American Cinematographer - March 2012 - 40

◗

Varied Visions
weird ways that you couldn’t do by turning the little dials,’ says Cragg. “We also used a 90-degree shutter to give the images a jarring crispness and went for some supersaturation to give the color extra pop.” As Brody’s memories gradually cohere and advance the story, the flashbacks take on a less extreme look, and when he embraces Islam, a different look is established, characterized by strong shafts of sunlight. “It’s his spiritual awakening, so we felt we could get more stylized,” notes Cragg. “We pushed a big Molebeam through the window and added more atmosphere to the set.” A special look was also required for a drone attack, a critical plot point that explains Brody’s motivation. “We shot a lot of that at 48 fps, and I gave it a strong bleach-bypass look in the timing,” says Cragg. “It’s an intense, hyper-realistic look.” “Intense” also describes the 90minute season finale, which called for 200

Assigned to determine whether Brody poses a risk to his country, CIA agent Carrie Mathison (Claire Danes) studies some data in her home office.

weren’t many corrections to be made [in the final timing].” However, the look of the show changes completely for Brody’s flashbacks to his experiences in captivity in the Middle East. For glimpses of beatings and torture, “we wanted something that looked hot and frightening,” says Manley. He used the Alexa’s CC correction to warm the images in-camera and then added some grain. To create an

image that might suggest Brody’s fragmented memory, Manley used Arri Swing & Tilt lenses and added flares and fogging by shining a Scorpio flashlight or Pocket Par straight down the barrel. When testing revealed that the Swing & Tilt lenses could be removed from its mount, Cragg had 1st AC Patrick Borowiak maneuver it by hand. “You can jiggle it and shift the focus in

A moment’s hesitation. A knock. The discovery of what lies behind this hollow-eyed symmetry.

352

Please visit us at: USITT Booth No. 560

Photo Credit: Nicky Decorte – www.nickysownphotography.com

Think LEE
www.leeﬁlters.com
40

http://www.nickysownphotography.com http://www.leefilters.com

American Cinematographer - March 2012

Table of Contents for the Digital Edition of American Cinematographer - March 2012

American Cinematographer - March 2012
Contents
Editor’s Note
President’s Desk
Short Takes: When You Find Me
Production Slate: The Ghastly Love of Johnny X • Project X
Varied Visions
Power Trip
Blazing Trails
A Wholly “Justified” Honor
Filmmakers’ Forum: Vincent De Paula
New Products & Services
International Marketplace
Classified Ads
Ad Index
In Memoriam: Torben Johnke, ASC
ASC Membership Roster
Clubhouse News
ASC Close-Up: Jonathan Taylor
American Cinematographer - March 2012 - American Cinematographer - March 2012
American Cinematographer - March 2012 - Cover2
American Cinematographer - March 2012 - 1
American Cinematographer - March 2012 - 2
American Cinematographer - March 2012 - Contents
American Cinematographer - March 2012 - 4
American Cinematographer - March 2012 - 5
American Cinematographer - March 2012 - 6
American Cinematographer - March 2012 - 7
American Cinematographer - March 2012 - Editor’s Note
American Cinematographer - March 2012 - 9
American Cinematographer - March 2012 - President’s Desk
American Cinematographer - March 2012 - 11
American Cinematographer - March 2012 - Short Takes: When You Find Me
American Cinematographer - March 2012 - 13
American Cinematographer - March 2012 - 14
American Cinematographer - March 2012 - 15
American Cinematographer - March 2012 - 16
American Cinematographer - March 2012 - 17
American Cinematographer - March 2012 - Production Slate: The Ghastly Love of Johnny X • Project X
American Cinematographer - March 2012 - 19
American Cinematographer - March 2012 - 20
American Cinematographer - March 2012 - 21
American Cinematographer - March 2012 - 22
American Cinematographer - March 2012 - 23
American Cinematographer - March 2012 - 24
American Cinematographer - March 2012 - 25
American Cinematographer - March 2012 - 26
American Cinematographer - March 2012 - 27
American Cinematographer - March 2012 - 28
American Cinematographer - March 2012 - 29
American Cinematographer - March 2012 - Varied Visions
American Cinematographer - March 2012 - 31
American Cinematographer - March 2012 - 32
American Cinematographer - March 2012 - 33
American Cinematographer - March 2012 - 34
American Cinematographer - March 2012 - 35
American Cinematographer - March 2012 - 36
American Cinematographer - March 2012 - 37
American Cinematographer - March 2012 - 38
American Cinematographer - March 2012 - 39
American Cinematographer - March 2012 - 40
American Cinematographer - March 2012 - 41
American Cinematographer - March 2012 - Power Trip
American Cinematographer - March 2012 - 43
American Cinematographer - March 2012 - 44
American Cinematographer - March 2012 - 45
American Cinematographer - March 2012 - 46
American Cinematographer - March 2012 - 47
American Cinematographer - March 2012 - 48
American Cinematographer - March 2012 - 49
American Cinematographer - March 2012 - Blazing Trails
American Cinematographer - March 2012 - 51
American Cinematographer - March 2012 - 52
American Cinematographer - March 2012 - 53
American Cinematographer - March 2012 - 54
American Cinematographer - March 2012 - 55
American Cinematographer - March 2012 - 56
American Cinematographer - March 2012 - 57
American Cinematographer - March 2012 - A Wholly “Justified” Honor
American Cinematographer - March 2012 - 59
American Cinematographer - March 2012 - 60
American Cinematographer - March 2012 - 61
American Cinematographer - March 2012 - 62
American Cinematographer - March 2012 - 63
American Cinematographer - March 2012 - 64
American Cinematographer - March 2012 - 65
American Cinematographer - March 2012 - 66
American Cinematographer - March 2012 - 67
American Cinematographer - March 2012 - Filmmakers’ Forum: Vincent De Paula
American Cinematographer - March 2012 - 69
American Cinematographer - March 2012 - 70
American Cinematographer - March 2012 - 71
American Cinematographer - March 2012 - New Products & Services
American Cinematographer - March 2012 - 73
American Cinematographer - March 2012 - 74
American Cinematographer - March 2012 - 75
American Cinematographer - March 2012 - International Marketplace
American Cinematographer - March 2012 - Classified Ads
American Cinematographer - March 2012 - Ad Index
American Cinematographer - March 2012 - In Memoriam: Torben Johnke, ASC
American Cinematographer - March 2012 - ASC Membership Roster
American Cinematographer - March 2012 - 81
American Cinematographer - March 2012 - Clubhouse News
American Cinematographer - March 2012 - 83
American Cinematographer - March 2012 - ASC Close-Up: Jonathan Taylor
American Cinematographer - March 2012 - Cover3
American Cinematographer - March 2012 - Cover4
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