Richardson issues commands to his crew via headset, a strategy they jokingly dub “Radio KBOB.” sun; the finished shot combines bits of Acadia National Park (captured with a SpyderCam rig with a stabilized head that was flown from a 300' crane), Big Sur, fake rocks, a lighthouse miniature, and plate shots of rough seas and overcast skies. Practical rain and wind were augmented by plate shots of flying debris. It was an uncomfortably wet shoot. Special-effects coordinator R. Bruce Steinheimer and special-effects supervisor Rick Thompson brought out the big guns, including four 100' rain bars that could cover a 140'x60' area and Spiders for 80'x80' areas. “We had an enormous special-effects crew that would blast gallons of water at the camera,” says Kincaid. “A large plastic bag was created to cover the camera and Bob. He prefers riding the crane, so we employed a GF-16 that he could ride to near 40 feet, and we wrapped him in plastic. It usually ended up directly in the line of fire of Steinheimer’s waterguns [Ritter fans with firehoses attached].” Richardson says economics are one reason why he favors riding ahttp://www.theragplace.com http://www.theragplace.com http://www.denz-deniz.com http://www.denz-deniz.com