American Cinematographer - March 2015 - 63

Bill Roe portrait by Owen Roizman, ASC. Castle on-set photo by Richard Foreman, courtesy of American Broadcasting Companies, Inc. All other images courtesy of Bill Roe, the ASC and the AC archives.

Opposite: Bill
Roe, ASC sets up
a shot. This
page, top: Roe's
first unofficial
productionassistant job,
cleaning the
chocolate river
on Willy Wonka
& the Chocolate
Factory. Bottom:
A portrait of Roe
taken by Owen
Roizman, ASC.

B

ill Roe, ASC, recipient of
the American Society of
Cinematographers' 2014 Career
Achievement in Television Award,
makes no bones about how he got his
start in the entertainment business.
"Nepotism," he says, relating that his
father, Jack Roe, was a 1st AD and
production manager on such films as
Paint Your Wagon, Monte Walsh (1970)
and The Bad News Bears (1976).
Growing up, Bill and his two younger
brothers, Bob and Tim - currently 1st
AD on Community and 2nd AC on
Castle, respectively - spent many
summers on location. Bill was 8 when
his family moved to the island of Oahu,
where his father worked on Hawaii, and
at 14, Bill was in Munich "cleaning the
chocolate river," he recounts, as an unofficial production assistant on Willy
Wonka & the Chocolate Factory.
Growing up, though, Roe's real
passion was for sports. "I wanted to play
professional baseball or football," he
says. "To me, being on a set was a
summer job." But high school and
college athletics took a toll on his body,
and he wisely maintained his ties to the
industry. "I was at Los Angeles Valley
College, and I would finish classes at
www.theasc.com

March 2015

63


http://www.theasc.com

American Cinematographer - March 2015

Table of Contents for the Digital Edition of American Cinematographer - March 2015

Contents
American Cinematographer - March 2015 - Cover1
American Cinematographer - March 2015 - Cover2
American Cinematographer - March 2015 - 1
American Cinematographer - March 2015 - 2
American Cinematographer - March 2015 - Contents
American Cinematographer - March 2015 - 4
American Cinematographer - March 2015 - 5
American Cinematographer - March 2015 - 6
American Cinematographer - March 2015 - 7
American Cinematographer - March 2015 - 8
American Cinematographer - March 2015 - 9
American Cinematographer - March 2015 - 10
American Cinematographer - March 2015 - 11
American Cinematographer - March 2015 - 12
American Cinematographer - March 2015 - 13
American Cinematographer - March 2015 - 14
American Cinematographer - March 2015 - 15
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American Cinematographer - March 2015 - 17
American Cinematographer - March 2015 - 18
American Cinematographer - March 2015 - 19
American Cinematographer - March 2015 - 20
American Cinematographer - March 2015 - 21
American Cinematographer - March 2015 - 22
American Cinematographer - March 2015 - 23
American Cinematographer - March 2015 - 24
American Cinematographer - March 2015 - 25
American Cinematographer - March 2015 - 26
American Cinematographer - March 2015 - 27
American Cinematographer - March 2015 - 28
American Cinematographer - March 2015 - 29
American Cinematographer - March 2015 - 30
American Cinematographer - March 2015 - 31
American Cinematographer - March 2015 - 32
American Cinematographer - March 2015 - 33
American Cinematographer - March 2015 - 34
American Cinematographer - March 2015 - 35
American Cinematographer - March 2015 - 36
American Cinematographer - March 2015 - 37
American Cinematographer - March 2015 - 38
American Cinematographer - March 2015 - 39
American Cinematographer - March 2015 - 40
American Cinematographer - March 2015 - 41
American Cinematographer - March 2015 - 42
American Cinematographer - March 2015 - 43
American Cinematographer - March 2015 - 44
American Cinematographer - March 2015 - 45
American Cinematographer - March 2015 - 46
American Cinematographer - March 2015 - 47
American Cinematographer - March 2015 - 48
American Cinematographer - March 2015 - 49
American Cinematographer - March 2015 - 50
American Cinematographer - March 2015 - 51
American Cinematographer - March 2015 - 52
American Cinematographer - March 2015 - 53
American Cinematographer - March 2015 - 54
American Cinematographer - March 2015 - 55
American Cinematographer - March 2015 - 56
American Cinematographer - March 2015 - 57
American Cinematographer - March 2015 - 58
American Cinematographer - March 2015 - 59
American Cinematographer - March 2015 - 60
American Cinematographer - March 2015 - 61
American Cinematographer - March 2015 - 62
American Cinematographer - March 2015 - 63
American Cinematographer - March 2015 - 64
American Cinematographer - March 2015 - 65
American Cinematographer - March 2015 - 66
American Cinematographer - March 2015 - 67
American Cinematographer - March 2015 - 68
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American Cinematographer - March 2015 - 70
American Cinematographer - March 2015 - 71
American Cinematographer - March 2015 - 72
American Cinematographer - March 2015 - 73
American Cinematographer - March 2015 - 74
American Cinematographer - March 2015 - 75
American Cinematographer - March 2015 - 76
American Cinematographer - March 2015 - 77
American Cinematographer - March 2015 - 78
American Cinematographer - March 2015 - 79
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American Cinematographer - March 2015 - 81
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American Cinematographer - March 2015 - 84
American Cinematographer - March 2015 - 85
American Cinematographer - March 2015 - 86
American Cinematographer - March 2015 - 87
American Cinematographer - March 2015 - 88
American Cinematographer - March 2015 - Cover3
American Cinematographer - March 2015 - Cover4
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