American Cinematographer - April 2012 - 50
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Back to School
Left: This strip shows the demise of Taylor Fisher (Alison Woods). The first shot shows her being thrown out the window. The ne xt three comprise a single shot of her falling, her landing, and the camera’s pullback to show the aftermath. A final wide closes the scene. Top ri ght: Probst lines up a shot. Bottom right: For a shot of Clapton skateboarding through his neighborhood, Steadicam operator Wael Shukha mounted the rig to a golf cart driven by key grip Eric Budlong.
provided ambient fill and was always a different color temperature than the keylight. We shot Detention mostly in practical locations in and around Los Angeles. Parts of several different schools were combined to create the fictitious Grizzly Lake High School, and the new school year loomed large over our schedule. We had just a small window of time to use the schools, and we had to shoot mostly on weekends, which meant loading in and out repeatedly and re-creating lighting for a single sequence several different times. For day scenes set in the high school, we used a 1⁄4 CTB filter on the
50 April 2012
Red, which was set at 5,000°K. We then began lighting the corridors by swapping out all of the fluorescent tubes in the overhead practicals with Chroma 50s to create a base-level illumination. Additional toplight was added with Arri M18 HMIs gelled with 1⁄2 CTB, which gave the ambience a slightly cooler cast in the shadows. Low, ripping-hot Arri T12s were gelled with Full CTO to provide some directional “sunlight” and backlight gleaming down the hallways, contrasting with the cool toplight, while uncorrected 5Ks on low combos added some directional, frontal “sunlight” that was flagged off the characters at the waist. Finally, large, soft
American Cinematographer
sources, usually 8-by pushes of daylight Image 80s, provided the half-light for the actors’ key. “I wanted a certain vibrancy to the image because this is a movie about teenagers told from their perspective, and I don’t think teenagers view the world as dark and dingy,” notes Kahn. “I think they see things sharper and clearer than those of us who are worn out and have cataracts!” Detention opens with a sequence that is narrated Ferris Bueller-style by Grizzly Lake’s snarky beauty queen, Taylor Fisher (Alison Woods), who addresses the camera directly. As she rattles off her theories about teen life,
American Cinematographer - April 2012
Table of Contents for the Digital Edition of American Cinematographer - April 2012
American Cinematographer - April 2012
Contents
Editor’s Note
President’s Desk
Short Takes: Polaris campaign
Production Slate: Footnote • 4:44 Last Day on Earth
Vice at the Vatican
Back to School
Sundance Standouts
Filmmakers’ Forum: Haskell Wexler, ASC
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Alar Kivilo
American Cinematographer - April 2012 - American Cinematographer - April 2012
American Cinematographer - April 2012 - Cover2
American Cinematographer - April 2012 - 1
American Cinematographer - April 2012 - 2
American Cinematographer - April 2012 - Contents
American Cinematographer - April 2012 - 4
American Cinematographer - April 2012 - 5
American Cinematographer - April 2012 - 6
American Cinematographer - April 2012 - 7
American Cinematographer - April 2012 - Editor’s Note
American Cinematographer - April 2012 - 9
American Cinematographer - April 2012 - President’s Desk
American Cinematographer - April 2012 - 11
American Cinematographer - April 2012 - Short Takes: Polaris campaign
American Cinematographer - April 2012 - 13
American Cinematographer - April 2012 - 14
American Cinematographer - April 2012 - 15
American Cinematographer - April 2012 - 16
American Cinematographer - April 2012 - 17
American Cinematographer - April 2012 - Production Slate: Footnote • 4:44 Last Day on Earth
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American Cinematographer - April 2012 - 31
American Cinematographer - April 2012 - Vice at the Vatican
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American Cinematographer - April 2012 - 43
American Cinematographer - April 2012 - Back to School
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American Cinematographer - April 2012 - 63
American Cinematographer - April 2012 - Sundance Standouts
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American Cinematographer - April 2012 - Filmmakers’ Forum: Haskell Wexler, ASC
American Cinematographer - April 2012 - 83
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American Cinematographer - April 2012 - 86
American Cinematographer - April 2012 - 87
American Cinematographer - April 2012 - New Products & Services
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American Cinematographer - April 2012 - 100
American Cinematographer - April 2012 - 101
American Cinematographer - April 2012 - International Marketplace
American Cinematographer - April 2012 - Classified Ads
American Cinematographer - April 2012 - Ad Index
American Cinematographer - April 2012 - 105
American Cinematographer - April 2012 - Clubhouse News
American Cinematographer - April 2012 - 107
American Cinematographer - April 2012 - ASC Close-Up: Alar Kivilo
American Cinematographer - April 2012 - Cover3
American Cinematographer - April 2012 - Cover4
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