American Cinematographer - March 2012 - 54
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Blazing Trails
Clockwise from top left: Wages prepares to capture a shot for Iron Will (1994); on location in Utah for Riders of the Purple Sage; at work in South Africa for King Solomon’s Mines (2004).
54
March 2012
American Cinematographer
Top left photo by John Bramley.
friends with both of them until they passed away,” says Wages. “They were my fathers in this business. They told me the truth instead of what I wanted to hear. Until the very end of their lives, they were engaged, involved and excited about filmmaking. They wanted to know everything that was going on. I always ran my important decisions by them and asked for their wisdom and advice. It was sometimes painful but always truthful.” Wages’ career hit its stride, and
he began taking on projects as fast as he could shoot them. Between 1987 and 1997, he shot more than 30 telefilms and pilots, as well as multiple features and episodes of series. More ASC nominations followed for Caroline? (AC May ’91), I’ll Fly Away (pilot; AC May ’92), The Moving of Sophia Myles (AC May ’01) and Miss Lettie and Me . Wages won ASC Awards in 1997 and 1998 for Riders of the Purple Sage (AC May ’97) and Buffalo Soldiers (AC May ’98), respectively. The latter project also earned an Emmy nomination, as did
Into the West (AC June ’05). Buffalo Soldiers producer Don Watson asked Wages during that shoot if he had ever directed. “He said he was doing a pilot, and that if it went to series, he wanted me to direct an episode,” says Wages. “I thought it was merely a nice gesture, but about four months later he told me I would direct Episode 11 of The Magnificent Seven . Lamont, Kersh and Charles Haid, the director of Buffalo Soldiers, wrote letters to the Directors Guild on my behalf. I asked Lamont what he thought of the idea, and he said it was wonderful. Irvin, on the other hand, asked me if I had lost my mind! I asked him if he thought I was capable. He said, ‘Of course. The least experienced person on a television set is usually the director. But you already have the best job in show biz — don’t blow it!’ My heart sank, but over time he gave me his support, and I directed four episodes of the show.” At first, directing was overwhelming. “I saw the first iteration of the schedule, and I was shocked by nine pages a day!” he says. “I called Kersh and asked, ‘How do I do this?’ He said, ‘One shot at a time.’ It sounds trite, but it’s absolutely true. You have to focus on
American Cinematographer - March 2012
Table of Contents for the Digital Edition of American Cinematographer - March 2012
American Cinematographer - March 2012
Contents
Editor’s Note
President’s Desk
Short Takes: When You Find Me
Production Slate: The Ghastly Love of Johnny X • Project X
Varied Visions
Power Trip
Blazing Trails
A Wholly “Justified” Honor
Filmmakers’ Forum: Vincent De Paula
New Products & Services
International Marketplace
Classified Ads
Ad Index
In Memoriam: Torben Johnke, ASC
ASC Membership Roster
Clubhouse News
ASC Close-Up: Jonathan Taylor
American Cinematographer - March 2012 - American Cinematographer - March 2012
American Cinematographer - March 2012 - Cover2
American Cinematographer - March 2012 - 1
American Cinematographer - March 2012 - 2
American Cinematographer - March 2012 - Contents
American Cinematographer - March 2012 - 4
American Cinematographer - March 2012 - 5
American Cinematographer - March 2012 - 6
American Cinematographer - March 2012 - 7
American Cinematographer - March 2012 - Editor’s Note
American Cinematographer - March 2012 - 9
American Cinematographer - March 2012 - President’s Desk
American Cinematographer - March 2012 - 11
American Cinematographer - March 2012 - Short Takes: When You Find Me
American Cinematographer - March 2012 - 13
American Cinematographer - March 2012 - 14
American Cinematographer - March 2012 - 15
American Cinematographer - March 2012 - 16
American Cinematographer - March 2012 - 17
American Cinematographer - March 2012 - Production Slate: The Ghastly Love of Johnny X • Project X
American Cinematographer - March 2012 - 19
American Cinematographer - March 2012 - 20
American Cinematographer - March 2012 - 21
American Cinematographer - March 2012 - 22
American Cinematographer - March 2012 - 23
American Cinematographer - March 2012 - 24
American Cinematographer - March 2012 - 25
American Cinematographer - March 2012 - 26
American Cinematographer - March 2012 - 27
American Cinematographer - March 2012 - 28
American Cinematographer - March 2012 - 29
American Cinematographer - March 2012 - Varied Visions
American Cinematographer - March 2012 - 31
American Cinematographer - March 2012 - 32
American Cinematographer - March 2012 - 33
American Cinematographer - March 2012 - 34
American Cinematographer - March 2012 - 35
American Cinematographer - March 2012 - 36
American Cinematographer - March 2012 - 37
American Cinematographer - March 2012 - 38
American Cinematographer - March 2012 - 39
American Cinematographer - March 2012 - 40
American Cinematographer - March 2012 - 41
American Cinematographer - March 2012 - Power Trip
American Cinematographer - March 2012 - 43
American Cinematographer - March 2012 - 44
American Cinematographer - March 2012 - 45
American Cinematographer - March 2012 - 46
American Cinematographer - March 2012 - 47
American Cinematographer - March 2012 - 48
American Cinematographer - March 2012 - 49
American Cinematographer - March 2012 - Blazing Trails
American Cinematographer - March 2012 - 51
American Cinematographer - March 2012 - 52
American Cinematographer - March 2012 - 53
American Cinematographer - March 2012 - 54
American Cinematographer - March 2012 - 55
American Cinematographer - March 2012 - 56
American Cinematographer - March 2012 - 57
American Cinematographer - March 2012 - A Wholly “Justified” Honor
American Cinematographer - March 2012 - 59
American Cinematographer - March 2012 - 60
American Cinematographer - March 2012 - 61
American Cinematographer - March 2012 - 62
American Cinematographer - March 2012 - 63
American Cinematographer - March 2012 - 64
American Cinematographer - March 2012 - 65
American Cinematographer - March 2012 - 66
American Cinematographer - March 2012 - 67
American Cinematographer - March 2012 - Filmmakers’ Forum: Vincent De Paula
American Cinematographer - March 2012 - 69
American Cinematographer - March 2012 - 70
American Cinematographer - March 2012 - 71
American Cinematographer - March 2012 - New Products & Services
American Cinematographer - March 2012 - 73
American Cinematographer - March 2012 - 74
American Cinematographer - March 2012 - 75
American Cinematographer - March 2012 - International Marketplace
American Cinematographer - March 2012 - Classified Ads
American Cinematographer - March 2012 - Ad Index
American Cinematographer - March 2012 - In Memoriam: Torben Johnke, ASC
American Cinematographer - March 2012 - ASC Membership Roster
American Cinematographer - March 2012 - 81
American Cinematographer - March 2012 - Clubhouse News
American Cinematographer - March 2012 - 83
American Cinematographer - March 2012 - ASC Close-Up: Jonathan Taylor
American Cinematographer - March 2012 - Cover3
American Cinematographer - March 2012 - Cover4
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