American Cinematographer - March 2014 - 32
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5-Star Service
Top: Gustave addresses the hotel staff from a podium in a utility hallway that also serves as
a dining area. Bottom: Years later, a writer (Jude Law) visits the faded hotel, where the property's
owner, Monsieur Moustafa (F. Murray Abraham), recounts its colorful history.
Eastern European province, Zubrówka
(a real-life brand of Polish vodka). As
with many of the director's films, vague
historical and geographical references
locate the story somewhere between
32
March 2014
fantasy and reality. "Wes prefers to draw
from real-world references to create his
own world," says Yeoman. "In this
movie, for instance, the Fascists in
power aren't specifically Nazis, but they
American Cinematographer
certainly could be interpreted that way."
During prep for the film, Yeoman
and Anderson spent a lot of time scouting locations in Germany and Poland
together. To get an idea of how certain
scenes might play out, they sometimes
used a film camera to shoot some scenes
as they scouted, with various crewmembers serving as stand-ins. Anderson
then used his own hand-drawn and
voiced animatics to build the structure
of each scene. "Wes tried to plan out as
much of the movie in advance as possible," says Yeoman. "He does painstaking
research, and we plan our shots pretty
carefully during prep. Occasionally, new
ideas come up while we're shooting, but
we generally have a pretty good idea of
what to expect for each scene."
Anderson curated an extensive
image library for his collaborators.
"Many of those books had pictures of
old European hotels from the 1930s and
other visual references that were relevant
to our story," says Yeoman. Anderson
American Cinematographer - March 2014
Table of Contents for the Digital Edition of American Cinematographer - March 2014
Table of Contents
American Cinematographer - March 2014 - Cover1
American Cinematographer - March 2014 - Cover2
American Cinematographer - March 2014 - 1
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American Cinematographer - March 2014 - Table of Contents
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