American Cinematographer - April 2012 - 40
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Vice at the Vatican
Right: The pope visits a ravaged battlefield in the second season’s fourth episode. Below: Steadicam/ B-camera operator Marton Ragalyi guides the camera through the carnage.
he continues. “Its dynamic range is far closer to that of film, so we can have a window in shot that is actually lighting the characters. What started as a problem in terms of design and historical accuracy became something we could embrace.” “It was really interesting how the technology changed between the first
40 April 2012
and second seasons,” adds Jordan. “With the Sony camera, it was almost like working with a film stock from 10 or 15 years ago, in that a lot of light was needed just to get a basic exposure for certain scenes. The Alexa is quite extraordinary; the sensitivity and tolerance of what I was seeing was just amazing.” Because of its recommended base
American Cinematographer
sensitivity of EI 800, the Alexa has also made a significant difference in lowlight situations. “When we had characters carrying lanterns through scenes in the first season, the lanterns had to be electrified,” says Sarossy. “This year, we discovered through testing that a real candle provided enough light to not just be seen, but also to light the actor. It’s really a watershed moment for cinematography. The increased sensitivity opens up all sorts of possibilities, particularly for a story whose palette is limited to flame-based sources and natural light. We found there were situations where we could shoot with a minimum of lighting intruding on the scene and the performances.” However, the camera’s added sensitivity meant that more thought had to be given to achieving true blacks. “We have a story that involves clandestine conversations and secret plots, so what you don’t see is as important as what you do see,” says Sarossy. “We were almost obliged to find new ways of making people disappear in the dark because the Alexa sees so far into the shadows! “You have to retrain your eye,” he
American Cinematographer - April 2012
Table of Contents for the Digital Edition of American Cinematographer - April 2012
American Cinematographer - April 2012
Contents
Editor’s Note
President’s Desk
Short Takes: Polaris campaign
Production Slate: Footnote • 4:44 Last Day on Earth
Vice at the Vatican
Back to School
Sundance Standouts
Filmmakers’ Forum: Haskell Wexler, ASC
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Alar Kivilo
American Cinematographer - April 2012 - American Cinematographer - April 2012
American Cinematographer - April 2012 - Cover2
American Cinematographer - April 2012 - 1
American Cinematographer - April 2012 - 2
American Cinematographer - April 2012 - Contents
American Cinematographer - April 2012 - 4
American Cinematographer - April 2012 - 5
American Cinematographer - April 2012 - 6
American Cinematographer - April 2012 - 7
American Cinematographer - April 2012 - Editor’s Note
American Cinematographer - April 2012 - 9
American Cinematographer - April 2012 - President’s Desk
American Cinematographer - April 2012 - 11
American Cinematographer - April 2012 - Short Takes: Polaris campaign
American Cinematographer - April 2012 - 13
American Cinematographer - April 2012 - 14
American Cinematographer - April 2012 - 15
American Cinematographer - April 2012 - 16
American Cinematographer - April 2012 - 17
American Cinematographer - April 2012 - Production Slate: Footnote • 4:44 Last Day on Earth
American Cinematographer - April 2012 - 19
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American Cinematographer - April 2012 - 31
American Cinematographer - April 2012 - Vice at the Vatican
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American Cinematographer - April 2012 - 41
American Cinematographer - April 2012 - 42
American Cinematographer - April 2012 - 43
American Cinematographer - April 2012 - Back to School
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American Cinematographer - April 2012 - Sundance Standouts
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American Cinematographer - April 2012 - Filmmakers’ Forum: Haskell Wexler, ASC
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American Cinematographer - April 2012 - 87
American Cinematographer - April 2012 - New Products & Services
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American Cinematographer - April 2012 - 101
American Cinematographer - April 2012 - International Marketplace
American Cinematographer - April 2012 - Classified Ads
American Cinematographer - April 2012 - Ad Index
American Cinematographer - April 2012 - 105
American Cinematographer - April 2012 - Clubhouse News
American Cinematographer - April 2012 - 107
American Cinematographer - April 2012 - ASC Close-Up: Alar Kivilo
American Cinematographer - April 2012 - Cover3
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