American Cinematographer - March 2015 - 66
◗
Feeling the Light
and almost every show Roe has shot
since, seconds that assessment: "Kathy
would come to the set, bring the kids,
bake cookies and take time out of her
life to get to know us all. She is definitely his rock."
The X-Files was a turning point
for everybody connected with the show,
and its visual style helped redefine what
a television series could look like. Rob
Bowman, who served as both a director
and producer on the breakthrough
series, notes, "The first X-Files episode
Bill and I did together ['Drive'] won
the ASC Award for Outstanding
Achievement in Cinematography in a
Regular Series." Roe picked up a
second ASC Award the following year
for another episode of The X-Files,
"Agua Mala," and has been nominated
an additional seven times: three more
for The X-Files, once apiece for Las
Vegas and the telefilm Faith of My
Fathers, and twice for Day Break. He
has also received three Emmy nominations.
Roe credits Bowman with teaching him about "feeling light" and
encouraging him to not be afraid of the
dark. Bowman, who most recently has
collaborated with Roe on the series
Castle, asserts, "A director can say all
sorts of crazy things, but if the cameraman can't interpret it or make it into an
image, you're nowhere. Bill has always
been courageous, bold and talented,
and his attitude is very 'can do.' You'll
ask something and Bill will say, 'Sure,
let's do it.'"
Chris Carter laughs as he recalls,
"My favorite word out of Bill's mouth
was 'Okay.' You'd ask, 'Can you do this?'
and [his response] was always 'Okay.'"
Roe shot the first episode that XFiles star David Duchovny ever
directed. Duchovny recalls, "Whenever
I'd say some kind of shot - who knew
if it was even doable, because I didn't
know what the hell I was talking about
- Bill would say, 'Yeah, it'll be great.
It'll be great.'" The actor/director adds
that he has never seen Roe lose that
enthusiasm - or his temper - not
even on the golf course. "You can be in
Top: Roe operates
the camera for a
scene with Kevin
Kline and
Sigourney
Weaver in Dave.
Middle: Roe with
Michael Jordan
and director Joe
Pytka on the set
of Space Jam.
Bottom: Roe with
actor/director
David Duchovny
on The X-Files.
66
March 2015
American Cinematographer
American Cinematographer - March 2015
Table of Contents for the Digital Edition of American Cinematographer - March 2015
Contents
American Cinematographer - March 2015 - Cover1
American Cinematographer - March 2015 - Cover2
American Cinematographer - March 2015 - 1
American Cinematographer - March 2015 - 2
American Cinematographer - March 2015 - Contents
American Cinematographer - March 2015 - 4
American Cinematographer - March 2015 - 5
American Cinematographer - March 2015 - 6
American Cinematographer - March 2015 - 7
American Cinematographer - March 2015 - 8
American Cinematographer - March 2015 - 9
American Cinematographer - March 2015 - 10
American Cinematographer - March 2015 - 11
American Cinematographer - March 2015 - 12
American Cinematographer - March 2015 - 13
American Cinematographer - March 2015 - 14
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American Cinematographer - March 2015 - 17
American Cinematographer - March 2015 - 18
American Cinematographer - March 2015 - 19
American Cinematographer - March 2015 - 20
American Cinematographer - March 2015 - 21
American Cinematographer - March 2015 - 22
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American Cinematographer - March 2015 - 24
American Cinematographer - March 2015 - 25
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American Cinematographer - March 2015 - 28
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American Cinematographer - March 2015 - 33
American Cinematographer - March 2015 - 34
American Cinematographer - March 2015 - 35
American Cinematographer - March 2015 - 36
American Cinematographer - March 2015 - 37
American Cinematographer - March 2015 - 38
American Cinematographer - March 2015 - 39
American Cinematographer - March 2015 - 40
American Cinematographer - March 2015 - 41
American Cinematographer - March 2015 - 42
American Cinematographer - March 2015 - 43
American Cinematographer - March 2015 - 44
American Cinematographer - March 2015 - 45
American Cinematographer - March 2015 - 46
American Cinematographer - March 2015 - 47
American Cinematographer - March 2015 - 48
American Cinematographer - March 2015 - 49
American Cinematographer - March 2015 - 50
American Cinematographer - March 2015 - 51
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American Cinematographer - March 2015 - 58
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American Cinematographer - March 2015 - 60
American Cinematographer - March 2015 - 61
American Cinematographer - March 2015 - 62
American Cinematographer - March 2015 - 63
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American Cinematographer - March 2015 - 65
American Cinematographer - March 2015 - 66
American Cinematographer - March 2015 - 67
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