American Cinematographer - March 2018 - 46
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Expedition Unknown
Top: This lighting diagram illustrates the crew's approach to lighting a swimming-pool interior. Above,
from left: Boom operator Stephane Malenfant, key grip Sam Phillips, Novotny, Portman, Leigh and
Thompson on the swimming-pool set.
tions to stop it from wreaking devastating consequences.
Annihilation is based on the first
novel in Jeff VanderMeer's Southern
Reach trilogy - so named for the
46
March 2018
government agency investigating Area
X. The movie marks the follow-up for
the team of writer-director Alex
Garland and director of photography
Rob Hardy, BSC, who previously
American Cinematographer
collaborated on the acclaimed AI
thriller Ex Machina (AC May '15).
During three months of preproduction, one other movie provided
inspiration: Andrei Tarkovsky's 1979
Soviet sci-fi fantasy Stalker, in which a
guide brings two men through a surreal
wasteland known as the Zone in search
of a room purported to fulfill desires.
That film balances a sepia-toned blackand-white "normal" world with a
moody, verdant Zone shot in color. "But
for us, when it comes to imagery,
anything goes, and often it was about
generating our own source material,"
Hardy says from his home in London,
on a day off from shooting M:I 6 -
Mission Impossible with director
Christopher McQuarrie.
Hardy was living in Los Angeles
during prep for Annihilation, and visited
San Marino's Huntington Botanical
Gardens with a still camera. "I was
taking photographs of strange plants
from an architectural point of view,
looking for inorganic patterns and
shapes," he explains. "I was trying to
find odd images that nature provides."
Table of Contents for the Digital Edition of American Cinematographer - March 2018
Contents
American Cinematographer - March 2018 - Cover1
American Cinematographer - March 2018 - Cover2
American Cinematographer - March 2018 - 1
American Cinematographer - March 2018 - 2
American Cinematographer - March 2018 - Contents
American Cinematographer - March 2018 - 4
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American Cinematographer - March 2018 - Cover3
American Cinematographer - March 2018 - Cover4
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