American Cinematographer - April 2014 - 75

the train stunts, and Küchler's crew
rigged a dimmable lighting system to
help create the illusion of motion. (The
tricks used on set were augmented digitally in post under visual-effects supervisor Jim Berney.)
The idea was to film actors on the
train mockup as it was manipulated on a
gimbaled platform surrounded by a
360-degree greenscreen that permitted
filming from unlimited angles. Levine
and Shelton devised a system of
movable truss rigs that held an array of
different lighting units, including
Lumapanels for daylight ambience,
Kino Flo Image 80s for the greenscreen,
and two long strips of Chroma-Q Color
Force 72 LEDs that ran the length of
the train on either side. To control the
array of Color Forces and create the illusion of scenery flashing by, the team
employed pixel mapping of actual B-roll
footage shot throughout Chicago by the
visual-effects team. Using a Catalyst
media server and a Hog 4 lighting

console, along with what Levine calls
"the wizardry of console programmer
Josh Thatcher," they were able to
impact the footage by adjusting speed
and color to achieve realistic lighting
effects that they could fine-tune along
the way to tailor movement of the light
for each scene. For hard shadow effects,
they used PRG Bad Boy Moving
Lights, along with an Arrimax
surrounded by small trees on a spinning
rig. Finally, they added simple tricks,
such as waving solids in front of various
fixtures at key moments.
At press time, Burger and
Küchler were preparing for the final
grade at EFilm, where they were set to
work with colorist Tom Reiser.
According to Küchler, the main goals
for the DI were to emphasize the colorful aesthetic that had been established
on set, and to strategically highlight the
colorful LED panel lighting used
throughout the piece.
●

TECHNICAL SPECS
2.40:1
Digital Capture
Arri Alexa Plus, M
Panavision PVintage, E Series

75


http://www.kinoflo.com http://www.kinoflo.com

American Cinematographer - April 2014

Table of Contents for the Digital Edition of American Cinematographer - April 2014

Contents
American Cinematographer - April 2014 - Cover1
American Cinematographer - April 2014 - Cover2
American Cinematographer - April 2014 - 1
American Cinematographer - April 2014 - 2
American Cinematographer - April 2014 - Contents
American Cinematographer - April 2014 - 4
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