American Cinematographer - April 2012 - 90

Aadyn Collaborates for Eco-Conscious Eco Punch 5600 Aadyn Technology has introduced the Eco Punch 5600 LED luminaire, which boasts a powerful output of more than 3,193 foot candles at 10', with an even spread and no spotting, while using miniJVC Announces ProHD Portable Monitor Series JVC Professional Products Company has announced the DTX71 Series of portable ProHD LCD monitors. Ideal for field and studio applications, the 7" AC/DC monitors offer 1024x600 resolution with a 160-degree viewing angle and can display 480i, 480p, 720p, 1080i and 1080p video signals at a variety of frame rates. The DT-X71 Series comprises three models with scaled I/O options and features for specific needs. The basic DT-X71C model offers one HDMI and one composite video input, while the DT-X71H adds two HD/SDSDI inputs and an HD/SD-SDI look-through output. The DT-X71F includes an additional HD/SD-SDI loop-through output and one HDMI converted to SDI output. All three models include stereo audio input. Other features include an adjustable 16:9/4:3 display, dual three-color tally lights, underscan and overscan, image flip, customer editable video title, Canon DSLR scale zoom-in and safe-mark display. The DTX71F, the most feature-rich model in the series, also includes a waveform, vector scope, RGB histogram, red/blue peaking focus assist, zebra, false color, blue only, internal color bars, image rotation and
90

mal power of less than 6 amps. The self-contained Eco Punch 5600 incorporates a universal power supply, so no head cables are needed. The fixture is capable of strobe effects and is dimmable with no color shift. Quick-change lenses allow users to vary the fixture from spot to flood, while maintaining an even field with high output. Additionally, the fixture runs cool to the touch. The Eco Punch 5600 incorporates LED developer Cree, Inc.’s XLamp XM-L and XM-L EasyWhite technology. Aadyn Technology also worked with Sturdy Corporation for the design and manufacture of the Eco Punch fixture. For additional information, visit www.aadyntech.com, www.cree.com and www.sturdycorp.com.

16-channel SDI (two-channel HDMI) audio meter. Each monitor is powered via a fourpin XLR 12-volt DC connector with included AC adapter or an optional snap-on JVC BNVF823USP 7.2-volt battery. DT-X71 Series monitors also ship with a cold-shoe mounting adapter and hood. Along with the HZ-HM150VZR ProHD remote lens control, the DT-X71 Series is part of JVC’s ProHD Compact Studio system, which configures the GY-HM150 ProHD camcorder for studio environments. When mounted to the GY-HM150, the DTX71 serves as a full-size studio-camera monitor. The DT-X71C, DT-X71H and DT-X71F have suggested list prices of $595, $1,095 and $1,695, respectively. For more information, visit http://pro.jvc.com.


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American Cinematographer - April 2012

Table of Contents for the Digital Edition of American Cinematographer - April 2012

American Cinematographer - April 2012
Contents
Editor’s Note
President’s Desk
Short Takes: Polaris campaign
Production Slate: Footnote4:44 Last Day on Earth
Vice at the Vatican
Back to School
Sundance Standouts
Filmmakers’ Forum: Haskell Wexler, ASC
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Alar Kivilo
American Cinematographer - April 2012 - American Cinematographer - April 2012
American Cinematographer - April 2012 - Cover2
American Cinematographer - April 2012 - 1
American Cinematographer - April 2012 - 2
American Cinematographer - April 2012 - Contents
American Cinematographer - April 2012 - 4
American Cinematographer - April 2012 - 5
American Cinematographer - April 2012 - 6
American Cinematographer - April 2012 - 7
American Cinematographer - April 2012 - Editor’s Note
American Cinematographer - April 2012 - 9
American Cinematographer - April 2012 - President’s Desk
American Cinematographer - April 2012 - 11
American Cinematographer - April 2012 - Short Takes: Polaris campaign
American Cinematographer - April 2012 - 13
American Cinematographer - April 2012 - 14
American Cinematographer - April 2012 - 15
American Cinematographer - April 2012 - 16
American Cinematographer - April 2012 - 17
American Cinematographer - April 2012 - Production Slate: Footnote4:44 Last Day on Earth
American Cinematographer - April 2012 - 19
American Cinematographer - April 2012 - 20
American Cinematographer - April 2012 - 21
American Cinematographer - April 2012 - 22
American Cinematographer - April 2012 - 23
American Cinematographer - April 2012 - 24
American Cinematographer - April 2012 - 25
American Cinematographer - April 2012 - 26
American Cinematographer - April 2012 - 27
American Cinematographer - April 2012 - 28
American Cinematographer - April 2012 - 29
American Cinematographer - April 2012 - 30
American Cinematographer - April 2012 - 31
American Cinematographer - April 2012 - Vice at the Vatican
American Cinematographer - April 2012 - 33
American Cinematographer - April 2012 - 34
American Cinematographer - April 2012 - 35
American Cinematographer - April 2012 - 36
American Cinematographer - April 2012 - 37
American Cinematographer - April 2012 - 38
American Cinematographer - April 2012 - 39
American Cinematographer - April 2012 - 40
American Cinematographer - April 2012 - 41
American Cinematographer - April 2012 - 42
American Cinematographer - April 2012 - 43
American Cinematographer - April 2012 - Back to School
American Cinematographer - April 2012 - 45
American Cinematographer - April 2012 - 46
American Cinematographer - April 2012 - 47
American Cinematographer - April 2012 - 48
American Cinematographer - April 2012 - 49
American Cinematographer - April 2012 - 50
American Cinematographer - April 2012 - 51
American Cinematographer - April 2012 - 52
American Cinematographer - April 2012 - 53
American Cinematographer - April 2012 - 54
American Cinematographer - April 2012 - 55
American Cinematographer - April 2012 - 56
American Cinematographer - April 2012 - 57
American Cinematographer - April 2012 - 58
American Cinematographer - April 2012 - 59
American Cinematographer - April 2012 - 60
American Cinematographer - April 2012 - 61
American Cinematographer - April 2012 - 62
American Cinematographer - April 2012 - 63
American Cinematographer - April 2012 - Sundance Standouts
American Cinematographer - April 2012 - 65
American Cinematographer - April 2012 - 66
American Cinematographer - April 2012 - 67
American Cinematographer - April 2012 - 68
American Cinematographer - April 2012 - 69
American Cinematographer - April 2012 - 70
American Cinematographer - April 2012 - 71
American Cinematographer - April 2012 - 72
American Cinematographer - April 2012 - 73
American Cinematographer - April 2012 - 74
American Cinematographer - April 2012 - 75
American Cinematographer - April 2012 - 76
American Cinematographer - April 2012 - 77
American Cinematographer - April 2012 - 78
American Cinematographer - April 2012 - 79
American Cinematographer - April 2012 - 80
American Cinematographer - April 2012 - 81
American Cinematographer - April 2012 - Filmmakers’ Forum: Haskell Wexler, ASC
American Cinematographer - April 2012 - 83
American Cinematographer - April 2012 - 84
American Cinematographer - April 2012 - 85
American Cinematographer - April 2012 - 86
American Cinematographer - April 2012 - 87
American Cinematographer - April 2012 - New Products & Services
American Cinematographer - April 2012 - 89
American Cinematographer - April 2012 - 90
American Cinematographer - April 2012 - 91
American Cinematographer - April 2012 - 92
American Cinematographer - April 2012 - 93
American Cinematographer - April 2012 - 94
American Cinematographer - April 2012 - 95
American Cinematographer - April 2012 - 96
American Cinematographer - April 2012 - 97
American Cinematographer - April 2012 - 98
American Cinematographer - April 2012 - 99
American Cinematographer - April 2012 - 100
American Cinematographer - April 2012 - 101
American Cinematographer - April 2012 - International Marketplace
American Cinematographer - April 2012 - Classified Ads
American Cinematographer - April 2012 - Ad Index
American Cinematographer - April 2012 - 105
American Cinematographer - April 2012 - Clubhouse News
American Cinematographer - April 2012 - 107
American Cinematographer - April 2012 - ASC Close-Up: Alar Kivilo
American Cinematographer - April 2012 - Cover3
American Cinematographer - April 2012 - Cover4
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