American Cinematographer - March 2010 - 46

Cinematographers on The Pacific, Glee and CSI: NY detail the challenges of their respective projects. By Joshua Gollish, David Heuring and Jean Oppenheimer •|• Screenor our roundup of current prime-time-television highlights, we interviewed the cinematographers on three diverse productions: HBO’s World War II miniseries The Pacific, shot by Remi Adefarasin, BSC and Stephen Windon, ACS; Fox’s new musical “dramedy” Glee, shot by Christopher Baffa, ASC; and CBS’s long-running hit CSI: NY, shot by Marshall Adams and Feliks Parnell. The Pacific Cinematographers: Remi Adefarasin, BSC and Stephen Windon, ACS As his crew dragged a crane through the jungle in Far North Queensland during production of The Pacific, Remi Adefarasin, BSC couldn’t help but think of Werner Herzog’s mad adventure Fitzcarraldo. “I seem to remember the cinematographer on that film was crying, too, wasn’t he?” he jokes good-naturedly. The Pacific, which Adefarasin co-shot with Stephen 46 March 2010 Home- Windon, ACS, is a World War II miniseries that will begin airing on HBO on March 14. The 10-part drama is a sequel of sorts to Band of Brothers (AC Sept. ’01), which Adefarasin co-shot with Joel Ransom, CSC. Whereas Band of Brothers followed a company of soldiers, The Pacific focuses on three enlisted men who serve in different battalions of the 1st Marine Division in the Pacific Theater of Operations. In keeping with the method established on Band of Brothers, Adefarasin and Windon shot their episodes simultaneously, each working with his own crew. The filmmakers used a mix of Arriflex cameras with Arri Ultra Primes and Angenieux Optimo (17-80mm and 24-290mm) zoom lenses. (Adefarasin also deployed an 18mm Zeiss Superspeed lens.) During prep, the cinematographers decided to limit themselves to two Kodak Vision2 emulsions, 200T 5217 and 500T 5218. “We also decided to shoot all daytime scenes without an 85 filter to help expose the greens in the lush jungles and give a slight twist to the color curve,” says Adefarasin. “Of course, that meant we needed a lot of NDs!” Hits American Cinematographer

American Cinematographer - March 2010

Table of Contents for the Digital Edition of American Cinematographer - March 2010

American Cinematographer - March 2010
Contents
Editor’s Note
President’s Desk
Short Takes: La Première
Production Slate: A Prophet • NY Export: Opus Jazz
Mind Games
Home-Screen Hits
A Passion for His Craft
Saluting an Industry Stalwart
Post Focus: EFilm’s Cinemascan System
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Salvatore Totino
American Cinematographer - March 2010 - American Cinematographer - March 2010
American Cinematographer - March 2010 - Cover2
American Cinematographer - March 2010 - 1
American Cinematographer - March 2010 - 2
American Cinematographer - March 2010 - Contents
American Cinematographer - March 2010 - 4
American Cinematographer - March 2010 - 5
American Cinematographer - March 2010 - 6
American Cinematographer - March 2010 - 7
American Cinematographer - March 2010 - Editor’s Note
American Cinematographer - March 2010 - 9
American Cinematographer - March 2010 - President’s Desk
American Cinematographer - March 2010 - 11
American Cinematographer - March 2010 - Short Takes: La Première
American Cinematographer - March 2010 - 13
American Cinematographer - March 2010 - 14
American Cinematographer - March 2010 - 15
American Cinematographer - March 2010 - 16
American Cinematographer - March 2010 - 17
American Cinematographer - March 2010 - Production Slate: A Prophet • NY Export: Opus Jazz
American Cinematographer - March 2010 - 19
American Cinematographer - March 2010 - 20
American Cinematographer - March 2010 - 21
American Cinematographer - March 2010 - 22
American Cinematographer - March 2010 - 23
American Cinematographer - March 2010 - 24
American Cinematographer - March 2010 - 25
American Cinematographer - March 2010 - 26
American Cinematographer - March 2010 - 27
American Cinematographer - March 2010 - 28
American Cinematographer - March 2010 - 29
American Cinematographer - March 2010 - Mind Games
American Cinematographer - March 2010 - 31
American Cinematographer - March 2010 - 32
American Cinematographer - March 2010 - 33
American Cinematographer - March 2010 - 34
American Cinematographer - March 2010 - 35
American Cinematographer - March 2010 - 36
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American Cinematographer - March 2010 - 41
American Cinematographer - March 2010 - 42
American Cinematographer - March 2010 - 43
American Cinematographer - March 2010 - 44
American Cinematographer - March 2010 - 45
American Cinematographer - March 2010 - Home-Screen Hits
American Cinematographer - March 2010 - 47
American Cinematographer - March 2010 - 48
American Cinematographer - March 2010 - 49
American Cinematographer - March 2010 - 50
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American Cinematographer - March 2010 - 57
American Cinematographer - March 2010 - 58
American Cinematographer - March 2010 - 59
American Cinematographer - March 2010 - 60
American Cinematographer - March 2010 - 61
American Cinematographer - March 2010 - A Passion for His Craft
American Cinematographer - March 2010 - 63
American Cinematographer - March 2010 - 64
American Cinematographer - March 2010 - 65
American Cinematographer - March 2010 - 66
American Cinematographer - March 2010 - 67
American Cinematographer - March 2010 - 68
American Cinematographer - March 2010 - 69
American Cinematographer - March 2010 - 70
American Cinematographer - March 2010 - 71
American Cinematographer - March 2010 - Saluting an Industry Stalwart
American Cinematographer - March 2010 - 73
American Cinematographer - March 2010 - 74
American Cinematographer - March 2010 - 75
American Cinematographer - March 2010 - 76
American Cinematographer - March 2010 - 77
American Cinematographer - March 2010 - Post Focus: EFilm’s Cinemascan System
American Cinematographer - March 2010 - 79
American Cinematographer - March 2010 - 80
American Cinematographer - March 2010 - 81
American Cinematographer - March 2010 - New Products & Services
American Cinematographer - March 2010 - 83
American Cinematographer - March 2010 - 84
American Cinematographer - March 2010 - 85
American Cinematographer - March 2010 - 86
American Cinematographer - March 2010 - 87
American Cinematographer - March 2010 - International Marketplace
American Cinematographer - March 2010 - Classified Ads
American Cinematographer - March 2010 - Ad Index
American Cinematographer - March 2010 - 91
American Cinematographer - March 2010 - ASC Membership Roster
American Cinematographer - March 2010 - 93
American Cinematographer - March 2010 - Clubhouse News
American Cinematographer - March 2010 - 95
American Cinematographer - March 2010 - ASC Close-Up: Salvatore Totino
American Cinematographer - March 2010 - Cover3
American Cinematographer - March 2010 - Cover4
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