American Cinematographer - April 2014 - 91
(Her first documentary was Be Good,
Smile Pretty, about her father's death in
Vietnam.) She was interested in delving into her father's hometown, but not
in repeating the personal-documentary
approach.
When the cousins met up a
month later to start discussing Rich
Hill, they discovered they were on the
same page with the theme and vérité
approach. "We wanted to demystify
poverty," says Droz Palermo. "Rich Hill
is very impoverished, and we knew
there were a lot of prejudices that come
with that." What they didn't know yet
was that they would focus on the kids.
On their first research trip, in
December 2011, they cast a wide net,
interviewing farmers, other citizens and
local political activists. They met the
lonely 13-year-old Appachey. On a
visit a few months later, Droz Palermo
approached a group of teens in the park
and met Andrew, a cheerful 14-yearold whose family was constantly losing
its home. The filmmakers also met 15year-old Harley, whose mother was in
prison. "It really connected when we
went home with them, because their
families turned out to be so important
to the film," says Droz Palermo.
The filmmakers returned for a
week every month through 2012.
Typically, they would go together, and
Droz Tragos handled interviews and
lavaliers while Droz Palermo manned
the camera with a shotgun mic.
Sometimes, Droz Palermo shot on his
own.
Knowing there would be no B
camera, he saw the advantage of 4K
capture from the outset. Dynamic
range was important for achieving the
"beautiful, lush treatment" he wanted
to give the town, but more important
was the ability to punch in on a shot in
the edit without sacrificing resolution.
"We do some sneaky punch-ins, where
it appears like a second camera on a
tighter lens but is really the same
camera," he says, citing the interview
with Harley's imprisoned mother as an
example. "Sometimes that really saved
us in the edit."
➣
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http://www.scheimpflug.net
American Cinematographer - April 2014
Table of Contents for the Digital Edition of American Cinematographer - April 2014
Contents
American Cinematographer - April 2014 - Cover1
American Cinematographer - April 2014 - Cover2
American Cinematographer - April 2014 - 1
American Cinematographer - April 2014 - 2
American Cinematographer - April 2014 - Contents
American Cinematographer - April 2014 - 4
American Cinematographer - April 2014 - 5
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