American Cinematographer - April 2016 - 109
highlight-priority (gamma) mode - to
adjust brightness and gamma setting of
both the display and EVF to help display
subjects in the most realistic way possible.
To help facilitate better focus ability, these
models feature High Definition Peaking for
Focus Assist. In addition, both models allow
for full manual control and assignable
buttons for custom shooting, and also have
advanced display features that allow for
adjustment of zebra, color bars and test
tone.
The XA35 and XA30 HD camcorders
both feature wireless connectivity for easy
sharing and uploading of files. FTP file
transfer of MP4 (3Mbps) video is enabled
by dual-band wireless support (5GHz and
2.4GHz), which also allows for data sharing. A wireless-remote feature enables
users to control the XA35 and XA30
camcorders via a Web browser on the user's
compatible PC or mobile device. In playback
mode, video files can be uploaded to socialmedia websites via the free Movie Uploader
app, currently available only for compatible
iOS mobile devices.
The XA35 and XA30 HD camcorders
also support use of the optional Canon GPE2 GPS receiver, which can be connected
via USB cable to provide location and time
information recorded during shooting.
Additional features include connectivity to
various inputs and outputs, including two
phantom-powered XLR audio inputs with
main ground control, and optional Bluetooth mic and two-way intercom-like capability.
For additional information, visit
usa.canon.com.
IndyND Tackles GoPro Exposure
IndyND has introduced a filter package and smartphone app for use with
GoPro cameras in order to offer cinematographers increased control over the cameras'
exposure without relying on shutter speed.
With IndyND's intuitive light-meter
http://WWW.PSTECHNIK.DE
http://WWW.CINEGEARS.COM
http://usa.canon.com
Table of Contents for the Digital Edition of American Cinematographer - April 2016
Contents
American Cinematographer - April 2016 - Cover1
American Cinematographer - April 2016 - Cover2
American Cinematographer - April 2016 - 1
American Cinematographer - April 2016 - 2
American Cinematographer - April 2016 - Contents
American Cinematographer - April 2016 - 4
American Cinematographer - April 2016 - 5
American Cinematographer - April 2016 - 6
American Cinematographer - April 2016 - 7
American Cinematographer - April 2016 - 8
American Cinematographer - April 2016 - 9
American Cinematographer - April 2016 - 10
American Cinematographer - April 2016 - 11
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American Cinematographer - April 2016 - 13
American Cinematographer - April 2016 - 14
American Cinematographer - April 2016 - 15
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American Cinematographer - April 2016 - 17
American Cinematographer - April 2016 - 18
American Cinematographer - April 2016 - 19
American Cinematographer - April 2016 - 20
American Cinematographer - April 2016 - 21
American Cinematographer - April 2016 - 22
American Cinematographer - April 2016 - 23
American Cinematographer - April 2016 - 24
American Cinematographer - April 2016 - 25
American Cinematographer - April 2016 - 26
American Cinematographer - April 2016 - 27
American Cinematographer - April 2016 - 28
American Cinematographer - April 2016 - 29
American Cinematographer - April 2016 - 30
American Cinematographer - April 2016 - 31
American Cinematographer - April 2016 - 32
American Cinematographer - April 2016 - 33
American Cinematographer - April 2016 - 34
American Cinematographer - April 2016 - 35
American Cinematographer - April 2016 - 36
American Cinematographer - April 2016 - 37
American Cinematographer - April 2016 - 38
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American Cinematographer - April 2016 - 40
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American Cinematographer - April 2016 - 42
American Cinematographer - April 2016 - 43
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American Cinematographer - April 2016 - 45
American Cinematographer - April 2016 - 46
American Cinematographer - April 2016 - 47
American Cinematographer - April 2016 - 48
American Cinematographer - April 2016 - 49
American Cinematographer - April 2016 - 50
American Cinematographer - April 2016 - 51
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American Cinematographer - April 2016 - 53
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American Cinematographer - April 2016 - 60
American Cinematographer - April 2016 - 61
American Cinematographer - April 2016 - 62
American Cinematographer - April 2016 - 63
American Cinematographer - April 2016 - 64
American Cinematographer - April 2016 - 64a
American Cinematographer - April 2016 - 64b
American Cinematographer - April 2016 - 65
American Cinematographer - April 2016 - 66
American Cinematographer - April 2016 - 67
American Cinematographer - April 2016 - 68
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American Cinematographer - April 2016 - 70
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American Cinematographer - April 2016 - 90
American Cinematographer - April 2016 - 91
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American Cinematographer - April 2016 - 109
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American Cinematographer - April 2016 - 119
American Cinematographer - April 2016 - 120
American Cinematographer - April 2016 - Cover3
American Cinematographer - April 2016 - Cover4
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