lucky with the weather. We came in on time and on budget." For ease of transport, digitalimaging technician Jeff Tomcho's "tent" was nothing more than a 4'x4' floppy with side skirts. It housed three 17" Sony OLED monitors and three Leader waveform-vectorscopes that were fed video signals via wireless HD transmitters on each camera. Schliessler also had single-channel iris control of each camera. "Our camera operators were free to move around, and sometimes one would focus on an area that was 2 or 3 stops darker than the rest of the scene and then pan out again into a strong backlight," he says. "We would constantly ride the exposures during the shot to keep all the detail and keep the exposure safe, sometimes with 5-stop or 6-stop pulls. Jeff handled B and C cameras, and I would do A camera. We'd always first compensate the exposures for Top: Luttrell and Murphy help guide Dietz toward shelter. Bottom: Wahlberg discusses the action with director Peter Berg. www.theasc.com March 2014 49http://www.theasc.com