American Cinematographer - March 2015 - 33

Unit photography by Chuck Zlotnick, courtesy of Universal Pictures and Focus Features.

Opposite and this
page, top and
middle: Anastasia
Steele (Dakota
Johnson) gets tied
up in a romantic
liaison with
eco-manufacturing
magnate Christian
Grey (Jamie
Dornan) in the
film adaptation of
E.L. James' erotic
novel Fifty Shades
of Grey. Bottom:
Cinematographer
Seamus McGarvey,
ASC, BSC frames
the action.

rapher, so she understands the lens and
lighting. We've brought the same
approach to this major motion picture
that we have to smaller art pieces. I
think the studio wanted us to come to it
with artists' eyes."
Taylor-Johnson, speaking from
New York with a week left in postproduction, adds that they communicate in
shorthand. "I can say, 'You know that
William Eggleston photograph?' and
Seamus will say, 'I know exactly what
you mean,' and compose or color something in the way we're both thinking.
Also, his personality is alive and fun, and
that lightness helps the atmosphere in
the more difficult scenes we have to
shoot."
The director was challenged to
adapt a book that has not only become
a pop-culture phenomenon, but also
been criticized for being exploitative
and glamorizing violence against
women. The book holds back little in its
graphic depiction of the many and
diverse encounters between Ana and
Christian, and while the movie doesn't
shy away from nudity and extreme
sexual situations, it does tone things
down. The filmmakers approached the
story as a sort of adult Grimms' fairy
tale in which a dark prince whisks away
a young woman.
"We shot it as far as we wanted to
www.theasc.com

March 2015

33



http://www.theasc.com

American Cinematographer - March 2015

Table of Contents for the Digital Edition of American Cinematographer - March 2015

Contents
American Cinematographer - March 2015 - Cover1
American Cinematographer - March 2015 - Cover2
American Cinematographer - March 2015 - 1
American Cinematographer - March 2015 - 2
American Cinematographer - March 2015 - Contents
American Cinematographer - March 2015 - 4
American Cinematographer - March 2015 - 5
American Cinematographer - March 2015 - 6
American Cinematographer - March 2015 - 7
American Cinematographer - March 2015 - 8
American Cinematographer - March 2015 - 9
American Cinematographer - March 2015 - 10
American Cinematographer - March 2015 - 11
American Cinematographer - March 2015 - 12
American Cinematographer - March 2015 - 13
American Cinematographer - March 2015 - 14
American Cinematographer - March 2015 - 15
American Cinematographer - March 2015 - 16
American Cinematographer - March 2015 - 17
American Cinematographer - March 2015 - 18
American Cinematographer - March 2015 - 19
American Cinematographer - March 2015 - 20
American Cinematographer - March 2015 - 21
American Cinematographer - March 2015 - 22
American Cinematographer - March 2015 - 23
American Cinematographer - March 2015 - 24
American Cinematographer - March 2015 - 25
American Cinematographer - March 2015 - 26
American Cinematographer - March 2015 - 27
American Cinematographer - March 2015 - 28
American Cinematographer - March 2015 - 29
American Cinematographer - March 2015 - 30
American Cinematographer - March 2015 - 31
American Cinematographer - March 2015 - 32
American Cinematographer - March 2015 - 33
American Cinematographer - March 2015 - 34
American Cinematographer - March 2015 - 35
American Cinematographer - March 2015 - 36
American Cinematographer - March 2015 - 37
American Cinematographer - March 2015 - 38
American Cinematographer - March 2015 - 39
American Cinematographer - March 2015 - 40
American Cinematographer - March 2015 - 41
American Cinematographer - March 2015 - 42
American Cinematographer - March 2015 - 43
American Cinematographer - March 2015 - 44
American Cinematographer - March 2015 - 45
American Cinematographer - March 2015 - 46
American Cinematographer - March 2015 - 47
American Cinematographer - March 2015 - 48
American Cinematographer - March 2015 - 49
American Cinematographer - March 2015 - 50
American Cinematographer - March 2015 - 51
American Cinematographer - March 2015 - 52
American Cinematographer - March 2015 - 53
American Cinematographer - March 2015 - 54
American Cinematographer - March 2015 - 55
American Cinematographer - March 2015 - 56
American Cinematographer - March 2015 - 57
American Cinematographer - March 2015 - 58
American Cinematographer - March 2015 - 59
American Cinematographer - March 2015 - 60
American Cinematographer - March 2015 - 61
American Cinematographer - March 2015 - 62
American Cinematographer - March 2015 - 63
American Cinematographer - March 2015 - 64
American Cinematographer - March 2015 - 65
American Cinematographer - March 2015 - 66
American Cinematographer - March 2015 - 67
American Cinematographer - March 2015 - 68
American Cinematographer - March 2015 - 69
American Cinematographer - March 2015 - 70
American Cinematographer - March 2015 - 71
American Cinematographer - March 2015 - 72
American Cinematographer - March 2015 - 73
American Cinematographer - March 2015 - 74
American Cinematographer - March 2015 - 75
American Cinematographer - March 2015 - 76
American Cinematographer - March 2015 - 77
American Cinematographer - March 2015 - 78
American Cinematographer - March 2015 - 79
American Cinematographer - March 2015 - 80
American Cinematographer - March 2015 - 81
American Cinematographer - March 2015 - 82
American Cinematographer - March 2015 - 83
American Cinematographer - March 2015 - 84
American Cinematographer - March 2015 - 85
American Cinematographer - March 2015 - 86
American Cinematographer - March 2015 - 87
American Cinematographer - March 2015 - 88
American Cinematographer - March 2015 - Cover3
American Cinematographer - March 2015 - Cover4
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