American Cinematographer - March 2018 - 31

Unit photography by Matt Kennedy, courtesy of
Marvel Studios.

Opposite and
above: T'Challa
(Chadwick
Boseman) returns to
Wakanda to take his
rightful place on the
throne, but his rule
is contested by a
powerful rival, Erik
Stevens, aka
Killmonger (Michael
B. Jordan, above,
left), in the actionadventure Black
Panther. Left, from
left: Camera
operator P. Scott
Sakamoto, director
Ryan Coogler and
cinematographer
Rachel Morrison,
ASC discuss a scene.

the current Black Panther, returns
home to take his rightful place on the
throne, but his rule is contested by Erik
Stevens, aka Killmonger (Michael B.
Jordan), a powerful rival who emerges
from hiding to seize Wakanda's vast
natural wealth and - with the help of
South African arms dealer Ulysses
Klaue (Andy Serkis) - use it to
conquer the world. Faced with danger
on all sides, T'Challa must team up
with CIA agent Everett K. Ross
(Martin Freeman) and the Dora Milaje

- Wakanda's all-female special-forces
team - to defeat his enemies and
preserve his people's way of life.
"When Ryan said he was going
to do Black Panther, I immediately knew
it wasn't going to be a superhero movie
in the traditional sense," says Morrison.
"There would be a more powerful
message behind it. The film wants to
challenge the audience to think about
how we treat not only our neighbors, but
people from all over the world."
The film's people-oriented focus
www.ascmag.com

was one of the things that attracted
Morrison to the script, which was
penned by Coogler and co-writer Joe
Robert Cole. "I'm much more affected
by stories that are grounded in humanity, and what I like about this film is that
it's not about aliens and it doesn't go off
into space," the cinematographer
remarks. "It's about real people, and it's
set in this world."
Morrison and Coogler first
collaborated on the independent feature
Fruitvale Station (AC April '13), which
March 2018

31



http://www.ascmag.com

Table of Contents for the Digital Edition of American Cinematographer - March 2018

Contents
American Cinematographer - March 2018 - Cover1
American Cinematographer - March 2018 - Cover2
American Cinematographer - March 2018 - 1
American Cinematographer - March 2018 - 2
American Cinematographer - March 2018 - Contents
American Cinematographer - March 2018 - 4
American Cinematographer - March 2018 - 5
American Cinematographer - March 2018 - 6
American Cinematographer - March 2018 - 7
American Cinematographer - March 2018 - 8
American Cinematographer - March 2018 - 9
American Cinematographer - March 2018 - 10
American Cinematographer - March 2018 - 11
American Cinematographer - March 2018 - 12
American Cinematographer - March 2018 - 13
American Cinematographer - March 2018 - 14
American Cinematographer - March 2018 - 15
American Cinematographer - March 2018 - 16
American Cinematographer - March 2018 - 17
American Cinematographer - March 2018 - 18
American Cinematographer - March 2018 - 19
American Cinematographer - March 2018 - 20
American Cinematographer - March 2018 - 21
American Cinematographer - March 2018 - 22
American Cinematographer - March 2018 - 23
American Cinematographer - March 2018 - 24
American Cinematographer - March 2018 - 25
American Cinematographer - March 2018 - 26
American Cinematographer - March 2018 - 27
American Cinematographer - March 2018 - 28
American Cinematographer - March 2018 - 29
American Cinematographer - March 2018 - 30
American Cinematographer - March 2018 - 31
American Cinematographer - March 2018 - 32
American Cinematographer - March 2018 - 33
American Cinematographer - March 2018 - 34
American Cinematographer - March 2018 - 35
American Cinematographer - March 2018 - 36
American Cinematographer - March 2018 - 37
American Cinematographer - March 2018 - 38
American Cinematographer - March 2018 - 39
American Cinematographer - March 2018 - 40
American Cinematographer - March 2018 - 41
American Cinematographer - March 2018 - 42
American Cinematographer - March 2018 - 43
American Cinematographer - March 2018 - 44
American Cinematographer - March 2018 - 45
American Cinematographer - March 2018 - 46
American Cinematographer - March 2018 - 47
American Cinematographer - March 2018 - 48
American Cinematographer - March 2018 - 49
American Cinematographer - March 2018 - 50
American Cinematographer - March 2018 - 51
American Cinematographer - March 2018 - 52
American Cinematographer - March 2018 - 53
American Cinematographer - March 2018 - 54
American Cinematographer - March 2018 - 55
American Cinematographer - March 2018 - 56
American Cinematographer - March 2018 - 57
American Cinematographer - March 2018 - 58
American Cinematographer - March 2018 - 59
American Cinematographer - March 2018 - 60
American Cinematographer - March 2018 - 61
American Cinematographer - March 2018 - 62
American Cinematographer - March 2018 - 63
American Cinematographer - March 2018 - 64
American Cinematographer - March 2018 - 65
American Cinematographer - March 2018 - 66
American Cinematographer - March 2018 - 67
American Cinematographer - March 2018 - 68
American Cinematographer - March 2018 - 69
American Cinematographer - March 2018 - 70
American Cinematographer - March 2018 - 71
American Cinematographer - March 2018 - 72
American Cinematographer - March 2018 - 73
American Cinematographer - March 2018 - 74
American Cinematographer - March 2018 - 75
American Cinematographer - March 2018 - 76
American Cinematographer - March 2018 - 77
American Cinematographer - March 2018 - 78
American Cinematographer - March 2018 - 79
American Cinematographer - March 2018 - 80
American Cinematographer - March 2018 - Cover3
American Cinematographer - March 2018 - Cover4
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