American Cinematographer - April 2011 - 94

including composition, convergence, color and luminance, focus and zoom position, and parallax. This 3-D assist function is ideal for production crews that require a 3-D review in the field. The monitor also offers two times SDI loop-through to allow it to be used with existing 3-D rigs while still feeding video to any downstream equipment. Additional functionality encompasses a Black mode for confirming dark scenes, an RGB waveform monitor, a vectorscope, an RGB direct white-balance adjustment, a color

Denz Accessorizes Panasonic Camera Denz has introduced an accessory package for Panasonic’s AG-AF100 Micro 4⁄ 3" digital camera. The package includes a Universal Holder, PL54-Support, Ultra Lightweight Handle System and FFM Follow Focus. The Universal Holder attaches onto the camera’s handle and can be fixed via two clamping screws, which allow for different positions depending on the needs of the operator. The Universal Holder can also be used in conjunction with the Cineroid electronic viewfinder. The PL54-Support allows users to mount any PL-mount lens to the camera, no matter the lens’ weight. The support system contains a mount for 15mm support rods as well as Arri/Denz-standard rosettes for adjusting handles and accessories. An optional shoulder rig can also be mounted to the 15mm rods, and the Ultra Lightweight Handle System incorporates two handles, one of which can be equipped with shutter control. Finally, Denz’s FFM Follow Focus perfectly fits the system and mounts to the 15mm rods sideways beneath the lens. For additional information, visit www.denz-deniz.com.

audio level meter, new front/rear design, SDI closed-captioning support, a headphone jack and tilt stand. The 15:9 aspect-ratio monitor is compatible with multiple HD/SD formats and features the industry’s lowest imageprocessing delay, a Diagonal Line compensation function and such advanced focusassist functions as Focus-in-Red and Pixelto-Pixel matching. Measuring only 3.1" deep and weighing only 3.7 pounds (excluding the tilt stand), the space-saving BT-LH910 also boasts an eco-friendly W-LED backlight. When used as an electronic viewfinder, the BT-LH910 can be configured with Panasonic’s full range of HD shouldermount cameras, using the optional BTCS910 viewfinder cable. The 12-volt DCpowered monitor is equipped with both a 4-pin XLR DC input and an Anton Bauer battery gold mount, making it ideal for outdoor use. The BT-LH910 has a suggested price of $3,500. For more information, visit www.panasonic.com/broadcast.

Josef Kohnle, director of operations of the Carl Zeiss Camera Lens Division in Oberkochen, Germany. “Our clients in America can now send their lenses directly to Abel Cine Tech for maintenance and repairs. The professional and localized customer service will guarantee quick and smooth service and increase effectiveness.” Pete Abel, president and CEO of Abel Cine Tech, adds, “We’re delighted with the special trust Carl Zeiss has placed in us through this official partnership. We will use our experience and technical know-how to build awareness among Carl Zeiss customers in America for its products and to provide the outstanding performance and quality for which Carl Zeiss lenses are renowned the world over.” Abel Cine Tech operates facilities in New York City, Burbank and Chicago. Qualification as a Carl Zeiss Authorized Service Partner involves training by Carl Zeiss partners as well as the provision of special tools that ensure the company can guarantee a uniform level of service for all its customers. For additional information, visit www.abelcine.com and www.zeiss.com. Vocas Adapts Lens Mount Vocas has introduced a lens-mount adapter from Micro 4⁄ 3" to PL mount, designed with the Panasonic AG-AF100 specifically in mind. The adapter, which enables the use of PL-mount lenses on digital cameras fitted with a Micro 4⁄3" sensor, comes with a 15mm support bracket for using the mount on a 15mm rails system. Vocas also offers a 15mm rails system, which is suitable for adding more accessories. For additional information, visit www.vocas.com.

Abel Cine Tech Authorized by Zeiss Lens manufacturer Carl Zeiss has appointed equipment supplier Abel Cine Tech as a Carl Zeiss Authorized Service Partner. Building on years of cooperation between the two companies, the aim of the partnership is to allow Carl Zeiss customers in the Americas to benefit from optimized customer service. In particular, the partnership will further reduce the amount of downtime associated with repairs. In the future, local services will be carried out more efficiently and according to the highest quality standards. “The appointment of a Carl Zeiss Authorized Service Partner creates an important foundation for intensifying our cooperation with Abel Cine Tech,” says
American Cinematographer

94

April 2011


http://www.panasonic.com/broadcast http://www.abelcine.com http://www.zeiss.com http://www.vocas.com http://www.vocas.com http://www.denz-deniz.com

American Cinematographer - April 2011

Table of Contents for the Digital Edition of American Cinematographer - April 2011

American Cinematographer - April 2011
Contents
Editor’s Note
President’s Desk
Short Takes: “Faeries”
Production Slate: Jane Eyre • Battle: Los Angeles
Wicked World
A Woman on the Verge
Optical Filtration and 3-D
Sundance 2011: Spirited Images
Post Focus: Red Riding Hood
Tricks of the Trade: Unfettering a Digital Shoot
Filmmakers’ Forum: The Image Interchange Framework
New Products & Services
International Marketplace
Classified Ads/Ad Index
Clubhouse News
ASC Close-Up: Dennis Muren
American Cinematographer - April 2011 - American Cinematographer - April 2011
American Cinematographer - April 2011 - Cover2
American Cinematographer - April 2011 - 1
American Cinematographer - April 2011 - 2
American Cinematographer - April 2011 - Contents
American Cinematographer - April 2011 - 4
American Cinematographer - April 2011 - 5
American Cinematographer - April 2011 - 6
American Cinematographer - April 2011 - 7
American Cinematographer - April 2011 - Editor’s Note
American Cinematographer - April 2011 - 9
American Cinematographer - April 2011 - President’s Desk
American Cinematographer - April 2011 - 11
American Cinematographer - April 2011 - Short Takes: “Faeries”
American Cinematographer - April 2011 - 13
American Cinematographer - April 2011 - 14
American Cinematographer - April 2011 - 15
American Cinematographer - April 2011 - Production Slate: Jane Eyre • Battle: Los Angeles
American Cinematographer - April 2011 - 17
American Cinematographer - April 2011 - 18
American Cinematographer - April 2011 - 19
American Cinematographer - April 2011 - 20
American Cinematographer - April 2011 - 21
American Cinematographer - April 2011 - 22
American Cinematographer - April 2011 - 23
American Cinematographer - April 2011 - 24
American Cinematographer - April 2011 - 25
American Cinematographer - April 2011 - Wicked World
American Cinematographer - April 2011 - 27
American Cinematographer - April 2011 - 28
American Cinematographer - April 2011 - 29
American Cinematographer - April 2011 - 30
American Cinematographer - April 2011 - 30a
American Cinematographer - April 2011 - 30b
American Cinematographer - April 2011 - 31
American Cinematographer - April 2011 - 32
American Cinematographer - April 2011 - 33
American Cinematographer - April 2011 - 34
American Cinematographer - April 2011 - 35
American Cinematographer - April 2011 - 36
American Cinematographer - April 2011 - 37
American Cinematographer - April 2011 - 38
American Cinematographer - April 2011 - 39
American Cinematographer - April 2011 - 40
American Cinematographer - April 2011 - 41
American Cinematographer - April 2011 - A Woman on the Verge
American Cinematographer - April 2011 - 43
American Cinematographer - April 2011 - 44
American Cinematographer - April 2011 - 45
American Cinematographer - April 2011 - 46
American Cinematographer - April 2011 - 47
American Cinematographer - April 2011 - 48
American Cinematographer - April 2011 - 49
American Cinematographer - April 2011 - 50
American Cinematographer - April 2011 - 51
American Cinematographer - April 2011 - Optical Filtration and 3-D
American Cinematographer - April 2011 - 53
American Cinematographer - April 2011 - 54
American Cinematographer - April 2011 - 55
American Cinematographer - April 2011 - 56
American Cinematographer - April 2011 - 57
American Cinematographer - April 2011 - 58
American Cinematographer - April 2011 - 59
American Cinematographer - April 2011 - 60
American Cinematographer - April 2011 - 61
American Cinematographer - April 2011 - Sundance 2011: Spirited Images
American Cinematographer - April 2011 - 63
American Cinematographer - April 2011 - 64
American Cinematographer - April 2011 - 65
American Cinematographer - April 2011 - 66
American Cinematographer - April 2011 - 67
American Cinematographer - April 2011 - 68
American Cinematographer - April 2011 - 69
American Cinematographer - April 2011 - 70
American Cinematographer - April 2011 - 71
American Cinematographer - April 2011 - 72
American Cinematographer - April 2011 - 73
American Cinematographer - April 2011 - 74
American Cinematographer - April 2011 - 75
American Cinematographer - April 2011 - 76
American Cinematographer - April 2011 - 77
American Cinematographer - April 2011 - Post Focus: Red Riding Hood
American Cinematographer - April 2011 - 79
American Cinematographer - April 2011 - 80
American Cinematographer - April 2011 - 81
American Cinematographer - April 2011 - Tricks of the Trade: Unfettering a Digital Shoot
American Cinematographer - April 2011 - 83
American Cinematographer - April 2011 - 84
American Cinematographer - April 2011 - 85
American Cinematographer - April 2011 - Filmmakers’ Forum: The Image Interchange Framework
American Cinematographer - April 2011 - 87
American Cinematographer - April 2011 - 88
American Cinematographer - April 2011 - 89
American Cinematographer - April 2011 - New Products & Services
American Cinematographer - April 2011 - 91
American Cinematographer - April 2011 - 92
American Cinematographer - April 2011 - 93
American Cinematographer - April 2011 - 94
American Cinematographer - April 2011 - 95
American Cinematographer - April 2011 - 96
American Cinematographer - April 2011 - 97
American Cinematographer - April 2011 - International Marketplace
American Cinematographer - April 2011 - 99
American Cinematographer - April 2011 - Classified Ads/Ad Index
American Cinematographer - April 2011 - 101
American Cinematographer - April 2011 - Clubhouse News
American Cinematographer - April 2011 - 103
American Cinematographer - April 2011 - ASC Close-Up: Dennis Muren
American Cinematographer - April 2011 - Cover3
American Cinematographer - April 2011 - Cover4
American Cinematographer - April 2011 - Cover5
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