 - 26
American Cinematographer - February 2017 - 27
American Cinematographer - February 2017 - 28
American Cinematographer - February 2017 - 29
American Cinematographer - February 2017 - 30
American Cinematographer - February 2017 - 31
American Cinematographer - February 2017 - 32
American Cinematographer - February 2017 - 33
American Cinematographer - February 2017 - 34
American Cinematographer - February 2017 - 35
American Cinematographer - February 2017 - 36
American Cinematographer - February 2017 - A
American Cinematographer - February 2017 - B
American Cinematographer - February 2017 - 37
American Cinematographer - February 2017 - 38
American Cinematographer - February 2017 - 39
American Cinematographer - February 2017 - 40
American Cinematographer - February 2017 - 41
American Cinematographer - February 2017 - 42
American Cinematographer - February 2017 - 43
American Cinematographer - February 2017 - 44
American Cinematographer - February 2017 - 45
American Cinematographer - February 2017 - 46
American Cinematographer - February 2017 - 47
American Cinematographer - February 2017 - 48
American Cinematographer - February 2017 - 49
American Cinematographer - February 2017 - 50
American Cinematographer - February 2017 - 51
American Cinematographer - February 2017 - 52
American Cinematographer - February 2017 - 53
American Cinematographer - February 2017 - I1
American Cinematographer - February 2017 - I2
American Cinematographer - February 2017 - I3
American Cinematographer - February 2017 - I4
American Cinematographer - February 2017 - I5
American Cinematographer - February 2017 - I6
American Cinematographer - February 2017 - 54
American Cinematographer - February 2017 - 55
American Cinematographer - February 2017 - 56
American Cinematographer - February 2017 - 57
American Cinematographer - February 2017 - 58
American Cinematographer - February 2017 - 59
American Cinematographer - February 2017 - 60
American Cinematographer - February 2017 - 61
American Cinematographer - February 2017 - 62
American Cinematographer - February 2017 - 63
American Cinematographer - February 2017 - 64
American Cinematographer - February 2017 - 65
American Cinematographer - February 2017 - 66
American Cinematographer - February 2017 - 67
American Cinematographer - February 2017 - 68
American Cinematographer - February 2017 - 69
American Cinematographer - February 2017 - 70
American Cinematographer - February 2017 - 71
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American Cinematographer - February 2017 - 73
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American Cinematographer - February 2017 - 78
American Cinematographer - February 2017 - 79
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American Cinematographer - February 2017 - 96
American Cinematographer - February 2017 - Cover3
American Cinematographer - February 2017 - Cover4
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