American Cinematographer - March 2014 - 65

required multiple locations and enough
scenes to suggest a feature-length film.
"British Movie Trailer" was one
of Thomas's first projects after he
became director/producer of the Film
Unit. (He replaced James Signorelli,
who founded the Film Unit and served
as its director for 38 years before retiring.) According to Buono, the parody
did more than prove Thomas' mettle. "It
was the moment we actually redefined
our goals," says the cinematographer.
Previously, he explains, the Film Unit
might decide a given setup looked "too
real. The theory was that our spots
should not look exactly like the real
thing because we wanted to let the audience know it was a gag. With 'British
Movie Trailer,' that went out the
window. We went 100 percent for the
real thing. Ever since then, we've tried
to use the same tools and techniques as
a real movie or commercial - at least as
much as we can on our schedule. We've
expanded our art department, our
camera packages are bigger, and the
shots are often more ambitious. For
example, we rarely used camera cranes
in the old days and now we use them
regularly. We're trying to make our work
look as high-end as possible despite our
fast turnaround."
The team went the extra mile for
"Brad Pitt for Chanel No. 5," which
spoofed a black-and-white commercial
directed by Joe Wright and shot by
Seamus McGarvey, ASC, BSC. Buono
obtained a pre-release Red Epic-M
Monochrome. "That became a really
fun experiment," he says. "We shot in a
way we wouldn't have on a color camera,
using black-and-white filters to pop
skin tones - deep oranges and reds. I
was amazed at how creamy and grainless the skin textures became.
"Part of my job is to be a cinematography detective," continues
Buono. "I've got to study a spot and try
to determine how they approached each
shot and lit each scene." In the case of
the Chanel spot, he was puzzled by the
source of a pulsing toplight. In the midst
of the pre-light, he reached out to
McGarvey. "Seamus graciously offered
65


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American Cinematographer - March 2014

Table of Contents for the Digital Edition of American Cinematographer - March 2014

Table of Contents
American Cinematographer - March 2014 - Cover1
American Cinematographer - March 2014 - Cover2
American Cinematographer - March 2014 - 1
American Cinematographer - March 2014 - 2
American Cinematographer - March 2014 - Table of Contents
American Cinematographer - March 2014 - 4
American Cinematographer - March 2014 - 5
American Cinematographer - March 2014 - 6
American Cinematographer - March 2014 - 7
American Cinematographer - March 2014 - 8
American Cinematographer - March 2014 - 9
American Cinematographer - March 2014 - 10
American Cinematographer - March 2014 - 11
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American Cinematographer - March 2014 - 14
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American Cinematographer - March 2014 - 16
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American Cinematographer - March 2014 - 21
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American Cinematographer - March 2014 - 65
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