American Cinematographer - April 2016 - 106

consists of three focal lengths: 100mm,
150mm and 180mm. The lenses feature
full-frame (24mm x 36mm) coverage, 1:1
magnification, consistent T-stop (T2.9), and
robust and durable cine mechanics.
Based in Germany, IB/E is a globally
respected optics manufacturer known for
cutting-edge expanders, adapters and
lenses, including the Arri 65 lenses.
APO Macro FF lenses will be available this summer.
For additional information, visit
www.bandpro.com.

Canon Upgrades
EOS-1D X, XA Cameras
Canon U.S.A., Inc., has announced
the EOS-1D X Mark II DSLR camera, which
incorporates a new 20.2-megapixel 35mm
Full Frame Canon CMOS sensor and Dual
DIGIC 6+ Image Processors. The camera
also combines the ability to capture highresolution still images at speeds up to 14
fps and high-definition video at up to 4K
60p featuring Canon's proprietary Dual
Pixel CMOS Autofocus (AF) technology.
The Canon EOS-1D X Mark II
camera is designed to deliver high performance, speed and image quality, with
improved comfort for professional photographers. The camera includes an improved
61-point High-Density Reticular AF II system
with all AF points selectable by the user
(and up to 41 cross-type points depending
on the lens in use). The improved AF system
includes expanded coverage that supports
AF at maximum apertures up to f8 with all
61 points for high-precision autofocus even
when using EF super-telephoto lenses with
an EF extender.
The camera boasts excellent
dynamic range and reduced color noise
106

compared to its predecessor throughout its
standard ISO speed range of 100-51,200.
Expansion ISO speeds of 50, 102,400,
204,800 and 409,600 are also available. A
first for the Canon EOS-1D series, this
camera features a 360,000-pixel RGB+IR
metering sensor with enhanced precision
and performance compared to its predecessor, improving facial recognition and tracking, as well as nature scenes.
Additionally, the advanced AE
system can detect and compensate for flickering light sources such as sodium-vapor
lamps that are often used in gymnasiums
and swimming pools. When enabled, this
anti-flicker system automatically adjusts
shutter-release timing to help reduce disparities in exposure and color, especially during
continuous-burst shooting.
For filmmakers, the EOS-1D X Mark
II offers high-resolution DCI 4K video, with
smooth movie recording to an in-camera
CFast 2.0 memory card. An additional card
slot supports standard CF memory cards up
to UDMA 7.
The built-in headphone jack
supports real-time audio monitoring. The
camera's 4K Frame Grab function allows
users to isolate a frame from recorded 4K
video and create an 8.8 megapixel still JPEG
image in-camera. When combined with the
EOS-1D X Mark II's high-sensitivity fullframe CMOS sensor, the ability to record
Full HD video at frame rates up to 120p will
allow videographers to produce high-quality slow-motion video even in extremely low
light. To make video shooting even more
intuitive, the Canon EOS-1D X Mark II
camera's touch-screen LCD allows videographers to select the camera's AF point
before and during video recording with
Dual Pixel CMOS AF, which provides
responsive, accurate and quiet camcorderlike video autofocus to DSLRs.
The camera also offers a built-in GPS
receiver with compass for precise geotagged information of latitude, longitude,
elevation and direction. This is especially
valuable to wildlife photographers and
photojournalists who need to track their
locations, as well as to sports photographers who require the ability to sync a
multiple-camera setup with extreme accuracy and precision. It is possible to use the
camera's built-in GPS to automatically sync


http://www.bandpro.com http://www.FILMO-USA.COM

Table of Contents for the Digital Edition of American Cinematographer - April 2016

Contents
American Cinematographer - April 2016 - Cover1
American Cinematographer - April 2016 - Cover2
American Cinematographer - April 2016 - 1
American Cinematographer - April 2016 - 2
American Cinematographer - April 2016 - Contents
American Cinematographer - April 2016 - 4
American Cinematographer - April 2016 - 5
American Cinematographer - April 2016 - 6
American Cinematographer - April 2016 - 7
American Cinematographer - April 2016 - 8
American Cinematographer - April 2016 - 9
American Cinematographer - April 2016 - 10
American Cinematographer - April 2016 - 11
American Cinematographer - April 2016 - 12
American Cinematographer - April 2016 - 13
American Cinematographer - April 2016 - 14
American Cinematographer - April 2016 - 15
American Cinematographer - April 2016 - 16
American Cinematographer - April 2016 - 17
American Cinematographer - April 2016 - 18
American Cinematographer - April 2016 - 19
American Cinematographer - April 2016 - 20
American Cinematographer - April 2016 - 21
American Cinematographer - April 2016 - 22
American Cinematographer - April 2016 - 23
American Cinematographer - April 2016 - 24
American Cinematographer - April 2016 - 25
American Cinematographer - April 2016 - 26
American Cinematographer - April 2016 - 27
American Cinematographer - April 2016 - 28
American Cinematographer - April 2016 - 29
American Cinematographer - April 2016 - 30
American Cinematographer - April 2016 - 31
American Cinematographer - April 2016 - 32
American Cinematographer - April 2016 - 33
American Cinematographer - April 2016 - 34
American Cinematographer - April 2016 - 35
American Cinematographer - April 2016 - 36
American Cinematographer - April 2016 - 37
American Cinematographer - April 2016 - 38
American Cinematographer - April 2016 - 39
American Cinematographer - April 2016 - 40
American Cinematographer - April 2016 - 41
American Cinematographer - April 2016 - 42
American Cinematographer - April 2016 - 43
American Cinematographer - April 2016 - 44
American Cinematographer - April 2016 - 45
American Cinematographer - April 2016 - 46
American Cinematographer - April 2016 - 47
American Cinematographer - April 2016 - 48
American Cinematographer - April 2016 - 49
American Cinematographer - April 2016 - 50
American Cinematographer - April 2016 - 51
American Cinematographer - April 2016 - 52
American Cinematographer - April 2016 - 53
American Cinematographer - April 2016 - 54
American Cinematographer - April 2016 - 55
American Cinematographer - April 2016 - 56
American Cinematographer - April 2016 - 57
American Cinematographer - April 2016 - 58
American Cinematographer - April 2016 - 59
American Cinematographer - April 2016 - 60
American Cinematographer - April 2016 - 61
American Cinematographer - April 2016 - 62
American Cinematographer - April 2016 - 63
American Cinematographer - April 2016 - 64
American Cinematographer - April 2016 - 64a
American Cinematographer - April 2016 - 64b
American Cinematographer - April 2016 - 65
American Cinematographer - April 2016 - 66
American Cinematographer - April 2016 - 67
American Cinematographer - April 2016 - 68
American Cinematographer - April 2016 - 69
American Cinematographer - April 2016 - 70
American Cinematographer - April 2016 - 71
American Cinematographer - April 2016 - 72
American Cinematographer - April 2016 - 73
American Cinematographer - April 2016 - 74
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American Cinematographer - April 2016 - 76
American Cinematographer - April 2016 - 77
American Cinematographer - April 2016 - 78
American Cinematographer - April 2016 - 79
American Cinematographer - April 2016 - 80
American Cinematographer - April 2016 - 81
American Cinematographer - April 2016 - 82
American Cinematographer - April 2016 - 83
American Cinematographer - April 2016 - 84
American Cinematographer - April 2016 - 85
American Cinematographer - April 2016 - 86
American Cinematographer - April 2016 - 87
American Cinematographer - April 2016 - 88
American Cinematographer - April 2016 - 89
American Cinematographer - April 2016 - 90
American Cinematographer - April 2016 - 91
American Cinematographer - April 2016 - 92
American Cinematographer - April 2016 - 93
American Cinematographer - April 2016 - 94
American Cinematographer - April 2016 - 95
American Cinematographer - April 2016 - 96
American Cinematographer - April 2016 - 97
American Cinematographer - April 2016 - 98
American Cinematographer - April 2016 - 99
American Cinematographer - April 2016 - 100
American Cinematographer - April 2016 - 101
American Cinematographer - April 2016 - 102
American Cinematographer - April 2016 - 103
American Cinematographer - April 2016 - 104
American Cinematographer - April 2016 - 105
American Cinematographer - April 2016 - 106
American Cinematographer - April 2016 - 107
American Cinematographer - April 2016 - 108
American Cinematographer - April 2016 - 109
American Cinematographer - April 2016 - 110
American Cinematographer - April 2016 - 111
American Cinematographer - April 2016 - 112
American Cinematographer - April 2016 - 113
American Cinematographer - April 2016 - 114
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American Cinematographer - April 2016 - 119
American Cinematographer - April 2016 - 120
American Cinematographer - April 2016 - Cover3
American Cinematographer - April 2016 - Cover4
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