American Cinematographer - March 2015 - 16
Top: A frame
grab from the
finished project.
Middle: Local
non-actors
were cast to
populate the
dystopian music
video. Bottom:
Ryan (right)
confers with
Daniel Wolfe
(middle) and
1st AD Anna
BuryachkovaKharaishvili.
The location shoot was completed in
a mere three days in July 2014. "It's always
a challenge trying to achieve a lot on a tight
schedule," says Ryan. "This was the first
time we'd ever shot in Ukraine. The local
crew was great - they worked so hard and
never complained. There was also a great
enthusiasm from the local talent we had in
front of the camera - their faces were so
full of life. There's loads of inspiration to be
found in Kiev, and we didn't have far to
look for our scenes.
"From a production-design standpoint, not much extra needed to be done to
the chosen locations," Ryan adds. "Daniel
and Matthew tend to be very thorough
with their location searches. Kiev has an
amazing sense of architecture that, as
outsiders, you see in a different way. We
never had any problems finding a good
place to shoot. Everything was set in
daytime, and the lighting was very basic
and very fast."
Though the production had a
modest lighting truck filled with equipment
while on location, Ryan found there was
little need for additional lighting in most
scenes. "The majority [of the music video]
was just shot with available light," the cinematographer says. One key exception, he
adds, was "a section in the middle of the
song, with these men in suits staring at
naked people. We shot it in a sanitarium
with a lot of windows just outside of Kiev.
To lift the ambience and keep the windows
from blowing out, we bounced some 6K
HMIs off the ceilings and off Ultrabounce
textiles."
Throughout the shoot, Ryan says he
16
March 2015
American Cinematographer
American Cinematographer - March 2015
Table of Contents for the Digital Edition of American Cinematographer - March 2015
Contents
American Cinematographer - March 2015 - Cover1
American Cinematographer - March 2015 - Cover2
American Cinematographer - March 2015 - 1
American Cinematographer - March 2015 - 2
American Cinematographer - March 2015 - Contents
American Cinematographer - March 2015 - 4
American Cinematographer - March 2015 - 5
American Cinematographer - March 2015 - 6
American Cinematographer - March 2015 - 7
American Cinematographer - March 2015 - 8
American Cinematographer - March 2015 - 9
American Cinematographer - March 2015 - 10
American Cinematographer - March 2015 - 11
American Cinematographer - March 2015 - 12
American Cinematographer - March 2015 - 13
American Cinematographer - March 2015 - 14
American Cinematographer - March 2015 - 15
American Cinematographer - March 2015 - 16
American Cinematographer - March 2015 - 17
American Cinematographer - March 2015 - 18
American Cinematographer - March 2015 - 19
American Cinematographer - March 2015 - 20
American Cinematographer - March 2015 - 21
American Cinematographer - March 2015 - 22
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American Cinematographer - March 2015 - 24
American Cinematographer - March 2015 - 25
American Cinematographer - March 2015 - 26
American Cinematographer - March 2015 - 27
American Cinematographer - March 2015 - 28
American Cinematographer - March 2015 - 29
American Cinematographer - March 2015 - 30
American Cinematographer - March 2015 - 31
American Cinematographer - March 2015 - 32
American Cinematographer - March 2015 - 33
American Cinematographer - March 2015 - 34
American Cinematographer - March 2015 - 35
American Cinematographer - March 2015 - 36
American Cinematographer - March 2015 - 37
American Cinematographer - March 2015 - 38
American Cinematographer - March 2015 - 39
American Cinematographer - March 2015 - 40
American Cinematographer - March 2015 - 41
American Cinematographer - March 2015 - 42
American Cinematographer - March 2015 - 43
American Cinematographer - March 2015 - 44
American Cinematographer - March 2015 - 45
American Cinematographer - March 2015 - 46
American Cinematographer - March 2015 - 47
American Cinematographer - March 2015 - 48
American Cinematographer - March 2015 - 49
American Cinematographer - March 2015 - 50
American Cinematographer - March 2015 - 51
American Cinematographer - March 2015 - 52
American Cinematographer - March 2015 - 53
American Cinematographer - March 2015 - 54
American Cinematographer - March 2015 - 55
American Cinematographer - March 2015 - 56
American Cinematographer - March 2015 - 57
American Cinematographer - March 2015 - 58
American Cinematographer - March 2015 - 59
American Cinematographer - March 2015 - 60
American Cinematographer - March 2015 - 61
American Cinematographer - March 2015 - 62
American Cinematographer - March 2015 - 63
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American Cinematographer - March 2015 - 65
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American Cinematographer - March 2015 - 67
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American Cinematographer - March 2015 - 69
American Cinematographer - March 2015 - 70
American Cinematographer - March 2015 - 71
American Cinematographer - March 2015 - 72
American Cinematographer - March 2015 - 73
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American Cinematographer - March 2015 - 78
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American Cinematographer - March 2015 - 84
American Cinematographer - March 2015 - 85
American Cinematographer - March 2015 - 86
American Cinematographer - March 2015 - 87
American Cinematographer - March 2015 - 88
American Cinematographer - March 2015 - Cover3
American Cinematographer - March 2015 - Cover4
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