American Cinematographer - March 2015 - 75
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speed USB 3.0 interface for transferring
backup data to an external storage device
and previewing externally stored files.
The recorder's standard LAN (Ethernet) port allows network connection via a
wired LAN. When installed with the optional
AJ-WM30 Wireless Module, the PG50 gains
wireless LAN connectivity, enabling access to
a variety of functions (proxy preview, camera
remote, file transfer, playlist editing) from a
network-connected PC/Mac, tablet device or
smart phone, affording a cost-effective IT
solution.
The PG50 can send data directly to a
network server via FTP, allowing broadcast
stations to edit recorded data immediately.
The PG50 is also capable of proxy image
streaming via a wired LAN, wireless LAN or
4G/LTE network. Two streaming modes (SHQ
and full HD AVC-G6) are available, so the
most suitable mode can be selected according to the line condition and application.
The PG50 comes with a high-resolution QHD LCD 3.5" monitor; thumbnail
images can be displayed, allowing instant
playback, deletion or copying of selected
clips. Full-screen display of images enables
the use of the PG50 as a recording or
preview monitor. Additionally, waveform and
vectorscope can be displayed on the LCD
monitor, as well as a 4:3 marker. Audio capabilities include two XLR audio inputs, and
recording up to four channels of 48kHz 24bit audio in AVC-Intra and AVC-LongG.
Often-used functions can be allocated to six user buttons, and a user file
containing the settings can be saved to an
SD card. Playback functions include audio
playback, playback position selection, repeat
playback, and down-conversion from HD to
SD. Versatile recording functions include
simultaneous recording on two microP2
cards, dual codec recording, and hot-swap
recording for uninterrupted recording
between two microP2 cards.
The PG50's main unit weighs just 2.4
pounds and is small enough to use with one
hand. A 5,800-mAh battery pack, which
provides approximately 170 minutes of
continuous playback time, mounts to the
main unit's back. The PG50 can also plug
into an ordinary AC outlet via a provided
adapter.
For additional information, visit
➣
www.panasonic.com/broadcast.
http://www.backstageweb.com
http://www.cwih.com
http://theasc.com
http://theasc.com
http://www.USHIO.com
http://www.panasonic.com/broadcast
American Cinematographer - March 2015
Table of Contents for the Digital Edition of American Cinematographer - March 2015
Contents
American Cinematographer - March 2015 - Cover1
American Cinematographer - March 2015 - Cover2
American Cinematographer - March 2015 - 1
American Cinematographer - March 2015 - 2
American Cinematographer - March 2015 - Contents
American Cinematographer - March 2015 - 4
American Cinematographer - March 2015 - 5
American Cinematographer - March 2015 - 6
American Cinematographer - March 2015 - 7
American Cinematographer - March 2015 - 8
American Cinematographer - March 2015 - 9
American Cinematographer - March 2015 - 10
American Cinematographer - March 2015 - 11
American Cinematographer - March 2015 - 12
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American Cinematographer - March 2015 - 14
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American Cinematographer - March 2015 - 17
American Cinematographer - March 2015 - 18
American Cinematographer - March 2015 - 19
American Cinematographer - March 2015 - 20
American Cinematographer - March 2015 - 21
American Cinematographer - March 2015 - 22
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American Cinematographer - March 2015 - 26
American Cinematographer - March 2015 - 27
American Cinematographer - March 2015 - 28
American Cinematographer - March 2015 - 29
American Cinematographer - March 2015 - 30
American Cinematographer - March 2015 - 31
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American Cinematographer - March 2015 - 33
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American Cinematographer - March 2015 - 35
American Cinematographer - March 2015 - 36
American Cinematographer - March 2015 - 37
American Cinematographer - March 2015 - 38
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American Cinematographer - March 2015 - 40
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American Cinematographer - March 2015 - 43
American Cinematographer - March 2015 - 44
American Cinematographer - March 2015 - 45
American Cinematographer - March 2015 - 46
American Cinematographer - March 2015 - 47
American Cinematographer - March 2015 - 48
American Cinematographer - March 2015 - 49
American Cinematographer - March 2015 - 50
American Cinematographer - March 2015 - 51
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American Cinematographer - March 2015 - 63
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American Cinematographer - March 2015 - 67
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American Cinematographer - March 2015 - 70
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American Cinematographer - March 2015 - 73
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American Cinematographer - March 2015 - Cover3
American Cinematographer - March 2015 - Cover4
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